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After being kidnapped and imprisoned for fifteen years, Oh Dae-Su is released, only to find that he must find his captor in five days.

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(story), (comic) | 3 more credits »
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Top Rated Movies #67 | 38 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Dae-han Ji ...
No Joo-hwan
...
...
...
Yoo Hyung-ja (as Seung-Shin Lee)
...
Lee Soo-ah
Dae-yeon Lee ...
Beggar
Kwang-rok Oh ...
Suicidal Man
Tae-kyung Oh ...
Young Dae-su
Yeon-Seok Yoo ...
Young Woo-jin (as Yeon-suk Ahn)
Il-han Oo ...
Young Joo-hwan
Su-hyeon Kim
Seung-jin Lee
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Storyline

Abducted on a rainy night in 1988, the obnoxious drunk, Oh Dae-Su, much to his surprise, wakes up locked in a windowless and dilapidated hotel room, for an unknown reason. There, his invisible and pitiless captors will feed him, clothe him and sedate him to avoid committing suicide, and as his only companion and a window to the world is the TV in his stark cell, the only thing that helps Oh Dae-Su keep going is his daily journal. But then, unexpectedly, after fifteen long years in captivity, the perplexed prisoner is deliberately released, encouraged to track down his tormentor to finally get his retribution. Nevertheless, who would hate Oh Dae-Su so much he would deny him of a quick and clean death? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Imprisoned for 15 years... ...5 days to seek revenge See more »

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence including scenes of torture, sexuality and pervasive language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 November 2003 (South Korea)  »

Also Known As:

Oldboy  »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$68,957, 25 March 2005, Limited Release

Gross USA:

$707,481

Cumulative Worldwide Gross:

$14,272,524
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Scenes at the police station with drunken and disorderly Dae-su Oh were the very last scenes the director scheduled to film. Min-sik Choi (Dae-su Oh) ad-libbed most of these "drunken" scenes, including the scene of him playing with toy wings that he bought for his daughter. He also ad-libbed many of his lines during the penthouse scene, including the anthem of his school. See more »

Goofs

The last scene at Woo-jin's penthouse, while he is getting dressed, his shirt cuffs already have cufflinks in them; in the next shot, they are missing, and he is putting them on. See more »

Quotes

Dae-su Oh: [after a very messy beating] Anyone here with an AB blood type, raise your hand.
See more »

Connections

References King Kong (1933) See more »

Soundtracks

Bring My Love
by Starsailor
See more »

Frequently Asked Questions

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User Reviews

 
One step ahead of America
7 March 2007 | by See all my reviews

Oldboy takes a hammer and "batters" its American equivalents, leaving them as pulped as a chewed up squid. Park Chan Wook displays what America misses with his ultra-stylish, ultra-violent thriller. Why watch Ben Affleck fail spectacularly to summon any displayable talent, when Min sik Choi serves up a memorable role as the disturbed, vengeful Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully creates a compelling plot that will have you guessing through the entire film, up until the final shocking revelation. The Cinematography expertly done by Jeong-hun Jeong, who also worked on the follow up to this film, Chinjeolhan geumjassi. Everything about this film is done in style and panache and creates a memorable experience, and has many memorable scenes.

Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.

Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.


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