Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Billy Bob Thornton,
18-year-old Louise is stuck in a run-down girls' boarding school in the heart of the English countryside. Her only consolation, during the long cold nights, is Matthew, the American art ... See full summary »
Moving to LA to pursue his film obsession, an oddball film fan bounces around the dregs of Hollywood trying to get work as an actor. His best friend is a young man whose interest in Edward ... See full summary »
Jerome, a kid from the suburbs who loves to draw, goes to New York City's Strathmore College for his freshman year as a drawing major. Competition and petty jealousy consume faculty and students, with an end-of-first-semester best-student award held out as a grand plum. Worse, a strangler is on the loose, killing people on or next to campus. The idealistic Jerome falls in love with Audrey, a student who models for life-drawing classes and who responds to his sweetness. But he has a rival: the clean-cut, manly Jonah, also a first-year drawing student, whose primitive work draws raves and Audrey's attention. As cynicism seems to corrode everything, Jerome is desperate to win. Written by
The art college in the movie is based on the Pratt Institute in Brooklyn. According the published screenplay, the minimalist paintings Jonah brings to class were painted by author Daniel Clowes when he was a student at the Pratt Institute. See more »
When Jerome visits Professor Sandiford, Sandiford is smoking a cigarette that disappears and reappears between shots. See more »
[dressed as Pablo Picasso]
I am a genius. I am the greatest artist of the twentieth century. I pretty much invented modern art, and I do weird abstract paintings even though I could paint totally realistic if I wanted to. Also, even though I am super short and bald, I am able to have sex with any beautiful woman I want just because I'm so great.
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An extra scene featuring the actors in Vince's film is shown after the credits. See more »
I came into this film expecting a mean, rude comedy in the vein of Zwigoff's previous effort Bad Santa (a film which has more brains than it gets credit for). For the first 3/4 or so of the film, that's what I got, and I enjoyed every second. Towards the last bit, the film takes a turn darker than you would expect. This sudden twist, unexpected as it was, did not feel trite or convoluted. More fascinating.
Make no mistake this a dark comedy in the truest definition. There is something about the ending that is supremely haunting.
Ethan Suplee provides the hyper-actively aggressive role he has become beloved for. Malkovich does not disappoint as the burnt-out and oh-so-full-of-crap art professor. Jim Broadbent channels Chuck Bukowski here as he barks like a pit-bull and alternately purrs like a tabby as the disheveled failed artist/ nihilistic mentor of our boy Jerome, who just may be the only unpretentious and truly talented student at Strathmore University. Throw in Anjelica Huston and Steve Buscemi in delightfully understated roles, a string of murders courtesy of the mythical Strathmore Strangler, and the positively stunning Sophia Myles as the nude drawing class model Audrey who becomes both the object of Jerome's affection and the source of his disillusion, and you have got a dysfunctional masterpiece.
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