A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Mathilda, a 12-year-old girl, who is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor. Written by
This is the second one of director Chan-wook Park's "Revenge Trilogy". The first is Sympathy for Mr. Vengeance (2002). The third is Sympathy for Lady Vengeance (2005). Incidentally, the very first speaking character in this film, who commits suicide with his dog and whose story we never hear, is played by Kwang-rok Oh. In the first of the revenge trilogy he played an anarchist who appears at the very end of the film. He is the only credited character who appears in both movies. See more »
All throughout the hallway fight scene, it is obvious that the goons don't actually kick Dae-Su. Many times they kick him and his body doesn't react, while other times their kicks are even too far from his body that it appears they are kicking air, despite the fact he is motionless on the floor. See more »
Remember this: "Be it a rock or a grain of sand, in water they sink as the same."
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To start off; This is the one and only film that kept me quiet for a whole 5 mins after seeing it. I literally couldn't close my mouth, and yet there wasn't any sound coming out of it. Oldboy had such an impact on me that words are too little to describe that impact. Therefore this film is definitely in my top 3 films ever made. It belongs there because it has a massive ingredient that a lot of films seem to miss out on; a divine plot. Even though the acting and screenplay are world class, the plot is really the cherry on the cake.
When it comes to screenplay Park Chan-Wook is unique (at least for western standards) in his way of filming. The colours are so vivid and it seems like he wanted every shot to be a piece of art. One tip: If you like the shooting in 'Oldboy', have a look at 'Sympathy for Lady Vengeance', the third part in Park's revenge-trilogy. It's even superior to the camera-work in 'Oldboy'. Don't, however, expect a story like Oldboy's, because you would be very disappointed.
When it comes to acting and the music, this film is also one of the better films ever made. The music sticks in your head and every time I put in my Oldboy-DVD and the theme-song comes up, I'm just flooded with good memories (even though the plot doesn't have a single reason to be happy about). The characters are also presented very well by the outstanding cast. Especially Choi Min-Sik and Yu Ji-Tae set a very convincing performance.
I really appreciate this film being respected as it should be, by having a place in the top 250. If, however, it was up to me it would be even higher in the ranking. I don't see why films like 'The Usual Suspects' or 'Memento', which are fantastic pieces of film-making and which without a doubt deserve a place in the top 250, are higher in the top 250 than 'Oldboy'. They serve the same cause; a fantastic plot. But those plots can't stand in the shadow or even come close to the plot of 'Oldboy'. The one and only reason is that those two films are better known and from a western production company. If we were all living in Asia, no doubt 'Oldboy' would be in the top 20 of all time.
My advice to people who haven't watched this film yet: Go see it! This is definitely a must- see. If you have a weak stomach, pull yourself together and still watch it. Don't be as shallow as a lot of people here tend to be. Look beyond the violence and see the things I mentioned before: world class acting, cinematography, music and last but certainly not least the plot. Once you've opened yourself up you'll find a whole new world of cinema. Enjoy!
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