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Revolver (2005)

6.5
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Ratings: 6.5/10 from 60,087 users   Metascore: 25/100
Reviews: 456 user | 116 critic | 21 from Metacritic.com

Gambler Jake Green enters into a game with potentially deadly consequences.

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Title: Revolver (2005)

Revolver (2005) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
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Avi
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French Paul (as Terrence Maynard)
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Doreen
Elana Binysh ...
Rachel
Shend ...
Teddy (Billy's Bodyguard)
Bill Moody ...
Al
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Joe
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Benny
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Storyline

After seven years in solitary, Jake Green is released from prison. In the next two years, he amasses a lot of money by gambling. He's ready to seek his revenge on Dorothy (Mr. D) Macha, a violence-prone casino owner who sent Jake to prison. He humiliates Macha in front of Macha's lieutenants, leaves, and keels over. Doctors tell him he has a rare disease and will die in three days; Macha also puts a hit out on him. Loan sharks, Zack and Avi, demand Jake's cash and complete fealty in return for protection. Jake complies, and through narration and flashbacks, we watch him through at least three days of schemes, danger, and redemption. Who is his greatest enemy? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

casino | prison | doctor | disease | boss | See more »

Taglines:

Your mind will not accept a game this big


Motion Picture Rating (MPAA)

Rated R for violence, language and some nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

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Language:

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Release Date:

22 September 2005 (UK)  »

Also Known As:

Revolver  »

Box Office

Opening Weekend:

$41,820 (USA) (7 December 2007)

Gross:

$75,420 (USA) (14 December 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Harvey Keitel passed on this project. See more »

Goofs

When Zach points his gun at Jake in the elevator, the hammer on the gun goes from down to up between shots. See more »

Quotes

[first lines]
Jake Green: One thing I've learned in the last seven years: in every game and con there's always an opponent, and there's always a victim. The trick is to know when you're the latter, so you can become the former.
See more »

Crazy Credits

The Netflix version has normal end credits. Over the first part of the end credits, eight different "shrinks" (including six Ph.D.s and one M.D.) briefly discuss concepts in the movie. See more »

Connections

Referenced in Saturday Night Live: Robert De Niro/Destiny's Child (2004) See more »

Soundtracks

Piano Sonata No.14 in C Sharp-Minor, Op. 27, No. 2
Written by Ludwig van Beethoven
Restaurant Shootout Scene)
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User Reviews

 
Not a crime against cinema by any means
13 May 2007 | by (London, England) – See all my reviews

Neither the total disaster the UK critics claimed nor the misunderstood masterpiece its few fanboys insist, Revolver is at the very least an admirable attempt by Guy Ritchie to add a little substance to his conman capers. But then, nothing is more despised than an ambitious film that bites off more than it can chew, especially one using the gangster/con-artist movie framework. As might be expected from Luc Besson's name on the credits as producer, there's a definite element of 'Cinema de look' about it: set in a kind of realistic fantasy world where America and Britain overlap, it looks great, has a couple of superbly edited and conceived action sequences and oozes style, all of which mark it up as a disposable entertainment. But Ritchie clearly wants to do more than simply rehash his own movies for a fast buck, and he's spent a lot of time thinking and reading about life, the universe and everything. If anything its problem is that he's trying to throw in too many influences (a bit of Machiavelli, a dash of Godard, a lot of the Principles of Chess), motifs and techniques, littering the screen with quotes: the film was originally intended to end with three minutes of epigrams over photos of corpses of mob victims, and at times it feels as if he never read a fortune cookie he didn't want to turn into a movie. Rather than a commercial for Kabbalism, it's really more a mixture of the overlapping principles of commerce, chess and confidence trickery that for the most part pulls off the difficult trick of making the theosophy accessible while hiding the film's central (somewhat metaphysical) con.

The last third is where most of the problems can be found as Jason Statham takes on the enemy (literally) within with lots of ambitious but not always entirely successful crosscutting within the frame to contrast people's exterior bravado with their inner fear and anger, but it's got a lot going for it all the same. Not worth starting a new religion over, but I'm surprised it didn't get a US distributor. Maybe they found Ray Liotta's intentionally fake tan just too damn scary?


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