| Photos (See all 15 | slideshow) | Videos |
| Robin Williams | ... | Alan Hakman | |
| Mira Sorvino | ... | Delila | |
| Jim Caviezel | ... | Fletcher | |
| Mimi Kuzyk | ... | Thelma | |
| Stephanie Romanov | ... | Jennifer Bannister | |
| Thom Bishops | ... | Hasan | |
| Genevieve Buechner | ... | Isabel Bannister | |
| Brendan Fletcher | ... | Michael | |
| Vincent Gale | ... | Simon | |
| Casey Dubois | ... | Young Alan - 9 | |
| Liam Ranger | ... | Young Louis - 9 | |
| Joely Collins | ... | Legz the Tattoo Artist | |
| Michael St. John Smith | ... | Charles Bannister | |
| Chris Britton | ... | Jason Monroe | |
| Wanda Cannon | ... | Caroline Monroe | |
| Chaka White | ... | Pregnant Woman On Bus | |
| Don Ackerman | ... | Tattooed Man | |
| Sarah Deakins | ... | Eliza Monroe | |
| George Gordon | ... | Daniel Monroe | |
| Spencer Achtymichuk | ... | Jason Monroe - 6 | |
| Erin Wright | ... | Battered Woman | |
| Mig Macario | ... | Rom (as Miguelito Macario) | |
| Emy Aneke | ... | Security Guard | |
| Stephen Dimopoulos | ... | Uncle Murray | |
| Wendy Noel | ... | Guest #1 | |
| Kwesi Ameyaw | ... | Guest #2 | |
| Leanne Adachi | ... | Natalie | |
| Peter Hall | ... | Adult Louis | |
| Johnna Wright | ... | Mrs. Hakman | |
| Bart Anderson | ... | Mr. Hakman | |
| Stefan Arngrim | ... | Oliver | |
| Darren Shahlavi | ... | Karim | |
| Blu Mankuma | ... | Zoe Tech Representative | |
| Richard Hendery | ... | Balding Man | |
| Jim Francis | ... | Professor | |
| Jason Diablo | ... | Bobby | |
| Lisa Bunting | ... | Sobbing Woman | |
| Doreen Eby | ... | Delivery Nurse | |
| Andrew Bramley | ... | Doctor | |
| David James | ... | Dad | |
| Elizabeth Urrea | ... | Patient Parent | |
| Barbara Krebesova | ... | Squabbling Wife | |
| Kolja Liquette | ... | Squabbling Husband | |
| Elliot Mandelcorn | ... | Pregnant Woman's Husband (as Bryan Elliot) | |
| Ryan Gates | ... | Aging Man | |
| Ian Gschwind | ... | Man | |
| Ellen Kennedy | ... | Woman | |
| Mike Jocelyn | ... | Business Man | |
| Kevin Mundy | ... | Toasting Guy | |
| Katina Robillard | ... | Pretty Woman | |
| Lee Walker | ... | Friend #1 | |
| Anne Whitmore | ... | Friend #2 (as Anne Whitemole) | |
| Darren Hird | ... | Voice of Danny Monroe (voice) | |
| Bill Waters | ... | Old Man (as W.J. [Bill] Waters) | |
| rest of cast listed alphabetically: | |||
| Robert Brakey | ... | Groom in Zoe Footage (uncredited) | |
| Sharon Simms | ... | Screeching Car Passenger (uncredited) | |
Directed by | |||
| Omar Naim | (as Omar Naïm) | ||
Writing credits | ||
| Omar Naim | (written by) (as Omar Naïm) | |
Produced by | |||
| Michael Burns | .... | executive producer | |
| Marc Butan | .... | executive producer | |
| Guymon Casady | .... | executive producer | |
| Eberhard Kayser | .... | co-producer | |
| Marco Mehlitz | .... | executive producer | |
| Michael Ohoven | .... | executive producer | |
| Nancy Paloian | .... | executive producer (as Nancy Paloian-Breznikar) | |
| Michael Paseornek | .... | executive producer | |
| William Vince | .... | co-producer | |
| Nick Wechsler | .... | producer | |
Original Music by | |||
| Brian Tyler | |||
Cinematography by | |||
| Tak Fujimoto | (director of photography) | ||
Film Editing by | |||
| Dede Allen | |||
| Robert Brakey | |||
Casting by | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
| Meg Morman | (uncredited) | ||
Production Design by | |||
| James Chinlund | |||
Art Direction by | |||
| Kelvin Humenny | |||
Set Decoration by | |||
| Shane Vieau | |||
Costume Design by | |||
| Monique Prudhomme | |||
Makeup Department | |||
| Jayne Dancose | .... | makeup artist: Zoe unit/second unit | |
| Rachel Griffin | .... | makeup artist: Zoe unit/second unit (as Rachel Griffiths) | |
| Rebecca Lee | .... | first assistant makeup artist | |
| Rebecca Lee | .... | makeup artist: Zoe unit/second unit | |
| Lisa Leonard | .... | key hair stylist | |
| Lisa Love | .... | key makeup artist | |
| Malcolm Marsden | .... | first assistant hair stylist | |
| Malcolm Marsden | .... | hair stylist: Zoe unit/second unit | |
| Cheri Minns | .... | makeup artist: Robin Williams | |
| Lee Novak | .... | first assistant hair stylist: Zoe unit/second unit | |
| Sherry Van Gool | .... | additional assistant makeup artist (uncredited) | |
Production Management | |||
| Carl Pedregal | .... | post-production supervisor | |
| Fran Rosati | .... | unit production manager | |
| Rosemary Lara | .... | production manager: Lions Gate Films (uncredited) | |
Second Unit Director or Assistant Director | |||
| Julie Hemmerling | .... | third assistant director | |
| Rachel Leiterman | .... | first assistant director: Zoe unit/second unit | |
| Craig Matheson | .... | first assistant director | |
| Darius Matheson | .... | second assistant director | |
| Lynda Mills | .... | third assistant director: Zoe unit/second unit (as Linda Mills) | |
| Rob Turner | .... | second unit director | |
| Kate Weiss | .... | second assistant director: Zoe unit/second unit | |
| Quincy Wheeler-Hendren | .... | trainee assistant director | |
| Tarnya Cook | .... | third assistant director (uncredited) | |
Art Department | |||
| Don Anderson | .... | props buyer | |
| Brian Beatty | .... | head sculptor | |
| John Beatty | .... | construction coordinator | |
| Terri Bishop | .... | set dresser | |
| Desi Brett | .... | lead carpenter | |
| Greg Campbell | .... | leadman: setup | |
| Jim Cebrowski | .... | stand-by carpenter | |
| Michael Church | .... | set dresser (as Mike Church) | |
| Garth Elliott | .... | greens department | |
| Julie Fontaine | .... | set decoration office coordinator | |
| Ellen Freund | .... | props master | |
| Doug Girling | .... | set designer | |
| Chris Hayward | .... | on-set painter | |
| Michael Jovanovski | .... | leadman | |
| Omar Khouri | .... | storyboard artist | |
| Mike Lilley | .... | graphic designer | |
| Craig Macmillan | .... | on-set dresser | |
| François Milly | .... | set decoration buyer (as Francois Milly) | |
| Diane Nachlik | .... | assistant set decorator | |
| Ted Polkinghorn | .... | paint foreman | |
| Jim Ramsay | .... | set designer | |
| Duane Robinson | .... | tool maintenance | |
| Christopher Rosamond | .... | set dresser (as Chris Rosamond) | |
| Nadine Sekora | .... | art department coordinator (as Nadine Sekopa) | |
| J.P. Sinnott | .... | on-set props | |
| Sigrid M. Spade | .... | set dresser | |
| James Spoor | .... | lead painter | |
| Kevin Tomecek | .... | construction foreman | |
| Collis Verdicchio | .... | lead laborer | |
| Ron Vreekem | .... | paint coordinator (as Ron Vreeken) | |
| Ric Walkington | .... | assistant props master | |
| Ric Walkington | .... | props: Zoe unit/second unit | |
| Brett Warren | .... | lead carpenter | |
| Heather Watson | .... | art department assistant | |
| James Willcock | .... | set dresser | |
| James Willcock | .... | set dresser: Zoe unit/second unit | |
| Barbara Wilson | .... | assistant art director | |
| Sean Wynia | .... | lead painter | |
Special Effects by | |||
| Jeffrey Butterworth | .... | assistant special effects (as Jeff Butterworth) | |
| Amanda Paller | .... | assistant special effects | |
| Gary Paller | .... | special effects coordinator | |
| Amanda Paller | .... | on set supervisor (uncredited) | |
Visual Effects by | |||
| Franklin Cofod | .... | line-up/editorial: Pixel Magic | |
| Peter 'Beak' Cvijanovic | .... | Inferno artist: Zoe | |
| Brigitte Daloin | .... | visual effects assistant editor | |
| Jeremy Dawson | .... | graphics designer: Amoeba Proteus | |
| Victor DiMichina | .... | visual effects producer: Pixel Magic (as Victor Dimichina) | |
| Mark Dornfeld | .... | additional opticals: Custom Film Effects | |
| Roy Erickson | .... | systems administrator: Pixel Magic | |
| Kevin Fisher | .... | scanning and recording: Pixel Magic | |
| Patrick Flanagan | .... | composite artist: Pixel Magic | |
| Tyler Foell | .... | 2D supervisor: Pixel Magic | |
| Jim Gorman | .... | composite artist: Pixel Magic | |
| David Michael Green | .... | systems technician: Pixel Magic (as David Green) | |
| Nate Haggard | .... | composite artist: Pixel Magic | |
| Mike Hardison | .... | 3D supervisor: Pixel Magic | |
| Andrew Harper | .... | technical director: Collider, Inc. | |
| James David Hattin | .... | composite artist: Pixel Magic | |
| Tom Jones | .... | post-production executive: The Post group | |
| Bonnie Kanner | .... | executive producer: Pixel Magic | |
| Kevin Kipper | .... | roto/paint artist: Pixel Magic | |
| Richard Kratt | .... | composite artist: Pixel Magic | |
| Jeff Kryvicky | .... | graphics producer: Collider, Inc. | |
| Brian A. Lamb | .... | scanning and recording: Pixel Magic (as Brian Lamb) | |
| Ray Lewis | .... | artist: Collider, Inc. | |
| George Macri | .... | visual effects coordinator: Pixel Magic | |
| Paul Maples | .... | motion control operator | |
| John R. McConnell | .... | digital matte painter: Pixel Magic (as John McConnell) | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| Brad Moylan | .... | composite artist: Pixel Magic | |
| Patrick Murphy | .... | composite artist: Pixel Magic | |
| Reid Paul | .... | digital effects supervisor: Pixel Magic | |
| Alfredo Ramirez | .... | composite artist: Pixel Magic | |
| Ray Scalice | .... | general manager: Pixel Magic (as Ray Scalise) | |
| Dan Schrecker | .... | graphics designer: Amoeba Proteus | |
| Tefft Smith | .... | artist: LookFX (as Tefft Smith II) | |
| Geordie Spradling | .... | composite artist: Pixel Magic | |
| Kevin Struckman | .... | 3D tracking: Pixel Magic | |
| Melinka Thompson-Godoy | .... | graphics coordinator: Collider, Inc. | |
| Edi Tsuda | .... | artist: Collider, Inc. | |
| Jeff Varga | .... | roto/paint artist: Pixel Magic | |
| Juan Carlos Vargas | .... | 3D tracking: Pixel Magic | |
| John Walsh | .... | motion control operator | |
| Scott Beverly | .... | mechanical effects supervisor: New Deal Studios (uncredited) | |
| Shannon Blake Gans | .... | visual effects executive producer: New Deal Studios Inc. (uncredited) | |
| Leigh-Alexandra Jacob | .... | lead painter (uncredited) | |
| Ray Lewis | .... | digital artist (uncredited) | |
| Josh Novak | .... | lead compositor: main title sequence (uncredited) | |
| Scott Schneider | .... | lead model maker (uncredited) | |
| Jeff Varga | .... | digital compositor (uncredited) | |
Stunts | |||
| Noah Beggs | .... | stunt actor: Protestor | |
| Duane Dickinson | .... | stunt driver | |
| Caroline Field | .... | stunt actor: Screeching Car Passenger (as Carolyn Field) | |
| Mike Mitchell | .... | stunt double: Alan | |
| David Mylrea | .... | stunt double: Young Alan | |
| Shawn C. Orr | .... | stunt safety | |
| Rick Pearce | .... | stunt actor: Screeching Car Driver | |
| Rick Pearce | .... | stunt safety | |
| Suzi Stingl | .... | stunt actor: Swing Girl (as Suzie Stingle) | |
| Suzi Stingl | .... | stunt double: Young Louis (as Suzie Stingle) | |
| Duane Dickinson | .... | stunts (uncredited) | |
| Mike Mitchell | .... | stunt coordinator (uncredited) | |
Casting Department | |||
| Susan Taylor Brouse | .... | casting: Canada (as Susan Brouse) | |
| Andrea Brown | .... | extras casting director | |
| Lynne Carrow | .... | casting: Canada | |
| Amaris Meyer | .... | casting assistant: US | |
| Melissa Perry | .... | casting assistant: Canada | |
| Crystal Wilson | .... | assistant extras casting | |
Costume and Wardrobe Department | |||
| Derek J. Baskerville | .... | costumer: Robin Williams (as Derek Baskerville) | |
| Laurie Giles | .... | costumes: Zoe unit/second unit | |
| Laurie Giles | .... | set costumer | |
| Lise Hache | .... | costumes: Zoe unit/second unit | |
| Lise Hache | .... | prop costumer | |
| Jane Henry | .... | assistant costume designer | |
| Susie Hill | .... | set costumer (as Susi Hill) | |
| Julia Linn | .... | wardrobe cutter (as Julia Lin) | |
| Diana Patterson | .... | costume set supervisor | |
Editorial Department | |||
| Jennifer Hwang | .... | post-production coordinator | |
| Trevor Mirosh | .... | assistant editor | |
| Josh Moore | .... | laboratory contact: Technicolor | |
| Jeff Smithwick | .... | color timer: Technicolor | |
| Anna Solorio-Catalano | .... | first assistant editor | |
| Kevin James Brown | .... | colorist (uncredited) | |
| Christi Franck | .... | post-production assistant (uncredited) | |
| Rick Grayson | .... | apprentice editor (uncredited) | |
| Jessica Roberts | .... | post-production assistant (uncredited) | |
Music Department | |||
| Dana Burke | .... | orchestra recordist | |
| Dante Dauz | .... | score assistant | |
| Robert Elhai | .... | orchestrator | |
| Zigmund Gron | .... | music editor (as Zig Gron) | |
| Joel C. High | .... | music supervisor | |
| Joel Iwataki | .... | music mixer | |
| Simon James | .... | orchestra contractor | |
| Gary Krause | .... | music editor (as Gary L. Krause) | |
| Dana Niu | .... | orchestrator | |
| Oji Nwankwo | .... | music business affairs | |
| Reed Ruddy | .... | orchestra recordist | |
| Tiffany Ryan | .... | music coordinator | |
| Jon Schluckebier | .... | orchestra recordist (as John Schluckenbier) | |
| Eric Stonerook | .... | music preparation services | |
| Brian Tyler | .... | conductor | |
| Brian Tyler | .... | orchestrator | |
| Brian Valentino | .... | orchestra recordist | |
| Jeff Vaughn | .... | music recordist: orchestra | |
| Ja Wah | .... | performers | |
| Tim Davies | .... | music arranger (uncredited) | |
Transportation Department | |||
| David Ash | .... | driver | |
| Rodney Beech | .... | driver: cast (as Rod Beech) | |
| Larry Boyce | .... | driver: cast | |
| Dave Driscoll | .... | driver | |
| Ron England | .... | driver | |
| Ron Gavin | .... | driver: Zoe unit/second unit | |
| Dan Groseclose | .... | driver | |
| Jim Hickman | .... | driver: Zoe unit/second unit | |
| Dennis Houser | .... | transportation coordinator | |
| Howard Huntley | .... | driver | |
| Michael Huntley | .... | transportation captain | |
| Ron James | .... | driver | |
| Tony Johnson | .... | driver | |
| Ron Lacroix | .... | driver | |
| John G. Oliver | .... | transportation captain (as John Oliver) | |
| Les Peters | .... | driver | |
| Charles Pinkus | .... | driver | |
| Mike Prestay | .... | driver: Zoe unit/second unit | |
| Les Ray | .... | driver: Zoe unit/second unit | |
| Fred Sherbinin | .... | driver | |
| Dennis Stone | .... | transportation coordinator: Zoe unit/second unit | |
| Dan Thorn | .... | driver: Zoe unit/second unit | |
| Gary Trowski | .... | driver: Zoe unit/second unit | |
| Geoff Williams | .... | picture car coordinator | |
| Gary Wilson | .... | driver | |
Other crew | |||
| Laura Arcangeli | .... | chef: Edible Planet | |
| Rachel Austin | .... | first assistant chef: Edible Planet | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances, Inc. | |
| Bill Barclay | .... | assistant: Nick Wechsler | |
| Violet Barisoff | .... | craft service: Zoe unit/second unit | |
| Violet Barisoff | .... | first aid: Zoe unit/second unit | |
| Mitchell Barmash | .... | office production assistant (as Mitch Barmash) | |
| Jo Bates | .... | third assistant chef: Edible Planet | |
| Dale Bredeson | .... | location production assistant | |
| Adam Bryant | .... | stand-in | |
| Patrick Carroll | .... | video insert coordinator | |
| Patrick Carroll | .... | video insert coordinator: Zoe unit/second unit | |
| Stephen Chan | .... | pre-production assistant | |
| Steve Chan | .... | location production assistant: Zoe unit/second unit | |
| Lisanne Collett | .... | key chef: Edible Planet | |
| Dale Cornick | .... | assistant accountant (as Dale Cornik) | |
| Vincent Dela Luna | .... | location production assistant: Zoe unit/second unit (as Vince Della Luna) | |
| Vincent Dela Luna | .... | pre-production assistant (as Vince Della Luna) | |
| Elizabeth Dixon | .... | business & legal affairs coordinator: Lions Gate Entertainment | |
| Mark Dumas | .... | animal wrangler | |
| Mark Dumas | .... | animal wrangler: Zoe unit/second unit | |
| Blair Dyers | .... | location production assistant | |
| Blair Dykes | .... | location production assistant: Zoe unit/second unit | |
| Trevor Fieldhouse | .... | extras wrangler | |
| Larry Foulds | .... | security | |
| Darin Friedman | .... | assistant: Guyman Casady | |
| Warren Dean Fulton | .... | location production assistant: Zoe unit/second unit (as Warren Fulton) | |
| Jaye Gazeley | .... | assistant location manager | |
| Michelle Gorley | .... | assistant chef: Zoe unit/second unit, Edible Planet | |
| Michelle Gorley | .... | second assistant chef: Edible Planet | |
| Michael Grigsby | .... | production accountant | |
| Ed Hatton | .... | location production assistant: Zoe unit/second unit | |
| Ed Hatton | .... | pre-production assistant | |
| Bonnie Hay | .... | stand-in: Mira Sorvina | |
| Andrea Hughes | .... | extras wrangler | |
| Andrea Hughes | .... | extras wrangler: Zoe unit/second unit | |
| Sonya Hull | .... | location production assistant | |
| Carla Dawn Jackson | .... | office production assistant | |
| Nina Aurora Jeerh | .... | trainee assistant location manager (as Nina A. Jeerh) | |
| Richard Jordan | .... | executive vice president of physical operations: Lions Gate Entertainment | |
| Sean Kennedy | .... | security | |
| Peter Kepkay | .... | pre-production assistant | |
| Lana Krotenko | .... | script: Zoe unit/second unit | |
| Rosemary Lara | .... | assistant: Mike Paseornek | |
| David Lee | .... | chef: Zoe unit/second unit, Edible Planet | |
| Wayne Levin | .... | executive vice president of business affairs: Lions Gate Entertainment | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Entertainment | |
| Dominic Main | .... | key location pre-production assistant: Zoe unit/second unit | |
| Dominic Main | .... | pre-production assistant | |
| Carol Marks-George | .... | publicist | |
| Cam Mason | .... | assistant: Marc Butan | |
| Hamish McArthur | .... | location production assistant | |
| Robert M. Melnik | .... | senior vice president of business affairs: Lions Gate Entertainment (as Robert Melnik) | |
| Terry Mialkowsky | .... | assistant location manager | |
| Curtis A. Miller | .... | director of production: Lions Gate Entertainment | |
| Shawn Murphy | .... | key location production assistant: Zoe unit/second unit | |
| Shawn Murphy | .... | location production assistant | |
| Maryam Nasiri | .... | accounting clerk | |
| Ed Nesling | .... | location manager | |
| Sandra Palmer | .... | production coordinator | |
| Pamela Paloian | .... | assistant: Nancy Paloian Breznikar | |
| Elva Parsons | .... | payroll | |
| Dixie Plaxton | .... | production assistant: prep | |
| Anna-Marie Plosz | .... | assistant production coordinator | |
| Karen Powell | .... | production services | |
| Topher Rafuse-Wilkinson | .... | location production assistant | |
| Jon Raitt | .... | prep assistant location manager | |
| Emily Rice | .... | post-production accountant | |
| Neil Robertson | .... | location manager: Zoe unit/second unit | |
| Darren Seiden | .... | business & legal affairs: Lions Gate Entertainment | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances, Inc. | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Entertainment | |
| Rebecca Erwin Spencer | .... | assistant: Robin Williams | |
| Mason Steinberg | .... | assistant: Omar Naïm | |
| Susan Strubin | .... | craft service | |
| Susan Strubin | .... | first aid | |
| S. Corissa Stuckey | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Drew Thompson | .... | animal wrangler | |
| Stephen Tibbetts | .... | stand-in | |
| Keith Towstego | .... | playback assistant | |
| Shane Travis | .... | key location production assistant (as Shane Scott-Travis) | |
| Michael Umble | .... | unit publicist | |
| Helga Ungurait | .... | script supervisor | |
| Caileen Uznis | .... | business & legal affairs coordinator: Lions Gate Entertainment | |
| Charlyn Ware | .... | director of business and legal affairs: Lions Gate Entertainment | |
| Keri Winters | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Steve Woodley | .... | animal wrangler | |
| John Woods | .... | location production assistant | |
| Dave Wynnyk | .... | security | |
| Marni Wynnyk | .... | security (as Marnie Wynnyk) | |
| Richard Wynnyk | .... | security officer (as Rick Wynnyk) | |
| Riley Cantner | .... | photo double: "Young Louis" (uncredited) | |
| Michael J. Harker | .... | completion bond representative (uncredited) | |
| John Kirby | .... | acting coach: Mr. Caviezel (uncredited) | |
| Lukasz Madziag | .... | production assistant (uncredited) | |
| Robert Milicevic | .... | security (uncredited) | |
| Bernhard Speck | .... | production controller: Cinerenta (uncredited) | |
| Ryan Steacy | .... | armorer (uncredited) | |
| Jeff Wonnenberg | .... | office production assistant (uncredited) | |
Thanks | |||
| Keith Addis | .... | special thanks | |
| Santiago Amigorena | .... | special thanks | |
| Josef Brandmaier | .... | thanks | |
| Geyer Kosinski | .... | special thanks | |
| Elias Muhanna | .... | special thanks | |
| Jonathan Nossiter | .... | special thanks | |
| Randa Chahal Sabag | .... | special thanks (as Randa Chahal Sabbagh) | |
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Set during an unspecified future era, or perhaps an "alternate universe" present era, The Final Cut posits a world in which "first person viewpoint" computer chip implants are possible for those who can afford it. These record a person's entire life from a first person viewpoint--the "camera" sees what the person sees, hears what they hear. The intention is to have an accurate, documentary-like record after the person dies. These are presented as films at their funerals. Citizens known as "cutters" (just a slang for a film editor) pare down one's life to a feature length presentation. There are also those who protest the implants. The Final Cut is the story of the latter days of a cutter, Alan W. Hakman (Robin Williams).
While The Final Cut is enjoyable enough, it has tremendous squandered potential. As one would expect, Williams turns in an incredible performance, but the script, by writer/director Omar Naim, could have used a lot of work.
The premise is fabulous. It opens many philosophical and psychological cans of worms. Some are dealt with, but only cursorily. Surely cutters go through a lot of emotional trauma as they vicariously experience the lows and the mundanities of other person's lives. Naim shows us this briefly with a recording of someone who was an abuser. But as soon as he shows us this material, he drops it. The film is advertised as a thriller. How much more exciting would it have been to embed Hakman in the middle of some grand, suspenseful plot, the details of which became known to him through data from an implant? As one of the opponents of the implant technology remarks, the implants have changed the way people relate to each other. That is a good point--it would have a profound impact on that. So why aren't we shown instances of this in the film? This could have been another hinge for a very intriguing, tense plot.
There are also issues of invasion of privacy, surveillance paranoia, consent (the implants are shown being put into infants and being permanent), and "misuse" of the data. Most of these are barely touched. Often they're only broached with a single comment, or a protester's sign.
Other fascinating issues brought up by the idea of the technology are not even mentioned. Surely, such technology would prove to be invaluable as evidence in crimes. And surely many people, especially victims, would voluntarily offer a "tap" into their implants so they can be witnesses. Why not comment on these kinds of possibilities? The Final Cut is also oddly understated with such a far-reaching sci-fi premise in this era of rubber reality films. A number of plot points, such as the one involving Louis Hunt, have almost disappointingly mundane resolutions. For that matter, for a sci-fi film set in the future or an alternate reality, there isn't much that is different about the world except for the implants. Probably the lack of differences was due to budget. It costs a lot of money to build alternate realities.
This might sound far too negative for the film to warrant a 7 out of 10 from me, which is equivalent to a "C" letter grade. Much of the film is saved by the performances. In combination with direction that is more often than not interesting and unusual, it's easy to focus on the promise of the premise rather than the unfulfilled extensions of the same.
Hakman, and presumably the other cutters, have odd dispositions. Their task is to make everyone look good--like a mortician making up a mangled body so it's "presentable" at a funeral. They spend hour upon hour as voyeurs. They are something like archivists, but also have to play detective. It makes them strangely aloof and dour. It's difficult for them to have relationships. Naim gets in a couple cracks that portray the cutters and their social relationships as similar to geeky "Internet addicts". This is all good stuff, and it's excellently played by Williams.
The flow of the film is a bit odd, and especially the ending (which I praised for its relative nihilism) is eventually abrupt in a way that doesn't exactly work (and I usually love abrupt endings). Being generous, we could take the wonky flow as a "level-removed" kind of self-reference. Of course Naim was faced with cutting the film to make it look good, but it's a bit awkward and arbitrary-feeling, just as a cutter's work would likely be when faced with having to produce a coherent 90-minute film out of 80 years' worth of material. Being less generous, Naim simply needs to learn how to better tell a story, and there was no intention of real-world reflexivity with his fictional material.
The Final Cut is worth seeing, especially if you're a Robin Williams fan as I am, but it's a disappointment considering what it could have been.