Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. ... See full summary »
Julien Janvier lost his mother young, drifted apart from his working class father and ever closer to confident Sophie Kowalsky, the Polish class outsider. Their dares game, symbolized by an interchanged music-box, grows ever bolder, regardless of harm to others and each-other. In his college years, it even suspends their relationship and toys with their marriages, but they are drawn back to each-other irresistibly. Written by
The film is dedicated to Yann Samuell's parents-in-law Gerard and Sonia. Gerard and Sonia lent their house to Yann Samuell while he was writing the screenplay. The two were killed in a car crash a week before the film was released. See more »
The first time we see the bus driver chasing the bus his hat falls off towards the left side of the road. The second time it drops directly behind him to the right of the middle. See more »
Julien à 8 ans:
No, actually, I'm wrong. It began a little earlier with a disgusting, meaningless word, like...
[flash of an x-ray]
Julien à 8 ans:
Sure! Why not "mammoth" while you're at it? And it made Mom cry. Anyway, doctors suck. Their words suck. Their pants suck. So what could they know about moms?
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This may be one of the best French films I have seen in a long, long time. In many ways it reminds me of Berliner's "Ma Vie en Rose" (and not just because this film also uses Zazie's brilliant rendition of the Piaf song). It has much of the same Pierre et Giles aesthetic that made the other film so memorable and the child actors also display a similarly remarkable complexity that is so rare when they are usually depicted in film.
Very rarely does a film have the capacity to surprise me this much - either with the usually predictable storyline or when trying to understand the character's motivations etc. But this film continually had me reeling when trying to get a grip on it and, in the end, just when I thought it was a predictable love story...!! For this reason alone I found it a most remarkable film and I would strongly recommend seeing it.
This film will not appeal to lovers of mainstream American cinema - it is too intelligent in the way it challenges our usual expectations. We usually expect to finish watching a film and have no questions - to have everything wrapped up nice and neatly so we can get on with our lives.
If you do not want to suddenly find yourself asking "Pour quoi?" a week later or waking up with the haunting refrains of the unique renditions of the Piaf song in your head, then I would suggest you rent a more predictable movie.
However, if you like being alternately surprised, delighted and haunted by a unique film and wonderful soundtrack - check this one out.
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