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Kamina Ayato lives an ordinary life. He goes to school. He lives with his mother. He has schoolmates. But all of that changes one day when massive machines, known as the Dolem, attack the city of Tokyo with their destructive vocal powers. Caught up in the chaos, Ayato meets a mysterious girl named Mishima Reika. She leads him to the sanctuary, resting place of the RahXephon, a giant humanoid being with powers to counter those of the Dolem. Upon its awakening, Ayato finds himself synchronising with the machine and it takes him to the world beyond Tokyo. It seems that Tokyo, more precisely called Tokyo Jupiter, has been cut off from the rest of the world. Those living within the boundaries of Tokyo Jupiter believe that the rest of the world has been decimated, when in fact they live in a world controlled by the Mu. Now, facing the truth, Ayato must come to terms with his new reality, for he is a central element in the fate of mankind. Written by
Two of the Mulian security units have codenames Yoknapatawpha and Macondo. Yoknapatawpha was the name used in the novels of American author William Faulkner for his home region of N. Mississippi. Similarly, Macondo is the name used in the novels of Colombian author Gabriel Garcia Marquez for his hometown. Both names are from fictionalised accounts of real places, just as Tokyo Jupiter is a "fictionalised account" by the Mulians of the real Tokyo. See more »
The main problem with RahXephon is that it tries too hard to duplicate the success of Neon Genesis Evangelion, ending up rather derivative and turgid in the process. It has it all: the teenager with the knack for mecha piloting and whining, the cute but enigmatic "waif prophetess", the mysterious mecha that isn't really a mecha, the strange invaders named according to the show's theme, the ancient conspiracy, the world cataclysm, and, of course, the Looming Apocalypse.
Another issue is the rather incoherent and contrived feel that comes from trying to combine a musical (specifically operatic) motif with Mayan mythology. The writers did not seem particularly knowledgeable about music, however, and the most conspicuous example of the musical element is the fact that many of the angels, er, dolem look like giant stone Valkyries, suitably stylized to look Mayan, who use song as a weapon. Another is the rather silly naming scheme for the dolems, which seems to involve picking random terms out of a book on music.
Despite these rather glaring issues, RahXephon did have some nice aspects, such as the music, unsurprisingly, and some plot twists involving the origins of Ayato and so forth. Although hardly a great series, it's not too bad if you can't find much else to watch.
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