Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical ... See full summary »
Successful doctor Artur Planck, his wife Clara and their two daughters are seeking shelter from the Nazis storming Poland. They find a safe house in the farm of Emilia, their local grocer ... See full summary »
Katarzyna Al Abbas,
A burned-out bodyguard is hired to protect the man he hates the most: an international assassin who destroyed his career and ruined his life. Forced to put his personal feelings on hold, ... See full summary »
Studly German soldier David gets a warm welcome, after a tour of NATO 'peace-making' duty in Afghanistan, from his girlfriend and house-mate Kirsten and his own (step-)family. But the ... See full summary »
Memorial Day, 1993. When 13-year-old Kyle Vogel discovers the World War II footlocker belonging to his grandfather, Bud, everyone tells Kyle to put it back. Luckily, he ignores them. ... See full summary »
In London, the radiologist Gina McVey organizes a surprise birthday party to her father John McVey with her boyfriend Stefan Chambers, her brother Daniel McVey and his girlfriend Kate ... See full summary »
In 1929, the 9 year old Polish Jew Marcel Reich-Ranicki is sent by his artistic mother to Berlin to study. Marcel loves the German literature and music, but in October 1938 the Nazis deport... See full summary »
A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.
Cuba Gooding Jr.,
When Thomas Archer's happy & successful life is all but ruined following a horrific attack he is presented with a perfect opportunity to exact physical revenge upon the man who caused all ... See full summary »
Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical challenge and honorable acting, ignoring the terrible extent of war. But after falling in love with the nurse Käte, Manfred realizes he is only used for propaganda means. Caught between his disgust for the war, and the responsibility for his fighter wing, von Richthofen sets out to fly again. Written by
The financing for the film came exclusively from well-to-do private individuals living in the state of Baden-Württemberg and was raised by the Stuttgart-based film financing and production house Niama Film, which was established by director Nikolai Müllerschön with partners Thomas Reisser, Roland Pellegrino and Dan Maag. See more »
As Roy Brown is carried off from his downed plane, Richthofen's hat is skewed jauntily to the right on his head. Nurse Käte Otersdorf says, "Thank you, you saved this man's life." In the cut to Richthofen's reply, "No, I shot him down," the camera frame is flipped horizontally and his hat is now skewed to the left. Also, the tree in the background can be seen to his left instead of to his right as in the previous shot. The camera then cuts directly to a shot behind him and the hat is instantly skewed to the right again. See more »
Manfred von Richthofen:
And whatever side we fought, we all knew the risks we took. I wanted to be the best, I wanted to win and I thought I won. But I can see now, Kate. I see we've turned our world into a damn slaughterhouse. And I'm already too big a part of it. They're using my photograph to give hope where there is none. They use my name to feign immortality, whereas the reality is annihilation.
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Despite an ending that can't help but make the viewer feel a little cheated, this film is a success on many levels. Only a little historical inaccuracy, which while certainly not a problem for most films but is almost demanded in a biopic, is a noticeable flaw.
Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.
The performances are understated, although the dialog does feel a little sparse at times.
Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.
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