A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.
Cuba Gooding Jr.,
Taking place towards the end of WWII, 500 American Soldiers have been entrapped in a camp for 3 years. Beginning to give up hope they will ever be rescued, a group of Rangers goes on a dangerous mission to try and save them.
Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical challenge and honorable acting, ignoring the terrible extent of war. But after falling in love with the nurse Käte, Manfred realizes he is only used for propaganda means. Caught between his disgust for the war, and the responsibility for his fighter wing, von Richthofen sets out to fly again. Written by
The nurse Käte Otersdorf in the film was a real person and she was the nurse who attended to Richthofen after he received the head wound. There were several photographs (probably taken for propaganda purposes) in which she was shown with Richthofen, often together with a large group of other people. There was, however, never any evidence or even suggestion that there was a love affair between them. See more »
In Lanoe Hawker's final scene his aircraft seems to change during combat. In the movie Hawker flies and is eventually shot down in a (anachronistic) S.E.5. When Hawker is being chased by Richthofen the camera switches to a rear shot of Hawkers plane. In this scene Hawker is not flying a S.E.5 but probably an equally anachronistic "Sopwith Camel" (or any plane other than S.E.5) judging by the shape of the latter's wings. When Hawkers aircraft is hit and starts to smoke he is seen flying a two-seater with an observer/gunner in the rear seat.
On the ground Hawkers aircraft switches back to the S.E.5. See more »
Few days ago I read an interview with Schweighöfer in which he's wondering why "The Red Baron" didn't get any subsidies. "Maybe they didn't like the script". They were right! And I don't think, the script was too controversial... I wish, it'd be. It's a pity that private financed productions like "As far as my feet will carry me" or even Vilsmaier's "Marlene" and now "The Red Baron" have producer's that are obviously willing to make the best movies they can, even without public money. they spent their budget on the cast, effects, good looks but they don't have a clue what to do with their values. They hire authors and directors who turn out to be just unable to cope with their projects. And most of the critics just complain about historical facts... I don't get it. It's a movie! But a badly told one. If you want to make a movie about a world war pilot who tries to be the best, then tell us, how he does it. And not in the main case, how he tries to win a nurse's heart! There are a lot of good love stories around, but THIS is the story of guy who liked to fly and shoot down enemies. If you pick it, stick to it. Don't be ashamed of your choice. It's quite funny to see a few quite impressing battle scenes, but the battles that mattered for the story are simply ignored. They get on the plane. Cut. Hospital. Everything that matters in the story is in the dialogs, not in actions. And even the important dialogs are filmed in cowardly undramatic distant shots... A waste of talent, chances and money.
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