A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A missile disappears in Iran, but the CIA has other problems: the heir to an Emirate gives an oil contract to China, cutting out a US company that promptly fires its immigrant workers and merges with a small firm that has landed a Kazakhstani oil contract. The Department of Justice suspects bribery, and the oil company's law firm finds a scapegoat. The CIA also needs one when its plot to kill the Emir-apparent fails. Agent Bob Barnes, the fall guy, sorts out the double cross. An American economist parlays the death of his son into a contract to advise the sheik the CIA wants dead. The jobless Pakistanis join a fundamentalist group. All roads start and end in the oil fields. Written by
George Clooney suffered a spinal injury during a stunt. Due to the weight he gained for his role, the injury left him bedridden for a month and caused severe migraines, which prevented him from doing publicity for Ocean's Twelve (2004). The injury was eventually corrected with surgery. Clooney has since called his weight gain "pretty stupid". See more »
At the beginning of the movie, when the woman changes her clothes and puts pants on, she also changes from high heels to sneakers. When she walks away, her shoes sound like high heels. See more »
Syriana, starring Matt Damon and George Clooney, reveals a possible honesty in foreign political corruption. The movie starts out a bit discombobulating, but the ending unleashes a truism in our society. Directed and written by Stephen Gaghan (Screenplay for Traffic 2000), the script for Syriana shows not only a smart liberal-approached storyline, but also how much the American and Arabian lives becomes juxtaposed by oil politics. Based on the non-fiction book "See No Evil" by Robert Baer, Syriana takes its viewer step by step through the birth and processes of terrorism; and tears at the roots from where all violence and corruption derives.
The movie starts with the introduction of a character, Bob (George Clooney), an American CIA agent who works in the Middle East for years witnessing the destruction of social injustice. The movie then turns light to the American governmental affairs and its due process to make oil business proposals and governmental decisions to promote oil driven businesses in the Middle East. Bryan (Matt Damon) struggling to survive in America's capitalistic society thrives to introduce business opportunities in the Middle East; but before completing any deals with reformer and leader, Prince Nasir, all the characters, including a young Arabic man suffering from American politics and social injustices, end up experiencing sacrifices beyond comprehensible.
The movie leaves its audience stunned with a raw realism that the world we live is not a pretty picture, and all the beliefs you trust can be questionable. Although the movie definitely wouldn't exactly be a "feel good movie", its thought provoking and enlightening, and I don't think it was ever meant to be a "feel good movie." The movie shows a perspective worth learning, considering and understanding. And although the movie takes the viewer through a roller-coaster of different lives and people objectives at the beginning of the film, the movie ties in brilliantly to connect not only the characters lives, but the lives of the audience and everyone's lives who have capitalistic motives.
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