Driven by biological excess, a young man and woman search for sexual fulfillment, unaware of each other's existence. Unfortunately, they eventually meet, and the bonding of these two very ... See full summary »
A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the ... See full summary »
Michelle Van Der Water,
A village in Nineteenth Century Europe is at first relieved when a circus breaks through the quarantine to take the local's minds off the plague. But their troubles are only beginning as ... See full summary »
Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves. Written by
The film is set in the 19th century. The first interior shot of the main house of the fort shows a wax cylinder music box. There are six songs on cylinders, the first of which is the song "Sweethearts of Sigma Chi", a song not written until 1911. See more »
The Indians say the curse began in the time of the Ancients and was passed down through the blood of generations. There are legends of the Wendigo and the coming of the Red and the Black. Legends of the Day of Reckoning, when Death would consume the land, and good would face evil; of the day the curse would be broken forever - or grow stronger, and live on to plague generations to come. But ours was a story of survival; of two sisters bound by blood. A bond that would not be broken...
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This prequel concerns the sisters, Ginger and Brigitte, making their way through 19th century Canada in what one can assume to be a previous incarnation.
Having lost their parents, the orphaned girls trek alone through the wilderness during a cold, harsh winter. They stumble upon the remains of an Indian village, which looks to have been ripped apart by some great beast. One of the few survivors, an old wise woman, warns them that they must "kill the boy" or "one sister will kill the other." When Brigitte accidentally steps into a bear trap a short time later, the two girls are rescued and assisted by a handsome Indian man known only as The Hunter, who leads the girls to nearby Bailey Fort...perhaps the very fort around which the future suburban community of Bailey Downs will spring. The fort is in poor shape. The men are suspicious, the atmosphere is bleak and the supplies are running low. It seems that the men who were sent for winter provisions several months before never returned...at least, not in human form. Indeed, several strange and vicious beasts seem to be stalking the woods just beyond the fort...and there may be one within as well!
This 3rd installment in the imaginative and intelligent Ginger Snaps series lacks the black humor and witty script of the previous two. The girls are lovely and convincing, the setting of a snowbound fort is both creepy and beautiful, and the new character of The Hunter is intriguing and nice to look at, but this film takes itself far too seriously. I also had a hard time accepting the fact that a young girl in the 19th century would utter a phrase like: "These people are f-cked." Such instances of modern dialogue inserted into a setting of 100+ years past is disconcerting at best...but maybe I'm the only one it would bother.
The beasts are highly visible in the final scenes of the film, and are pretty impressive looking. Other than that, the films gets a little weighted down by the gloomy atmosphere, with nary a joke to be found. The religious metaphors and Native American mysticism seem to have been pulled right out of "The Crucible," "The Scarlet Letter" and "Thunderheart" and seem to have been used for set dressing rather than as crucial plot devices. Still, there's a good amount of blood and gore to please most splatter enthusiasts, and an open ending which seems both to resolve the second film and bring us right back around to the first.
It's not a terrible movie by any means, but since I'd come to expect a certain amount of smart black comedy and found none here, it was just a little disappointing. The girls do a great job with their characters, as they always do, but they had far less to work with this time around. I give this a 6 on a scale of 10, whereas the first two each get a 9.
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