A chance encounter between a travelling salesman and a lonely hitman triggers a strangely profound relationship which provokes each to act in ways neither would have imagined possible. Fate steps in to form a friendship between two men from irreconcilable worlds that will alter the lives of both forever. Written by
This movie's disclaimer about bulls, bullfights, and bullfighting displayed during the film's final credits roll states: "The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because the production of "The Matador". In no way did the producers of this film create, arrange, or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer generated bulls exclusively. Absolutely no animals were harmed by the production of this movie." See more »
When Danny, Bean and Julian are drinking whiskey late at night in the Wright's house, the position of the bottle moves from the table, to on top of a book, and back onto the table again during different camera shots of them all talking. See more »
My handler, Mr. Randy, contacted me the way he always does, through an ad in the International Tribune looking for cat sitters in Bali.
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Stunning performance by Brosnan sadly wrapped in a mediocre film
A hit-man who is The Dude and Bad Santa both at once.
Pierce Brosnan is at his best and most hilarious in Richard Sherpherd's The Matador (2005), as a booze-drenched over the hill hit-man who loves bullfights, tacky clothes and teenage girls. It is his unapologetic lust for the latter that provide some great laughs in the film.. There is nothing funnier than hearing a sleazy, broken-down version of James Bond exclaim after ogling some Catholic schoolgirls, "God I hate these Catholic countries; it's all blushy blushy, no suckie fuckie."
So Brosnan has a terrifically dirty mouth in The Matador and this is juxtaposed with Greg Kinnear's goody-goody family man character in their newfound, unlikely friendship. Both these characters elicit real sympathy, but especially Brosnan who should be a very unlikable character, a man desperate for a meaningful relationship in his life but just can't stop himself from saying the wrong things. We follow these two very different men as they learn from each other and start changing their lives, projecting equal doses of heart and humour.
The Matador effective in the sense that it mixes absurdity and quirkiness just right and glazes it with a dark comedy coating feel. It is also quite funny thanks to its Brosnan performance, but it does not have much in the way of a plot and no other characters or detours are even worth mentioning - so it is sadly very forgettable. Still, if you are even a slight fan of Brosnan's I urge you to see this film which is easily his greatest performance, and it's a crime he wasn't showered with awards for it.
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