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The Red Baron (2008)
"Der rote Baron" (original title)

6.3
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Ratings: 6.3/10 from 8,439 users  
Reviews: 72 user | 36 critic

Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical ... See full summary »

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(as Nikolai Müllerschoen)
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Cast

Cast overview, first billed only:
Tomás Koutník ...
Tomás Ibl ...
Albert Franc ...
...
...
Sternberg
Hanno Koffler ...
Lehmann
...
Richard Krajco ...
Hawker
...
Brown
Steffen Schroeder ...
Bodenschatz
Lukás Príkazský ...
Kirmaier (as Lukás Príkazký)
...
Käte
Ondrej Volejník ...
1st German Soldier
Jirí Wohanka ...
2nd German Soldier
Iveta Jirícková ...
Redhead Whore
Edit

Storyline

Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical challenge and honorable acting, ignoring the terrible extent of war. But after falling in love with the nurse Käte, Manfred realizes he is only used for propaganda means. Caught between his disgust for the war, and the responsibility for his fighter wing, von Richthofen sets out to fly again. Written by j

Plot Summary | Add Synopsis

Taglines:

One warrior ruled the sky. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for war violence, some disturbing images and brief suggestive material | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

10 April 2008 (Germany)  »

Also Known As:

O Barão Vermelho  »

Filming Locations:

 »

Box Office

Budget:

€18,000,000 (estimated)

Opening Weekend:

$13,931 (USA) (19 March 2010)

Gross:

$36,569 (USA) (9 April 2010)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (long)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The financing for the film came exclusively from well-to-do private individuals living in the state of Baden-Württemberg and was raised by the Stuttgart-based film financing and production house Niama Film, which was established by director Nikolai Müllerschön with partners Thomas Reisser, Roland Pellegrino and Dan Maag. See more »

Goofs

As Roy Brown is carried off from his downed plane, Richthofen's hat is skewed jauntily to the right on his head. Nurse Käte Otersdorf says, "Thank you, you saved this man's life." In the cut to Richthofen's reply, "No, I shot him down," the camera frame is flipped horizontally and his hat is now skewed to the left. Also, the tree in the background can be seen to his left instead of to his right as in the previous shot. The camera then cuts directly to a shot behind him and the hat is instantly skewed to the right again. See more »

Quotes

Manfred von Richthofen: And whatever side we fought, we all knew the risks we took. I wanted to be the best, I wanted to win and I thought I won. But I can see now, Kate. I see we've turned our world into a damn slaughterhouse. And I'm already too big a part of it. They're using my photograph to give hope where there is none. They use my name to feign immortality, whereas the reality is annihilation.
See more »


Soundtracks

Open Skies
performed by Reamonn
composed by Reamonn
published by b612 publishing / Reamonn Publishing
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User Reviews

 
Well above average for the genre
21 July 2009 | by (United States) – See all my reviews

Despite an ending that can't help but make the viewer feel a little cheated, this film is a success on many levels. Only a little historical inaccuracy, which while certainly not a problem for most films but is almost demanded in a biopic, is a noticeable flaw.

Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.

The performances are understated, although the dialog does feel a little sparse at times.

Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.


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