Twenty years before this video was produced, comedian Whoopi Goldberg took Broadway by storm in a one-woman show that established her as one of the wittiest, finest performers of her ... See full summary »
Good Fences is about an upwardly mobile black family for whom the American dream becomes a nightmare. Set in the 1970s, Tom Spader is an attorney who is determined to end what he has dubbed... See full summary »
Ernest R. Dickerson
Zachary Simmons Glover
Bernice "Bernie" Rhodenbarr is a burglar by trade, and she runs a bookstore as well. Her friend Carl Hefler is a dog groomer. After a successful burglary, it's discovered that a dead body ... See full summary »
On the eve of the elections in Russia, there's an outbreak of a mysterious disease. The British are curious to find out what's going on, so they need to send someone. An official knows ... See full summary »
Charles Martin Smith
A comedy about making it on Wall Street. Prejudices are hard to break and Laurel Ayres quickly learns that in order for people to take her seriously she has to work for an older white man ... See full summary »
Rita has a certain joie de vivre. She's fun, unpredictable, and she's introduced me to hip-hop and rap, and just a whole world I've never known.
So she's teaching you how to be black?
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Outtakes and bloopers are shown during the closing credits. See more »
Episodic TV had 3 reactions to September 11th and it's many aftereffect: 1) Ignore it, which is certainly viable, reasonable and understandable (I wouldn't fault any show for it) 2) use it to cheaply give some pseudo-resonance to their soap box speeches or 3) grab everything by the collar and take it head on. I'll leave it to you to decide which shows did which. But 'Whoopi' is the first (of many, I'm sure) raced out of the gate to be solely conceived with this target, "post 9/11 world", in mind. The show aims it's farce at terrorists, the color coded alert system, the anti-smoking Gestapo and even President George W. Bush himself. All of this is daring, sharp-edged stuff in concept. Had the show lasted it would have been interesting to see what other things it could take on.
But Whoopi Goldberg (the show is also just as much an attempt to desperately hoist her among the ranks of one-named celebrities) isn't the person to do it. Not because of her unabashed outspoken liberalism, as her fire-breathing hatred of the president is kept on a fairly even-handed muzzle in the series, but because Whoopi just isn't that funny and this show doesn't fair much better. Maybe that's just me, but I never thought she was. From her Comic Relief charity showcases to her overrated 'Sister Act' movies to her stint as the center square in Hollywood Squares to her disastrous performance as host of the 2001 Academy Awards she's never made me laugh. Producers & Writers Bonnie & Terry Turner ('Third Rock from the Sun', 'That 70s Show') don't appear up to the task either. When juggling this type of material you can't just be edgy for the sake of it and 'Whoopi' doesn't quite have the strength of it's convictions to go dancing through this minefield with positive results. Instead, it does plenty of lazy name-dropping and hopes the recognition will get laughs. The show isn't pointed satire. It isn't a show of ideas or solutions. It is a effectively constructed soap box for Whoopi to rail about whatever bugs her. The fact that this show marginally overcomes the shortcomings of it's star and is actually better than Whoopi's act is an achievement in and of itself. But make no mistake, 'South Park' it ain't.
Everything about this show - from the characters to the setting to the topics - is made of stuff that looks like it seemed funny and original on paper. To often 'Whoopi' is narrowcast to things that only amuse it's star (/writer/producer) and, as you might imagine, that weighs the show down in racial jokes. The characters that populate Whoopi's hotel are outlines at best: her properly mannered lawyer brother who "acts white", his white girlfriend who "acts black", and a high-strung Persian man who is constantly being confused for an Arab (ok, that is a cute one). With little to no realization in the characters and the actor's inability to pull it off everything comes out feeling phony. They are all one-joke wonders. Once you've seen their act in one episode you've seen it all. Even Whoopi's Mavis, a lounge singer turned hotel manager, seems like a textbook sitcom construction. A lounge singer turned hotel manager? Is it me or does that sound more like a show you might see inside another show or, maybe, one in a string of goofy premises pitched in a network boardroom minutes before a midnight deadline? It's a callback to just a few years ago when the likes of Bette Midler, Joan Cusack and Geena Davis where gracing us with their own hum-drum, by-the-book self-titled sitcoms. In that class, I at least respect Whoopi for creating a rare series that challenges us. Even though she isn't funny.
What's really sad is to think that this was picked up instead of Phil Hendrie's "post-9/11 world" pilot 'Gated World'. We can only imagine how much better that show would have been.
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