Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
Police officer Dirk Hendricks (Bartlett) files an amnesty application for Alex Mpondo (Ejiofor), a member of the South African Parliament who can't remember the torture he once endured as a captive political activist. South African-born attorney Sarah Barcant (Swank), meanwhile, returns to her homeland to represent Mpondo, as well as Steve Sizela, Mpondo's friend who arrested along with him and ... See full summary »
Fitz returns to Manchester after living 10 years in Australia with his wife and youngest son. He is soon drawn into the investigation of a British soldier who may have been traumatized by his years serving in Northern Ireland.
Helen Mirren (Calendar Girls, Gosford Park) is back as Inspector Jane Tennison in an eagerly awaited new episode of the Emmy award-winning series Prime Suspect on ExxonMobil Masterpiece Theatre. It's been seven years since Tennison put the handcuffs on a psychotic killer in the last episode. Now, amid pressure to retire, she faces a death squad that has unleashed the horrors of the Balkan civil war on London. Written by
Helen Mirren had director approval. She had the the right to look at directors and meet them. She met Tom Hooper and approved him, telling him it had to be his vision and she would protect it. See more »
Tennison refers to Zigic as a Bosnian to the SWAT team leader, but earlier his nationality is represented as Serbian. See more »
The only remark I wish to add to the other reviews is that the music accompanying this particular mini-series of the "Prime Suspect" series was particularly appealing, I think.
So often, the music is an irritant or a distraction, whereas in this thriller, I felt it enhanced the filmed drama greatly. The soundtrack employs much East European singing, as well as Eastern-looking music from the Moslem cultures of the Adriatic provinces, and used this to help make the victims of the crimes presented more sympathetic to us.
I found the spirited dance music, with a heavily middle-eastern, percussion-and-plectra sound, employed during the exciting chase scenes, especially effective.
It's a sad story, and a police-thriller, and while I wouldn't say it transcends its genre completely, it does manage to provoke a little thought about principles, about honor, about cruelty, and about integrity and behaving justly.
Very enjoyable when you're in the mood for a thriller!
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