An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.
Matt Scudder is a former cop now a private eye. He is asked by a drug dealer to find the men who kidnapped his wife. It seems like they killed her even after he paid them. Scudder refuses. But the man later goes to see him and tells him how his wife was killed. Scudder takes the job. He does some research and thinks the men he is looking for have done this more than once. And that everyone they grabbed is connected to a drug dealer. He was about to give up when they grab another girl and Scudder tries make sure she's returned alive. Written by
There are two separate scenes which show the New York City skyline. The first is a panoramic view showing, from right to left, the Chrysler Building and the Empire State Building. At the end of the film, a similar skyline is shown but shows both towers of the World Trade Center. The first view does not, despite the film taking place between 1991 and 1999. The World Trade Center was not destroyed until 2001 on September 11th. See more »
In the basement of the apartment, in the closing scenes, Scudder is vigorously garroted with a ligature around the neck. He escapes and at the conclusion he returns to his own apartment, but there is no evidence of this extensive trauma. See more »
I do favors for people and in return, they give me gifts. So, what can I do for you?
See more »
The Annual Liam Neeson Action Film: A New Favorite Tradition.
Ahh yes...the time has come for one of my fairly recent favorite traditions...the annual release of a Liam Neeson movie where he is just being a bad a**. Ever since "Taken", the world has been re- introduced to Neeson as it's newest and truest action hero. For the most part during this little resurrection for Neeson, you know that despite any flaws the film might have, it ends up being great entertainment regardless and you overlook those things. The only minor grievance that one might have during this tradition, is that as much as you don't want to admit it, some of these Neeson movies just aren't as good.
Now before we go any further we have to discuss the exact trend of the Neeson films. I am only including the movies where Neeson is, for the most part, the only star and he is playing some grizzled, world weary, growling bad a** with a checkered past. This exempts movies like "The A-Team", "Clash/Wrath of the Titans", and ugh...."Battleship".....dear lord that was terrible....although it it is always nice to see Rihanna trying to be a bad a**, "Aloha, mother f***er!". Anyway, you get the picture. As for the examples of slightly less awesome Neeson bad a** movies, these are the ones like "Unknown", and some may even say "Non-Stop" but I actually enjoyed that one.
"A Walk Among the Tombstones" falls into that category. Many will go into this movie looking to see Neeson kicking dudes a**es left and right and they may be sorrily disappointed. "Tombstones" is more about the detective story and the darkness that the characters descend into as the film progresses. Neeson plays Matt Scudder, a retired cop/alcoholic turned P.I. after a case 8 years ago that left him emotionally and psychologically scarred. He is brought to meet drug dealer (excuse me, "trafficker") Kenny Kristo (worse drug kingpin name ever?) who wants to hire him to find the two men who kidnapped and murdered his wife despite paying them the money they asked for. Scudder, along with a spunky, homeless kid T.J, fish around for clues. Their relationship is interesting at first because it's unclear as to why Scudder continues to come into contact with this kid besides the fact that perhaps by helping this kid, he can make up for a lot of sins he has committed in his past.
The film can be slow at times, but Neeson is almost in every scene and his presence alone keeps you engaged in every step he takes. As you get closer and closer to the truth the film gets more disturbing. This film is unnerving for sure and is a mental disturbance more than anything. Even though it may not be as action packed as some of Neesons' past films (The Grey still doesn't get enough love) but it may be a pleasant surprise for other reasons. One of Americas guilty pleasures is loving serial killers (Dexter, The Killing, Hannibal, films and series, Se7en, etc.) so people may actually enjoy the film but for a completely different reason then they previously thought.
Oh, and don't worry, Liam still has some clever "bad a** one-liners" keeping up with the tradition...Can't wait till next year.
I joyously await your criticism for my overuse of bad a**.
55 of 77 people found this review helpful.
Was this review helpful to you?