A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.
Cuba Gooding Jr.,
Taking place towards the end of WWII, 500 American Soldiers have been entrapped in a camp for 3 years. Beginning to give up hope they will ever be rescued, a group of Rangers goes on a dangerous mission to try and save them.
Norway, WWII: A group of British and German soldiers find themselves stranded in the wilderness after an aircraft battle. Finding shelter in the same cabin, they realize the only way to survive the winter is to place the rules of war aside.
Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical challenge and honorable acting, ignoring the terrible extent of war. But after falling in love with the nurse Käte, Manfred realizes he is only used for propaganda means. Caught between his disgust for the war, and the responsibility for his fighter wing, von Richthofen sets out to fly again. Written by
The nurse Käte Otersdorf in the film was a real person and she was the nurse who attended to Richthofen after he received the head wound. There were several photographs (probably taken for propaganda purposes) in which she was shown with Richthofen, often together with a large group of other people. There was, however, never any evidence or even suggestion that there was a love affair between them. See more »
While the nurse that attended to Richthofen's head wound, Käte Otersdorf, was a real historical character, there was no historical account or even suggestion that she later became Richthofen's love interest. She also never met with Brown. See more »
Despite an ending that can't help but make the viewer feel a little cheated, this film is a success on many levels. Only a little historical inaccuracy, which while certainly not a problem for most films but is almost demanded in a biopic, is a noticeable flaw.
Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.
The performances are understated, although the dialog does feel a little sparse at times.
Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.
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