A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A missile disappears in Iran, but the CIA has other problems: the heir to an Emirate gives an oil contract to China, cutting out a US company that promptly fires its immigrant workers and merges with a small firm that has landed a Kazakhstani oil contract. The Department of Justice suspects bribery, and the oil company's law firm finds a scapegoat. The CIA also needs one when its plot to kill the Emir-apparent fails. Agent Bob Barnes, the fall guy, sorts out the double cross. An American economist parlays the death of his son into a contract to advise the sheik the CIA wants dead. The jobless Pakistanis join a fundamentalist group. All roads start and end in the oil fields. Written by
In the days leading up to the Oscar nominations, the Academy announced that the film's screenplay was considered original, not adapted. Since it had been strongly advertised as adapted, many believed the film would not be nominated. It was nominated for Best Original Screenplay, but lost to Crash (2004). See more »
After the missile hits the vehicle with the prince inside, the operator of the missile say "E.T.D. 22:44", but the clock on the wall still says 22:23. See more »
Maddening and infuriating but also fascinating like most things we don't understand when we're told we should. I kept hearing people around me whispering - Who's that? - What are they talking about? - William Hurt!? I haven't shoosh people in a movie theater in years but I did throughout "Syriana". The most compelling aspect is that I felt let into something and hear things I shouldn't. They're all baddies one way or another but then, what else is new. Stephen Gaghan, the writer director, devices a devilish web for us to get lost into. I was mesmerized by his self assuredness and although I didn't have any kind of emotional connection with "Syriana" whoever she or it is, I couldn't dismiss the experience so, well done, cinema comes in all shapes and flavors.
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