A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor. Written by
The restaurant that Mido works in is called "Mediterranean", which is the name of the restaurant in real life, but the director originally intended for it to be called "Akira" - not as a reference to the popular Manga, but to the Japanese director Akira Kurosawa. See more »
All throughout the hallway fight scene, it is obvious that the goons don't actually kick Dae-Su. Many times they kick him and his body doesn't react, while other times their kicks are even too far from his body that it appears they are kicking air, despite the fact he is motionless on the floor. See more »
If by any chance Mido should find out the truth, you son of a bitch, I'm going to rip you limb from limb. And your remains will never be found. Why? Because I'm going to swallow every last bit.
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I decided to check this movie out after Ebert's 4 star rave review, and the cult status this movie has received (and was also intrigued by the sexy-looking Ultimate Edition), so I decided to rent it. I was VERY surprised at how different it was than I expected it to be - I expected a ton of violence and not much in the way of writing or acting. The first time I saw it, I wasn't blown away, just kind of like whatever.
When I watched it for the second time, however, I really started to notice how well it's made, in addition to liking it more. Every shot is bursting with background detail, a great amount of attention on the production design (the theme of a certain color in a scene was restrained, yet perfectly balanced). The actors really gave it all, especially the 2 male leads who really blew me away. The music is a varied mix of beautiful classical music and some pretty cool techno. The screenplay is brilliant; the characters are developed very well, extremely complex, and the plot is not only ingenious, but the payoff and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies ever. From a critic's point of view, it is a very well-done movie that goes a little overboard in sex and violence, and is just a little strange.
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