Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Moving to LA to pursue his film obsession, an oddball film fan bounces around the dregs of Hollywood trying to get work as an actor. His best friend is a young man whose interest in Edward ... See full summary »
Jerome, a kid from the suburbs who loves to draw, goes to New York City's Strathmore College for his freshman year as a drawing major. Competition and petty jealousy consume faculty and students, with an end-of-first-semester best-student award held out as a grand plum. Worse, a strangler is on the loose, killing people on or next to campus. The idealistic Jerome falls in love with Audrey, a student who models for life-drawing classes and who responds to his sweetness. But he has a rival: the clean-cut, manly Jonah, also a first-year drawing student, whose primitive work draws raves and Audrey's attention. As cynicism seems to corrode everything, Jerome is desperate to win. Written by
During the 'you haven't been laid' dorm scene, the fabric on Matthew's dressmaking model switches from draped around the model to wrapped around it like a scarf almost instantaneously. See more »
[Introducing herself to Jerome while at Shiloh's photo exhibit]
Oh, hi. I'm Audrey, by the way.
So is that your real name, or are you just obsessed with Audrey Hepburn like every other art school chick?
[Unperturbed, holding up her necklace pendant]
Actually, I was named after an old cartoon.
Oh, wow! Another ironic pop-culture reference. She's a keeper!
[Goes off to help himself to more free refreshments]
See more »
The "Facts of Life" theme song plays during the final part of the end credits. See more »
The beginning of this movie was hilarious. Jerome goes to art school and meets zany characters, including his gay roommate, his wannabe filmmaker roommate, and his art teacher (played by John Malkovich). The dialogue was witty. The audience loved the satire of modern art, because we all know how ridiculous modern art can be yet we must be polite and insightful when looking at it. Everyone could relate to the perverted college humor. Unfortunately, all this silliness ended. Right in the middle, the movie took a turn of tone and with it took the refreshingly simple but fun plot.
Art School Confidential suddenly became serious about its characters, including the mysterious strangler. The decision to transform the movie into a serious mystery was it's major flaw. With this move, the writers felt they had to incorporate a more confusing plot to achieve a mysterious tone. By the end, the initial idea of simply amusing the audience was lost because of the poorly-crafted mystery, leaving the audience disappointed.
Why do filmmakers do this? They think because we have paid to see an indie movie, we want an obscure plot twist topped off with an unresolved ending. It's like having ice cream, fun and simple, then someone comes over and adds a twist of lime and tops it off with crab apples! Obscure, but no fun because it tastes weird and you were content with the ice cream by itself. I recommend the first hour of this movie.
80 of 135 people found this review helpful.
Was this review helpful to you?