| Eric Gilliland | ... | Spud (voice) | |
| Sarah Silverman | ... | Cherri (voice) | |
| Dermot Mulroney | ... | Rod (voice) | |
| Beverly D'Angelo | ... | Darlene (voice) | |
| David Carradine | ... | Mr. Snerz (voice) | |
| Keith Carradine | ... | JoJo (voice) | |
| Martha Plimpton | ... | Miss Crumbles (voice) | |
| Tom Noonan | ... | Principal (voice) | |
| Zak Orth | ... | Zip (voice) | |
| Justin Long | ... | Dwayne (voice) | |
| Michael Showalter | ... | Wally (voice) | |
| Hayley DuMond | ... | Buttercup (voice) | |
| Ed Begley Jr. | ... | Rev. Sidney Cheddar (voice) | |
| Craig Bierko | ... | Sarge (voice) | |
| Jay O. Sanders | ... | Football Announcer (voice) | |
| Peter Jason | ... | Coach (voice) | |
| Matt Groening | ... | Will (voice) | |
| Don Hertzfeldt | ... | Dill (voice) |
Directed by | |||
| Bill Plympton | |||
Writing credits(in alphabetical order) | ||
| Bill Plympton | ||
Produced by | |||
| Ron Diamond | .... | associate producer | |
| John Holderried | .... | associate producer | |
| Martha Plimpton | .... | associate producer | |
| Bill Plympton | .... | producer | |
Original Music by | |||
| Hank Bones | |||
| Corey A. Jackson | |||
| Maureen McElheron | |||
Cinematography by | |||
| John Donnelly | |||
Art Direction by | |||
| Lori Samsel | |||
Art Department | |||
| Signe Baumane | .... | assistant art director | |
| Andrea Dias Breitman | .... | assistant art director | |
| Celia Bullwinkel | .... | assistant art director | |
| Biljana Labovic | .... | assistant art director | |
Sound Department | |||
| Alex Noyes | .... | sound editor | |
| Alex Noyes | .... | sound re-recording mixer | |
| Bill Seery | .... | sound re-recording mixer | |
| Bill Seery | .... | supervising sound editor | |
Animation Department | |||
| Brian Haimes | .... | cel painter | |
| Chris R. Notarile | .... | clean-up artist | |
| Bill Plympton | .... | animator | |
Editorial Department | |||
| Stan Sztaba | .... | negative matcher | |
Other crew | |||
| Olivier Mouroux | .... | publicist: Los Angeles | |
Thanks | |||
| Lance Doty | .... | special thanks | |
| Tenhonen Steve | .... | special thanks | |
| Steve Tenhonen | .... | thanks | |
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| Freeway | Carrie | Grosse Pointe Blank | In a Better World | Saved! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
I viewed HIGH HAIR today in Los Angeles -- perhaps three years after it was originally screened. Comments on IMDb said it was a retro 50's style high school story line which drew my attention.
I am a child of such an era having graduated in 1959 (at the cusp of the next decade of the 50's) from high school.
I entered the theater with an invited friend. I was a bit anxious whether my experience would be the same as another person's opinion as we left the screening and talked.
We both had the same movie experience: It took about 20 minutes to get into it and at one moment in time, there was a hook that carried the film into its conclusion and enjoyment. I suppose this is a cult film, but it works well with those who were in high school in the era of the film despite the fact that this was not my own experience.
My enjoyment was the fusion of Japanese anime into contemporary American animation as a borrowed skill with a true technique honed by Bill Plimpton.
He pulled it off without a finger print of evidence that would tie him to such a cinematic crime of imitating Japanese Anime and not his own invention.
It worked. Just fine. Pure fusion.