Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
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Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
Director:
Thomas McCarthy
Stars:
Peter Dinklage,
Paul Benjamin,
Bobby Cannavale
In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Director:
Liev Schreiber
Stars:
Eugene Hutz,
Elijah Wood,
Jonathan Safran Foer
Jerome, a kid from the suburbs who loves to draw, goes to New York City's Strathmore College for his freshman year as a drawing major. Competition and petty jealousy consume faculty and students, with an end-of-first-semester best-student award held out as a grand plum. Worse, a strangler is on the loose, killing people on or next to campus. The idealistic Jerome falls in love with Audrey, a student who models for life-drawing classes and who responds to his sweetness. But he has a rival: the clean-cut, manly Jonah, also a first-year drawing student, whose primitive work draws raves and Audrey's attention. As cynicism seems to corrode everything, Jerome is desperate to win. Written by
<jhailey@hotmail.com>
The college's name, "Strathmore", is actually a company that manufactures things like sketchpads and tracing paper for artists. See more »
Goofs
When Jerome is the bartender at the party, he twists the top off of the beer and gives it to Jonah. Hoegaarden does not come in twist off bottles. See more »
Quotes
Bardo:
[holding up clay pipe]
This is ready for the kiln.
See more »
Crazy Credits
The "Facts of Life" theme song plays during the final part of the end credits. See more »
"Ray's Idea"
Written by Ray Brown (as Raymond M. Brown), Walter Fuller (as Walter Gil Fuller)
Published by Music Sales Corp. (ASCAP)
Performed by Monty Alexander
Courtesy of Concord Music Group, Inc. See more »
I came into this film expecting a mean, rude comedy in the vein of Zwigoff's previous effort Bad Santa (a film which has more brains than it gets credit for). For the first 3/4 or so of the film, that's what I got, and I enjoyed every second. Towards the last bit, the film takes a turn darker than you would expect. This sudden twist, unexpected as it was, did not feel trite or convoluted. More fascinating.
Make no mistake this a dark comedy in the truest definition. There is something about the ending that is supremely haunting.
Ethan Suplee provides the hyper-actively aggressive role he has become beloved for. Malkovich does not disappoint as the burnt-out and oh-so-full-of-crap art professor. Jim Broadbent channels Chuck Bukowski here as he barks like a pit-bull and alternately purrs like a tabby as the disheveled failed artist/ nihilistic mentor of our boy Jerome, who just may be the only unpretentious and truly talented student at Strathmore University. Throw in Anjelica Huston and Steve Buscemi in delightfully understated roles, a string of murders courtesy of the mythical Strathmore Strangler, and the positively stunning Sophia Myles as the nude drawing class model Audrey who becomes both the object of Jerome's affection and the source of his disillusion, and you have got a dysfunctional masterpiece.
58 of 80 people found this review helpful.
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I came into this film expecting a mean, rude comedy in the vein of Zwigoff's previous effort Bad Santa (a film which has more brains than it gets credit for). For the first 3/4 or so of the film, that's what I got, and I enjoyed every second. Towards the last bit, the film takes a turn darker than you would expect. This sudden twist, unexpected as it was, did not feel trite or convoluted. More fascinating.
Make no mistake this a dark comedy in the truest definition. There is something about the ending that is supremely haunting.
Ethan Suplee provides the hyper-actively aggressive role he has become beloved for. Malkovich does not disappoint as the burnt-out and oh-so-full-of-crap art professor. Jim Broadbent channels Chuck Bukowski here as he barks like a pit-bull and alternately purrs like a tabby as the disheveled failed artist/ nihilistic mentor of our boy Jerome, who just may be the only unpretentious and truly talented student at Strathmore University. Throw in Anjelica Huston and Steve Buscemi in delightfully understated roles, a string of murders courtesy of the mythical Strathmore Strangler, and the positively stunning Sophia Myles as the nude drawing class model Audrey who becomes both the object of Jerome's affection and the source of his disillusion, and you have got a dysfunctional masterpiece.