| Photos (See all 73 | slideshow) | Videos (see all 2) |
| Joan Allen | ... | Terry Ann Wolfmeyer | |
| Kevin Costner | ... | Denny Davies | |
| Erika Christensen | ... | Andy Wolfmeyer | |
| Keri Russell | ... | Emily Wolfmeyer | |
| Alicia Witt | ... | Hadley Wolfmeyer | |
| Evan Rachel Wood | ... | Lavender 'Popeye' Wolfmeyer | |
| Mike Binder | ... | Adam 'Shep' Goodman | |
| Tom Harper | ... | David Junior | |
| Dane Christensen | ... | Gorden Reiner | |
| Danny Webb | ... | Grey Wolfmeyer | |
| Magdalena Manville | ... | Darlene | |
| Suzanne Bertish | ... | Gina | |
| David Firth | ... | David Senior | |
| Rod Woodruff | ... | Dean Reiner (as Roderick P. Woodruff) | |
| Stephen Greif | ... | Emily's Doctor | |
| Arthur Penhallow | ... | Himself | |
| Richard Mylan | ... | Disc Jockey | |
| Robert Perkins | ... | Town Car Man | |
| William Tapley | ... | Dr. Lewis | |
| Owen Oakeshott | ... | Builder Foreman (as Owen Oakshoot) | |
| Bella Sabbagh | ... | Radio Station Receptionist | |
| Kathryn Wade | ... | Ballet Dancer | |
| Michelle Denholm | ... | Ballet Dancer | |
| Natalie Domanski | ... | Ballet Dancer | |
| Sophie Gorrod | ... | Ballet Dancer | |
| Carolyn Logan | ... | Ballet Dancer | |
| Alison McWhinney | ... | Ballet Dancer | |
| Natasha O'Brien | ... | Ballet Dancer | |
| Stina Quagebeur | ... | Ballet Dancer | |
| Olivia Ratcliffe | ... | Ballet Dancer | |
| Laura Suttle | ... | Ballet Dancer | |
| Nicola Wallis | ... | Ballet Dancer | |
| Miki Weatherford | ... | Ballet Dancer | |
| Nao Yamazato | ... | Ballet Dancer | |
| Gavin Munn | ... | Wedding Band - The Gavin Munn Band | |
| Nicholas White | ... | Wedding Band - The Gavin Munn Band | |
| Peter Hajioff | ... | Wedding Band - The Gavin Munn Band | |
| Chris Banks | ... | Wedding Band - The Gavin Munn Band | |
| Roger Batting | ... | Wedding Band - The Gavin Munn Band | |
| rest of cast listed alphabetically: | |||
| Greg Bennett | ... | Mourner (uncredited) | |
| Danny McCluskey | ... | Fan (uncredited) | |
| Peter Rnic | ... | Bodyguard (uncredited) | |
Directed by | |||
| Mike Binder | |||
Writing credits(WGA) | ||
| Mike Binder | (written by) | |
Produced by | |||
| Jack Binder | .... | producer | |
| Chris Curling | .... | associate producer | |
| Mark Damon | .... | executive producer | |
| Alex Gartner | .... | producer | |
| Andreas Grosch | .... | executive producer | |
| Stewart Hall | .... | executive producer | |
| Peter Heslop | .... | line producer | |
| Sammy Lee | .... | producer | |
| Andreas Schmid | .... | executive producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Richard Greatrex | (director of photography) | ||
Film Editing by | |||
| Steve Edwards | |||
| Robin Sales | |||
Casting by | |||
| Danielle Roffe | |||
Production Design by | |||
| Chris Roope | |||
Art Direction by | |||
| Tim Stevenson | |||
Set Decoration by | |||
| Neesh Ruben | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah Scott) | ||
Makeup Department | |||
| Sarita Allison | .... | makeup artist | |
| Chris Benoit | .... | hair stylist | |
| Elle Elliott | .... | hair stylist: Mr. Costner | |
| Daniel Galvin Senior | .... | colour consultant | |
| Teresa Kelly | .... | hair stylist | |
| Teresa Kelly | .... | makeup artist | |
| Sian Richards | .... | hair designer | |
| Sian Richards | .... | makeup designer | |
| John Schoonraad | .... | makeup effects designer/supervisor | |
| Felicity Wright | .... | hair stylist supervisor | |
| Felicity Wright | .... | makeup supervisor | |
Production Management | |||
| Jack Binder | .... | unit production manager | |
| Jay Coquillon | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jack Binder | .... | second unit director | |
| Chris Burgess | .... | additional third assistant director | |
| Melanie Dicks | .... | first assistant director | |
| Martin Krauka | .... | second assistant director | |
| Sarah MacFarlane | .... | third assistant director | |
| Andrew McEwan | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Lee Bryant | .... | chief dressing props | |
| Alfie Burgess | .... | stand-by props | |
| Stephen Campbell | .... | stand-by art director | |
| Steven Campbell | .... | stand-by art director | |
| Lee Reilly | .... | stand-by carpenter | |
| Zoe Scivoletto | .... | assistant set decorator | |
| Andrew Tapper | .... | art department assistant | |
| Ian Williamson | .... | stand-by painter | |
| Terry Wood | .... | property master | |
| Terry Woods | .... | property master | |
Sound Department | |||
| Stuart Bagshaw | .... | sound editor | |
| Howard Bargroff | .... | sound re-recording mixer | |
| Tony Bell | .... | sound maintenance | |
| Matthew Desorgher | .... | sound maintenance | |
| Phillip A. Hamilton | .... | adr recordist | |
| Christopher Harvengt | .... | adr supervisor | |
| Stewart Henderson | .... | adr editor | |
| Dan Johnson | .... | sound re-recording mixer | |
| Hugh Johnson | .... | sound re-recording mixer | |
| Gareth Llewellyn | .... | assistant sound re-recording mixer | |
| Miriam Ludbrook | .... | dialogue supervisor | |
| Gareth Meirion | .... | sound trainee (as Gareth Thomas) | |
| Zak Melemendjian | .... | adr editor (as Peter Melemendjian) | |
| Michael Miller | .... | adr mixer | |
| Jeremy Price | .... | supervising sound designer | |
| Jeremy Price | .... | supervising sound editor | |
| John Rodda | .... | sound mixer | |
| Brian Simmons | .... | sound mixer | |
| Barnaby Smyth | .... | supervising foley editor | |
| Graeme Stoten | .... | adr supervisor | |
| David Turner | .... | sound technical coordinator | |
| Michele Woods | .... | supervising sound editor | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Paddy Burnside | .... | special effects engineer | |
| Tom Harris | .... | special effects supervisor | |
| Alan Hedgcock | .... | special effects makeup | |
| Paul Kelly | .... | special effects supervisor (as Paul Kelley) | |
| Jules Pellicci | .... | special effects production coordinator | |
| Simon Rose | .... | special effects makeup | |
| Simon Rose | .... | special effects technician: exploding head effects | |
| Cliff Wallace | .... | special effects makeup | |
Visual Effects by | |||
| Gary J. Brown | .... | Inferno artist | |
| Sally Clayton | .... | digital film producer | |
| Safiya Ravat | .... | digital effects artist | |
| Anthony Wonsoff | .... | digital compositor | |
Stunts | |||
| Rod Woodruff | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jim Alloway | .... | second camera operator | |
| David Ashby | .... | second camera grip | |
| Robin Browne | .... | director of photography: second unit, Detroit | |
| Paul Buffery | .... | stand-by rigger | |
| Paul Chedlow | .... | still photographer | |
| Bob Cooke | .... | clapper loader | |
| Russell Diamond | .... | grip | |
| Terry Eden | .... | best boy | |
| Dan Garlick | .... | second camera grip | |
| Simon Gilmour | .... | camera loader | |
| Gary Hedges | .... | electrician | |
| Dermot Hickey | .... | focus puller | |
| Alice Hobden | .... | second camera loader | |
| Andrew Hoehn Jr. | .... | first assistant camera: Detroit | |
| Demetri Jagger | .... | video assist operator | |
| Brian Jones | .... | gaffer | |
| Andy O'Connor | .... | electrician | |
| Peter O'Connor | .... | focus puller: second camera | |
| Gerry Vasbenter | .... | Steadicam operator | |
| Gerry Vasbenter | .... | camera operator | |
| Zoe Whittaker | .... | video assist operator: dailies | |
Casting Department | |||
| Gary Davy | .... | casting: UK | |
Costume and Wardrobe Department | |||
| Elena D'Cruze-Reynolds | .... | junior costume assistant | |
| Lucy Denny | .... | costume assistant | |
| Rebecca Duncan | .... | wardrobe supervisor | |
| Sarah Fawkner | .... | costume runner | |
| Laura N. Flores | .... | costume production assistant | |
| Rebecca Gore | .... | wardrobe assistant | |
| Mari Grimaud | .... | costume supervisor | |
| Karen Hobbs | .... | costume assistant | |
| Sally Mason | .... | wardrobe supervisor | |
| Linda Millen | .... | wardrobe mistress | |
| Elizabeth Wilson | .... | assistant costume designer (as Lizzy Wilson) | |
Editorial Department | |||
| Jeremy Baxter | .... | post-production assistant | |
| Joe Fineman | .... | post-production consultant | |
| Steve Harrow | .... | post-production consultant | |
| Michael Nouryeh | .... | assistant editor | |
| Rod Shelton | .... | digital intermediate producer | |
| Lance Stubblefield | .... | assistant editor | |
| Cliff Thomas | .... | color grader | |
| Laurent Treherne | .... | digital intermediate supervisor | |
| Mick Vincent | .... | colorist | |
| Tracey Wadmore-Smith | .... | associate editor | |
| Mat Whitecross | .... | documentary editor | |
| Laurie McDowell | .... | assistant editor (uncredited) | |
| Jim Passon | .... | final color timer (uncredited) | |
Music Department | |||
| Maggie Bazin | .... | music clearance coordinator | |
| Alexandre Desplat | .... | conductor | |
| Alexandre Desplat | .... | orchestrator | |
| Dave Jordan | .... | music supervisor | |
| Solrey Lemonnier | .... | music producer | |
| Gordan Nikolitch | .... | orchestra leader | |
| Jon Olive | .... | music editor | |
| Jojo Villanueva | .... | music coordinator (as Jo Jo Villanueva) | |
Transportation Department | |||
| Simon Burgess | .... | facility driver: unit base stand-by | |
| Martin Jones | .... | driver | |
| Simon Jones | .... | driver | |
| Graham Kelly | .... | action vehicle coordinator | |
| Andrew Nolan | .... | genny driver | |
| Chris J. Smith | .... | picture vehicle technician | |
| Dave Williams | .... | facilities driver | |
Other crew | |||
| Jasa Abreo | .... | assistant: Kevin Costner | |
| Huda Abuzeid | .... | assistant: Jack Binder | |
| Sonya A. Avakian | .... | production assistant | |
| Linzi Baltrunas | .... | assistant location manager | |
| Terry Blyther | .... | location manager | |
| Sean Bradley | .... | representative: Media 8 Entertainment | |
| Lesley Broderick | .... | production accountant | |
| Carn Burton | .... | location finder | |
| Clair Chrysler | .... | lead stand-in: Joan Allen | |
| Valentina Coccia | .... | assistant production coordinator | |
| Merryn Conaway | .... | assistant: Jack Binder | |
| Christopher Coote | .... | floor runner | |
| Randy Dannenberg | .... | film executive | |
| Kerstin Dyroff | .... | production coordinator: VIP Medienfonds | |
| Billy Edwards | .... | charge hand stand-by propman | |
| Mike Fraser | .... | digital film consultant | |
| Robin Green | .... | second assistant accountant | |
| John Gunnery | .... | stand-in | |
| Chaz Harris | .... | assistant: Jack Binder | |
| Alexander Hodgson | .... | production assistant | |
| Jessica L. Jordan | .... | representative: Media 8 Entertainment | |
| Solomon J. LeFlore | .... | production financing | |
| Maggie Murray | .... | assistant accountant | |
| Eva Neufahrt | .... | controller | |
| Brian O'Shea | .... | executive: Media 8 Entertainment | |
| Brian O'Shea | .... | world sales executive | |
| Claire Packer | .... | assistant: Sammy Lee | |
| Jeremy Pelzer | .... | studio director ealing studios | |
| Jenna Piccolo | .... | executive | |
| Aris Piliguian | .... | assistant: Alex Gartner | |
| Pam Plummer | .... | assistant: Joan Allen | |
| Bill Ridealgh | .... | unit medic | |
| David Rumble | .... | production assistant | |
| Bella Sabbagh | .... | stand-in: Alicia Witt | |
| Nicole Sacker | .... | assistant: Jack Binder | |
| Katryna Samut-Tagliaferro | .... | production coordinator | |
| Caroline Sax | .... | script supervisor | |
| Richard Senior | .... | floor runner | |
| Diane Slattery | .... | unit publicist | |
| Charlie Somers | .... | location scout | |
| Tamara Stuparich de la Barra | .... | creative executive: Media 8 | |
| Jelena Tadic | .... | executive | |
| Michael J. Urann | .... | representative: Media 8 Entertainment | |
| Matthew Waldman | .... | production liaison | |
| Oli Wennink | .... | post-production assistant to producer | |
| Rachel Zimmerman | .... | assistant: Mike Binder | |
| Christa Zofcin | .... | business affairs executive | |
| Richard Rowntree | .... | assistant: Steve Harrow (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Life doesn't come with an instruction manual or a script to follow, it's basically improv on a daily basis, and as it plays out people and things often are not who or what they seem to be on the surface. It's reality, as opposed to the way you expect, hope or want it all to be; truth, as opposed to an individual perception of truth. That's life. And "The Upside of Anger," written and directed by Mike Binder, explores some hard realities that differ drastically from expectations and perceptions.
The film opens with a funeral, a somber note which in a sense prepares you for what is to follow, after a flash back of three years, at which point the story begins. Terry Wolfmeyer (Joan Allen) is at loose ends because her husband has run off with his secretary, leaving her and four daughters behind to fend for themselves. Angry, distraught and a stone's throw from bitter, Terry turns to alcohol to deaden the effects of what has been a life-altering experience. Luckily-- or maybe not-- Terry has a neighbor, Denny Davies (Kevin Costner), an ex-pro baseball player turned radio talk show host, with whom to share a drink and commiserate. Her daughters (three teens and one in college) are supportive, as well-- to a point. But they are each in their own way also struggling to understand why their father deserted them. By all accounts, this was in no way a dysfunctional, angst-ridden family, so the actions of their father is a mystery to them all. Naturally, it's a pivotal point in their lives, and before any of them can move on, especially Terry, they have to know why he did what he did. In the meantime, with or without this needed closure, life is happening to and around them.
Binder (who also appears in the film as the producer of Denny's radio show) displays an astute knowledge of human nature with this film, and how random the myriad twists and turns of life can be. He holds your attention from the opening scene (who's funeral is it, anyway?), and just when you think you know where the story is going it takes an unexpected turn. And he is in no way attempting to manipulate his audience; rather, he is giving you a reflection of the way life so often simply does not go the way you think it's going to. It's a succinct look at relationships, and of how fragile-- as well as resilient-- we all can be.
As Terry, Joan Allen sets vanity aside to create her character and turns in an Oscar caliber performance in doing so. When she gets up in the morning she looks like a middle-aged woman with insufferable problems and a hangover, a woman in the throes of coping with a traumatic experience who is desperate to reconnect with a life she no longer has and who will do anything within her power to hang on to what she has left. She's walking a tightrope over a deep abyss and she's understandably on edge, so when one of her girls tugs the rope and compromises her control and security, she quite naturally lashes out, proving the old adage you always hurt the one you love. There's a scene in which a grieving Terry draws her hands to her breast and, head lowered, utters a cry, and anyone who has ever known any kind of grief or loss in their life will at that moment know exactly what she is going through. It's a terrific piece of acting, a performance that is altogether affecting and memorable.
And, as performances go, Kevin Costner, too, puts vanity aside to create a character that is entirely convincing. Denny Davies is paunchy, his hair is thin and most of the time he looks as though he's had one beer too many. Still, he's engaging, and you get the feeling there's a complex individual hiding behind an external simplicity that perhaps helps to mask his true feelings about a lot of things in his life, including his career on the diamond. Why, for example, does he refuse to talk about baseball on his sports talk show? In it's purity, this is arguably Costner's finest performance ever.
Top notch performances are turned in, as well, by Erika Christensen, Evan Rachel Wood, Keri Russell and Alicia Witt as Terry's daughters, respectively, Andy, Popeye, Emily and Hadley; and by Binder himself as Shep. In the end, "The Upside of Anger" is an involving, memorable film that celebrates life and leaves you with a sense of hope, that no matter how bad things get we all have the capacity to get through it and somehow find the light at the end of the tunnel. And that's the magic of the movies.