Archeologist Jack keeps having reoccurring dreams of a past life, where he is the great General Meng Yi, whom is sworn to protect a Korean Princess named OK-soo. Jack decides to go investigate everything with his friend William.
Thongs and Octopus accept a job from their landlord: Kidnap a baby. Soon, the baby awakens strong paternal feelings in the two crooks, leading to complications when it comes to handing him over to his possibly crazy gang boss grandfather.
A hero cop accidentally leads his team into a trap from which he is the only survivor. Drowning his guilt in booze, he is eventually assigned a new younger partner who turns out to have his own secrets.
This action movie unfolds with the story of Bei, a salesman at a workout equipment store, who harbors dreams of adventures. It all starts when on one normal dull day, Bei follows his ... See full summary »
Martial arts legend Jackie Chan stars as Jack, a world-renowned archaeologist who has begun having mysterious dreams of a past life as a warrior in ancient China. When a fellow scientist enlists his help locating the mausoleum of China's first emperor, the past collides violently with the present as Jack discovers his amazing visions are based in fact. Assisted by the spirit of a noble princess... Written by
In the outtakes, Jackie Chan fights with his rival who is on wires, but does not use any himself. He overdid a sweep kick and fell off the scaffold about fifteen feet to the ground onto a mattress. The outtakes show him falling and climbing back up to do the scene again. See more »
While playing with the elephant "Lakshmi", apparently a female elephant, Mallika Sherawat says to it "Good boy, Good boy". See more »
Ever since Jackie Chan's rendezvous with Hollywood in Cannonball Run (1981) (which incidentally was advertised in Hong Kong as Jackie "co-starring with Bert Reynolds"), he has been true to his unique brand of action part comedy, part choreography, part acrobat but never true martial arts such as what Jet Li delivers. (A remote analogy of the Sphinx part woman, part beast, part god - but nothing of a man in it). And this went on for what seem like an eternity, both in local and Hollywood productions. Then, approaching mid-life, Chan started to try new things e.g. pure romance in "Bo lei jun" (or "Glass bottle") (1999) and pathos in "New Police story" (2004).
In "The Myth", he takes things even further, by giving us both an old clowning around Jackie Chan and a new all serious Jackie Chan, in two parallel stories, present and ancient. Good intentions and efforts notwithstanding, Chan's portrayal of a general of woeful countenance in the ancient Qin dynasty is just not convincing, maybe because of things as a simple as his stature or that his face is too familiar. As a result, the love story on which obvious emphasis has been placed never quite gets off the ground. What we are left with then is pretty much the old Jackie Chan flick. Still, with the multi billion dollar (HK$) budget, an international cast and some pretty clever ideas (as the "rat glue factory scene" everybody mentioned), this movie IS entertaining. As well, although the "historical" portion is not exactly a resounding success, it does add another dimension to the movie.
One final note at half-century point, Jackie Chan finally yields a bit on his resistance to wire work and CGI. While we are all proud of his steadfast determination to do all the dangerous stunts himself, the laws of nature dictate that there are things that you just can't go on doing forever.
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