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Der rote Baron (2008)

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German biopic loosely based on the World War I fighter ace Manfred Von Richthofen, nicknamed the Red Baron by friend and foe alike.

Director:

(as Nikolai Müllerschoen)
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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
Tomás Koutník ...
Young Manfred von Richthofen
Tomás Ibl ...
Young Lothar von Richthofen
Albert Franc ...
Young Wolfram von Richthofen
...
...
Hanno Koffler ...
...
...
Hawker
...
...
...
Kirmaier (as Lukás Príkazký)
...
Ondrej Volejník ...
1st German Soldier
Jirí Wohanka ...
2nd German Soldier
Iveta Jirícková ...
Redhead Whore
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Storyline

Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical challenge and honorable acting, ignoring the terrible extent of war. But after falling in love with the nurse Käte, Manfred realizes he is only used for propaganda means. Caught between his disgust for the war, and the responsibility for his fighter wing, von Richthofen sets out to fly again. Written by j

Plot Summary | Add Synopsis

Taglines:

Heroes Rise. Empires Fall. Legends Endure. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for war violence, some disturbing images and brief suggestive material | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

10 April 2008 (Germany)  »

Also Known As:

The Red Baron  »

Filming Locations:

 »

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Box Office

Budget:

€18,000,000 (estimated)

Opening Weekend USA:

$13,931, 21 March 2010, Limited Release

Gross USA:

$36,569, 11 April 2010
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (long)

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Til Schweiger was 42 when he played Werner Voss who didn't even live to be 21. See more »

Goofs

In Lanoe Hawker's final scene his aircraft seems to change during combat. In the movie Hawker flies and is eventually shot down in a (anachronistic) S.E.5. When Hawker is being chased by Richthofen the camera switches to a rear shot of Hawkers plane. In this scene Hawker is not flying a S.E.5 but probably an equally anachronistic "Sopwith Camel" (or any plane other than S.E.5) judging by the shape of the latter's wings. When Hawkers aircraft is hit and starts to smoke he is seen flying a two-seater with an observer/gunner in the rear seat. On the ground Hawkers aircraft switches back to the S.E.5. See more »

Quotes

[first lines]
Bodenschatz: Are you out of your bloody minds?
Manfred von RichthofenSternbergVossLehmann: [in unison] Yes, sir.
Bodenschatz: You risk the squadron planes to attend an enemy funeral?
Manfred von RichthofenSternbergVossLehmann: [in unison] Yes, sir!
See more »

Connections

References Apocalypse Now (1979) See more »

Soundtracks

Open Skies
performed by Reamonn
composed by Reamonn
published by b612 publishing / Reamonn Publishing
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User Reviews

 
Well above average for the genre
21 July 2009 | by See all my reviews

Despite an ending that can't help but make the viewer feel a little cheated, this film is a success on many levels. Only a little historical inaccuracy, which while certainly not a problem for most films but is almost demanded in a biopic, is a noticeable flaw.

Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.

The performances are understated, although the dialog does feel a little sparse at times.

Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.


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