The Last King (2003)
"Charles II: The Power & the Passion" (original title)

TV Mini-Series  -   -  Biography | Drama | History
7.5
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Ratings: 7.5/10 from 1,123 users  
Reviews: 17 user | 3 critic

The chronicle of Charles II's time on the throne, his 10 year exile from Oliver Cromwell's England, and his triumphant return.

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Episodes

Seasons


Years



1  
2003  
Nominated for 1 Primetime Emmy. Another 4 wins & 9 nominations. See more awards »
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Cast

Series cast summary:
...
 Charles II (4 episodes, 2003)
...
...
 James, Duke of York (4 episodes, 2003)
...
 James, Duke of Monmouth (4 episodes, 2003)
...
 Catharine of Braganza (4 episodes, 2003)
...
 Lord Shaftesbury (4 episodes, 2003)
...
...
 Ormonde (3 episodes, 2003)
...
 Anne Hyde (3 episodes, 2003)
Robert East ...
 Arlington (3 episodes, 2003)
Dorian Lough ...
 Clifford (3 episodes, 2003)
...
 Sir Edward Hyde (2 episodes, 2003)
...
 Captain (2 episodes, 2003)
...
 Queen Henrietta Maria (2 episodes, 2003)
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 Rochester (2 episodes, 2003)
...
 Earl of Danby (2 episodes, 2003)
Nick Bagnall ...
 Hopkins (2 episodes, 2003)
...
 Louise de Kéroualle (2 episodes, 2003)
Albert Welling ...
 MP #1 (2 episodes, 2003)
Jochum ten Haaf ...
 William of Orange (2 episodes, 2003)
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Storyline

The focus of King Charles II is his court, his squabbling family and his glamorous mistresses - from the high-born and promiscuous Barbara Villiers through folk heroine and sex symbol of the day Nell Gwynne to the French spy Louise de Keroualle. It is an original take on a historical period written by award-winning screenwriter Adrian Hodges, whose credits include David Copperfield and The Lost World, which penetrates to the heart of the charismatic monarch who was deeply traumatised by the execution of his father. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

charles ii | spy | sex | exile | execution | See All (154) »


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Details

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Release Date:

21 March 2004 (USA)  »

Also Known As:

The Last King  »

Company Credits

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Technical Specs

Runtime:

| (4 parts)

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

Shirley Henderson's elaborate hairstyle for Catherine's arrival initially took two hours to create. See more »

Goofs

Just before the sequence concerning the smallpox epidemic, we get a brief look at The King's upper right arm and can clearly see a smallpox vaccination scar. See more »

Quotes

Nell Gwynn: I belong to the king. Not just because he bought me, but because I choose it. And as long as he wants me, I'll be his, and his alone. And you know what? I do love him. He's kind and decent, and he'll look after me. How's that for a transaction?
George Villiers, Duke of Buckingham: I've seen many a lady turn into a whore, but I've never seen a whore make such a fine lady.
See more »

Connections

Referenced in The Making of 'Charles II' (2003) See more »

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User Reviews

Worth a watch
30 April 2004 | by (Global) – See all my reviews

First, those of you who watched this as a three-hour movie with 30 commercial breaks must have seen a royally butchered cut as the R2 DVD is four hour-long episodes.

Second, those who claim that the BBC are not as good as they used to be are, perhaps, not quite fair, but not totally wrong either. I imagine they are comparing Charles II to Elizabeth R; I, Claudius; or The Six Wives of Henry VIII, and yes, it's not as good as they were. But then, neither were the other series the BBC were making at that time.

But if such comparisons are not entirely fair, they are also inevitable. Elizabeth, Six Wives and Claudius were televised plays. They worked due to the interaction of great scripts and great acting. The costumes were icing on the cake; the direction and camera work were capable but never drew attention to themselves. These teleplays continued a dramatic tradition traceable back to Shakespeare. They were *plays*.

Charles II, on the other hand, as well as other historical dramas done by the BBC these days, has abandoned its dramatic lineage for cinematic aspirations, especially as technology becomes more affordable. I don't consider this a bad thing, though I do think it failed, just as many teleplays of the golden era failed in their attempts. There's nothing wrong with bringing direction, camerawork, production design, etc. to the fore. Unfortunately, the scripts suffer, at least in this case. The viewer is innundated with flashy techniques like handheld cameras which achieve nothing other than making the show look modern, or a seven-minute long single take near the end of the final episode which contained about three minutes of dialogue that actually advanced the plot or developed the character in meaningful ways.

Is it worth watching? Yes. But don't compare it the greatest costume dramas ever made. Take it for what is, and it's a fine drama.




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