A chance encounter between a travelling salesman and a lonely hitman triggers a strangely profound relationship which provokes each to act in ways neither would have imagined possible. Fate steps in to form a friendship between two men from irreconcilable worlds that will alter the lives of both forever. Written by
Irish DreamTime, the production company of Beau St. Clair and Pierce Brosnan, and the production company of the Furst Brothers (Sean Furst and Bryan Furst), Furst Films, had gravitated towards Richard Shepard's screenplay almost simultaneously, and quickly joined forces. The Furst Brothers had just gotten the rights to Shepard's script, and were thrilled Brosnan wanted to play Julian Noble. When St. Clair and Brosnan took it to the Stratus Film Company, the movie got fast-tracked and green-lit. See more »
When Julian first meets Danny at the hotel bar in one shot he is seen smoking his cigarette, but when the camera angle changes he is not any more. See more »
[after flirting with some Mexican schoolgirls]
I hate these Catholic countries. It's all blushy-blushy and no sucky-fucky.
See more »
"The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie." See more »
In The Matador, Pierce Brosnan plays a weary, boozy contract killer who just wants to be friends with Walter Mitty-like Greg Kinnear. Sounds like perfect casting, but the two leads don't really mesh, and the movie plods along endlessly, halfheartedly throwing in a twist near the end that only slightly mitigates the dullness.
Julian Noble trots the globe, shooting, stabbing, and exploding those whom he's paid to terminate. He's not a likable chap, this Julian. He likes his liquor strong and his girls young, if you know what I mean. After a job in Mexico City, Julian learns he may be on his way out of his amorphous organization; he then bumps into Danny Wright (Kinnear), a businessman who believes he's just made a successful pitch to a local company. Julian comes off as kind of a rude jerk who may or not be telling the truth, but once he convinces (truthfully) Danny that he (Julian) is indeed a paid assassin, the two sort of become pals.
It's a typical mismatched-buddies scenario - the loner and the married man, the odd duck and the straight arrow. Danny is married to Bean (Hope Davis), who becomes a little starstruck herself when she learns of Julian's occupation. But what of Julian's future? Will he soon be rubbed out by one of his own coworkers? This seems like a role tailor made for Brosnan, kind of a down-on-his-luck James Bond, but for some reason the character is a nasty, tough-to-read creep. Is he sincere or a sociopath? Is he being funny or deadly serious? When he pulls the old messing-with-you trope once too often, you start to wonder what he's all about - and you get no real satisfactory answers.
The twist is okay, but in even a decent thriller it would have been terrific. Here it's just sort of there, as if the writers had realized they needed to tack on something a little off the beaten path and just kind of shoehorned it into the story. The Matador isn't incomprehensible, it's just maddeningly incoherent.
6 of 7 people found this review helpful.
Was this review helpful to you?
| Report this