After a 13-year imprisonment for the kidnap and murder of a 6 year old boy, beautiful Lee Guem-ja starts seeking revenge on the man that was really responsible for the boy's death. With the... See full summary »
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor. Written by
This is the second one of director Chan-wook Park's "Revenge Trilogy". The first is Sympathy for Mr. Vengeance (2002). The third is Sympathy for Lady Vengeance (2005). Incidentally, the very first speaking character in this film, who commits suicide with his dog and whose story we never hear, is played by Kwang-rok Oh. In the first of the revenge trilogy he played an anarchist who appears at the very end of the film. He is the only credited character who appears in both movies. See more »
The last scene at Woo-jin's penthouse, while he is getting dressed, his shirt cuffs already have cufflinks in them; in the next shot, they are missing, and he is putting them on. See more »
Very lonely people that I met... they all hallucinated ants at one time.
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I decided to check this movie out after Ebert's 4 star rave review, and the cult status this movie has received (and was also intrigued by the sexy-looking Ultimate Edition), so I decided to rent it. I was VERY surprised at how different it was than I expected it to be - I expected a ton of violence and not much in the way of writing or acting. The first time I saw it, I wasn't blown away, just kind of like whatever.
When I watched it for the second time, however, I really started to notice how well it's made, in addition to liking it more. Every shot is bursting with background detail, a great amount of attention on the production design (the theme of a certain color in a scene was restrained, yet perfectly balanced). The actors really gave it all, especially the 2 male leads who really blew me away. The music is a varied mix of beautiful classical music and some pretty cool techno. The screenplay is brilliant; the characters are developed very well, extremely complex, and the plot is not only ingenious, but the payoff and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies ever. From a critic's point of view, it is a very well-done movie that goes a little overboard in sex and violence, and is just a little strange.
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