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Storyline
Randy commits a crime that would normally get him probation and a hefty fine, but in the "three-strikes" world of justice, he finds himself locked up for 25 years. His cellmate Jake is a congenial yet remorseless lifer who casually informs Randy that he slit his wife's throat because she slept with another man just three months after they exchanged vows. Jake recognizes Randy's fear and offers him advice on how to make it in prison. But it soon becomes clear that Jake has much more than mentoring in mind as he takes Randy under his wing. "Jailbait" sets a darkly cerebral tone, juxtaposing brutality with the unattainable ideal of intimacy in the harshest of psychological environments. For these two men so yearning to be anything but who they are and where they are, power is the goal, and it's never clear who truly holds it right up to the last unsettling moment. Written by
Kindred Media Group
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Motion Picture Rating
(MPAA)
Rated R for pervasive language including graphic sexual dialogue, and some violence
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Did You Know?
Trivia
The movie was awarded the Grand Jury Prize at the 2004 Lake Placid Film Festival
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Like I have stated in other comments that I have made for other films, I am no expert-- just a chick who loves a good story. However, when I see something that haunts me long after I get on the 101 freeway, I feel obliged to chime in with my comments.
After months of hunting down when and where this film would release in the LA area, I finally sat down in my chair, stub in hand at the Grande Laemmle downtown. I thought I would remain the only member in the audience given the lack of advertisement, but shortly after I arrived two older guys showed up. One of them had a handy-cam, so I figured they were just a couple of old pirates. Nope. The 'pirate' ended up being the father of Brett C. Leonard, the writer/director of the film and his camera was not for pirating-- just had it with him. After hearing Bruce Leonard's story of his son's long journey to getting the film off the ground and on to the screen, I was more than ready to see it. It was definitely worth the wait.
From the limited number of cast members, the one principle setting, the almost exclusive use of the color blue and the lack of 'mood' music, you really got a sense of confinement. The acting was great. I was scared of Randy's (Michael Pitt) cell mate and wanted to be his friend all at the same time. Very amusing and yet horribly disturbing character. Michael Pitt was dead on once again. You really felt for the guy's situation and, no doubt, his regret. Clearly, the film wanted to touch on the ridiculousness (is that even a word?!) of California's three strikes rule. Without giving anything away, I can say that this film while not preachy is definitely a discussion starter (aren't all of the good ones that way?).
By not putting the two principle characters in a few other settings within the prison, i do feel that the director missed an opportunity to take advantage of the medium. A lot of the dialog could have been done in the prison yard or the mess hall..even the library mentioned at the beginning of the film. This would have also allowed us to see how the other inmates were living and interacting. Maybe even opening up the idea that Randy's situation was not just his hard luck, but the simple, sad truth of many other inmates.
Regardless of these thoughts, this was a disturbing, touching and thought-provoking drama. The writer and director should be proud of his accomplishment. I know his father sure is.