| Page 1 of 70: | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] |
| Index | 699 reviews in total |
344 out of 452 people found the following review useful:
If only we were all living in Asia...., 19 December 2007
![]()
Author:
nils meester from Netherlands
Too start off; This is the one and only film that kept me quiet for a
whole 5 mins after seeing it. I literally couldn't close my mouth, and
yet there wasn't any sound coming out of it. Oldboy had such an impact
on me that words are too little to describe that impact. Therefore this
film is definitely in my top 3 film ever made. It belongs there because
it has a massive ingredient that a lot of films seem to miss out on; a
divine plot. Even though the acting and screenplay are world class, the
plot is really the cherry on the cake.
When it comes to screenplay Park Chan-Wook is unique (at least for
western standards) in his way of filming. The colours are so vivid and
it seems like he wanted every shot to be a piece of art. One tip: If
you like the shooting in 'Oldboy', have a look at 'Sympathy for Lady
Vengeance', the third part in Park's revenge-trilogy. It's even
superior to the camera-work in 'Oldboy'. Don't, however, expect a story
like Oldboy's, because you would be very disappointed.
When it comes to acting and the music, this film is also one of the
better films ever made. The music sticks in your head and every time I
put in my Oldboy-DVD and the theme-song comes up, I'm just flooded with
good memories (eventhough the plot doesn't have a single reason to be
happy about). The characters are also presented very well by the
outstanding cast. Especially Choi Min-Sik and Yu Ji-Tae set a very
convincing performance.
I really appreciate this film being respected as it should be, by
having a place in the top 250. If, however, it was up to me it would be
even higher in the ranking. I don't see why films like 'The Usual
Suspects' or 'Memento', which are fantastic pieces of film-making and
which without a doubt deserve a place in the top 250, are higher in the
top 250 than 'Oldboy'. They serve the same cause; a fantastic plot. But
those plots can't stand in the shadow or even come close to the plot of
'Oldboy'. The one and only reason is that those two films are better
known and from a western production company. If we were all living in
Asia, no doubt 'Oldboy' would be in the top 20 of all time.
My advice to people who haven't watched this film yet: Go see it! This
is definitely a must- see. If you have a weak stomach, pull yourself
together and still watch it. Don't be as shallow as a lot of people
here tend to be. Look beyond the violence and see the things I
mentioned before: world class acting, cinematography, music and last
but certainly not least the plot. Once you've opened yourself up you'll
find a whole new world of cinema. Enjoy!
320 out of 458 people found the following review useful:
Absolutely Sublime......................................................., 2 January 2007
![]()
Author:
sqreader from Doncaster, UK
I've scored this a 9 but I think I may have been a little harsh! I have just read a review that says the reviewer cannot understand the hype. I can see no hype. Everything the film promised and more was delivered. This is a truly wonderful film. It is beautifully acted, brutally and painstakingly directed and as good a display of raw emotion as I have witnessed in any language. The story is gripping, the characters believable and well rounded, the emotion human and the feeling I was left with at the end of the film is one of awe. And that was after I had watched it twice. Honestly, this is a truly, truly wonderful film. Do not miss it under any circumstances!
369 out of 574 people found the following review useful:
Pass by the "Boo" comments., 6 September 2007
![]()
Author:
tetsuoisleet from Germany
After going through the comments, i must say i'm impressed how many
people out there don't have a slightest clue of beauty or intelligent
screenplays. there are so many comments from people that totally
disliked the movie. which is plain and simple not possible, if you got
an open mind and a open heart (and are not drunk). I would compare it
to chocolate. You may find it too sweet and prefer bitter chocolate. or
you like white chocolate more. Or you got diabetes and can only
sometimes eat one. But people that totally dislike chocolate scare me
to death. Same goes for Oldboy, you gotta admit some of the genius
art-form it contains. Its everything in there. Its heartwarming ,
disgusting, intelligent, beautiful and lead with outstanding
performance of any actor . You HAVE to like something, cause it wont
get much better. Its chocolate. If you disliked the movie so much and
on a constant basis, why even bother to write a comment? My guess is
you just could not follow the movie at all. which is my only guess
actually. well enough rambling.
:::::::::: Bottom Line :::::::::
If you call common sense, and a human heart your own and like
"challenging" movies, go and see it NOW.(i recommend the original
korean version with subs)I also recommend the pre- and sequel to this
movie. (just browse Chan Wook Park) If you think "The Fast and the
Furious" is the best movie ever made, please do not even bother to
watch Oldboy, and spare others your "brilliant" reviews.
250 out of 360 people found the following review useful:
One of most well-made films I've ever seen, 21 April 2007
![]()
Author:
max8791 from United States
I decided to check this movie out after Ebert's 4 star rave review, and
the cult status this movie has received (and was also intrigued by the
sexy-looking Ultimate Edition), so I decided to rent it. I was VERY
surprised at how different it was than I expected it to be - I expected
a ton of violence and not much in the way of writing or acting. The
first time I saw it, I wasn't blown away, just kind of like whatever.
When I watched it for the second time, however, I really started to
notice how well it's made, in addition to liking it more. Every shot is
bursting with background detail, a great amount of attention on the
production design (the theme of a certain color in a scene was
restrained, yet perfectly balanced). The actors really gave it all,
especially the 2 male leads who really blew me away. The music is a
varied mix of beautiful classical music and some pretty cool techno.
The screenplay is brilliant; the characters are developed very well,
extremely complex, and the plot is not only ingenious, but the payoff
and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies
ever. From a critic's point of view, it is a very well-done movie that
goes a little overboard in sex and violence, and is just a little
strange.
151 out of 201 people found the following review useful:
Freaked me out, 29 July 2007
![]()
Author:
Genevieve_X from Melbourne, Australia
I haven't written a comment on IMDb for about 3 years but was inspired to with this film. It is not very often that I come across a film by accident (World Movies on cable) and the spend the next day scouring the internet to find out information about it and can't get it out of my head! Anyway, yep there are plot holes, but Old boy borrows a lot from surrealism and you are meant to suspend your disbelief! I don't buy comments when people say "it is so unrealistic because he should've done this ..." because it is a surrealist film and meant to be unrealistic! For me the sign of a good film is if it sticks on your head! THis one surely does (althought I did have to look away a few times ... ) Loved it!!!! Work of cruel genius!!! (HOLLYWOOD - Please don't ruin it by remaking it!!!)
172 out of 248 people found the following review useful:
Great film!, 17 March 2007
![]()
Author:
lucas739 from United Kingdom
I feel compelled to defend this film from some quite frankly unwarranted criticism. Although it isn't without its flaws, and all films have a few,it certainly isn't a one star film.What this film has is the ability to be sublime, shocking, ridiculous, mildly amusing and visually stunning which is some feat for any film.The sheer scale of the comments here suggests that here is a film that gets to you in one way or another. This film is as far away from Maborosi as you can get yet both films are up there as great pieces of cinema. I wont divulge the plot or end this comment with a Latin quote to reinforce my self importance i'll just say go and watch it, preferably if you're not too squeamish and don't mind subtitles.This film left me thinking about it the following day which is normally a good thing (atleast it shows my memory is working!)
166 out of 237 people found the following review useful:
Excellent in it's sickness, 22 July 2007
![]()
Author:
johnny-08 from Rijeka, Croatia
I looked at program for today and I saw movie "Oldboy". I read plot and
I liked it. What I expected is decent thriller from very good South
Korean cinematography,something like "Salinui chueok ". But once again
I was wrong. "Oldboy" is masterpiece, so unusual from all other movies.
I've seen lots of violence on screen and to me this isn't nothing new
but I think that people under 18 really shouldn't watch this one. It's
because movie is brutal and I don't think that younger ones would fully
understand this one.
To say something about plot is quite impossible because I don't know
where to begin. If I start talking about the movie I could tell few
important things and I know that people often read other comments
because they didn't watch that movie. So,I'm going to say only what I
read before watching this movie.
On his daughter's birthday, Oh Dae-su gets drunk and soon he's arrested
by the police. His best friend No Joo-hwan somehow manages to get him
out of jail and when No Joo-hwan is making a phone call Oh Dae-su
disappears. Someone kidnap's him and puts him into room during 15 long
years.But one day he's released.
That's the plot. Very interesting, you should watch this movie and then
judge it. By the rating on IMDb this movie is in top 250 movies. Now I
can understand why. This plot that I wrote doesn't reveal the greatness
of the people who wrote the script. I bow to them because this movie is
so good, with all those twists and it really represents a whole new
wave of making a movie, of writing a script and of acting in it. About
direction and actors I can say only good things. Director Park
Chan-wook won prize Grand Jury at Cannes. That's enough about direction
part. About actors. I can say that I'm impressed by one actor:Choi
Min-sik. He's amazing in major role and he showed great potential. I
hope I will see him again in some good movie.
I cannot say anything more because I could reveal some secret and I
don't wanna do that to all new viewers. Only a recommendation.
Beautiful, intelligent masterpiece of movie that I highly recommend for
everyone with strong stomach and too all of you who want to see one
excellent, but sick story. 10/10
190 out of 291 people found the following review useful:
One step ahead of America, 7 March 2007
Author:
ryuakamrvengeance from United Kingdom
Oldboy takes a hammer and "batters" its American equivalents, leaving
them as pulped as a chewed up squid. Park Chan Wook displays what
America misses with his ultra-stylish, ultra-violent thriller. Why
watch Ben Affleck fail spectacularly to summon any displayable talent,
when Min sik Choi serves up a memorable role as the disturbed, vengeful
Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully
creates a compelling plot that will have you guessing through the
entire film, up until the final shocking revelation. The Cinematography
expertly done by Jeong-hun Jeong, who also worked on the follow up to
this film, Chinjeolhan geumjassi. Everything about this film is done in
style and panache and creates a memorable experience, and has many
memorable scenes.
Many people accuse this film of being "unrealistic". These people
forget that this a film, not a documentary. No one complains About Star
Wars being unrealistic, and rightly so. Films have a right to stretch
out reality, don't forget the reason it does this is to be
entertaining.
Although the film has strong violence of a graphic nature, I advise you
to watch it, if only to broaden your perspectives of world and Asian
cinema.
498 out of 918 people found the following review useful:
Didn't like it much at all, 24 April 2005
Author:
(dj_bassett) from Philadelphia
*** This review may contain spoilers ***
Armond White of the NY Press has called it a "virtuosic stupid movie".
I think that's exactly right.
Certainly the movie looks fantastic. I liked the surrealistic touches.
I think the director has a real imaginative way of capturing the
process of memory -- there's an extended flashback about 3/4 way
through which I think is as well conceived and shot as anything I've
seen. The acting is standout. Hell, I even liked the score.
But the movie almost aggressively makes no sense.
SPOILERS Leave aside for a moment the obvious plot holes, large and
small -- although it's worth noting that there's a whole lot of them.
Leave aside the contrivances, too: the endless special gadgets the bad
guy comes up with just when he needs them, the rather magical view of
hypnosis, Dae-Su's magical new abilities, the seeming omnipotence of
the badguy. Let's assume all this is beside the point, and that we're
supposed to take the movie more or less symbolically ala FIGHT CLUB
(probably the closest reference).
The movie doesn't make any sense thematically, either. What's it really
about? The virtue of keeping your mouth shut? The movie seems to
suggest that the bad guy's sexual relationship with his sister is just
fine, the problem seems to be Dae-Su's big mouth. The movie rather
laboriously teaches this: the sister kills herself because of the
rumors which somehow the sister believes to be true (?); Dae-Su becomes
convinced that he was, in fact, at fault; Dae-Su cuts his own tongue
out; Dae-Su pleads that Mi-do never learn the truth; Dae-Su even ends
up brainwashing himself via hypnosis to forget the truth -- or "keep
his mind shut", in a sense. I mean, huh? This is a pretty juvenile kind
of ethics, to be blunt about it. Although Dae-Su is the protagonist the
movie really doesn't seem to be on his side. It also hints at a weird
kind of passivity: for all of the hammer swinging and octopus eating,
Dae-Su doesn't really do all that much: things are done to him, and
eventually he begins to internalize the abuse given to him.
Is it about the futility of revenge? One would think, particularly with
the references to COUNT OF MONTE CRISTO. But leaving aside the notion
that Dae-Su's tormentor's omnipresence seems to weigh against the
notion of him and Mi-do doing anything, really, but take their lumps or
try to fight back, the fact that Dae-Su is considered by the movie to
have really "done" something makes any critique pretty complicated.
Remember, in COUNT Dantes is a true innocent. His motives are as pure
as revenge ever gets -- that's why Dumas's ultimate critique, his
ultimate notion that revenge even for the Count is wrong works so well.
The force is seen in isolation. Here, though, it seems more a case of
Dae-Su learning how "bad" he really is. He shouldn't take revenge
because he really IS at fault.
I guess you could argue that the movie shows revenge is futile from the
bad guy's point of view. Then why are we watching Dae-Su at all? Maybe
the point is that everyone feels themselves righteous until they
realize the true dimensions of their "sin". But I don't see a lot of
people facing up to facts in the movie: I see a lot of denial, in fact.
Dae-Su admits to his relatively "minor" sin but can't face up to his
"major" one.
After I saw this I read some interviews with the cast and crew, and
apparently some of this vagueness is intentional -- we're supposed to
be left unsure. Well, the movie is successful in that, but I think it's
an unworthy goal, an abdication of the artist's responsibility. People
have bristled at the charge that this movie is nihilistic, but if that
really is the point, that the movie's supposed to throw up it's hands
and say, "hey, I dunno, you figure it out", then that truly is
nihilism.
Ah well, I could go on, but I won't bore you. A virtuosic stupid movie
indeed, I think: often amazing to watch but underneath the surface just
a whole bunch of muddleheadedness.
116 out of 171 people found the following review useful:
Amazing Movie, 29 August 2007
![]()
Author:
gdmvy from Bay Area, California
Yes this is a twisted movie with plots that unravel slowly and
sometimes there are scenes that are slow. But over all it's incredible.
Some of the symbolism behind the scenes are stunning. You have to go
deep to appreciate it. There is a lot of gore and violence that can
turn you off, but I was simply amazed by the depth and width of some of
the scenes.
Without giving anything away, once the main character is released he
meets a man with a dog. It's seems to be an irrelevant scene, but put
yourself in a cage for 15 years and think about how you would act? What
happens to that man? Isn't he also in a cage? Aren't we all? What is
the symbolism of that man? How about the dog? Revenge to the main
character in this movie is his life. Why? And you don't question it
because you know what happened to him. He doesn't question it either.
To me this was one of the greatest depictions of Oedipus or other Greek
characters I've seen this decade in a movie. Nothing is new. If you
liked "Requiem for a Dream" or "Blue Velvet." Consider this one.
| Page 1 of 70: | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] |
| Plot summary | Plot synopsis | Ratings |
| Awards | Newsgroup reviews | External reviews |
| Parents Guide | Official site | Plot keywords |
| Main details | Your user reviews | Your vote history |