In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
The story is set in a world where implanted microchips can record all moments of an individual's life. The chips are removed upon death so the images can be edited into something of a highlight reel for loved ones who want to remember the deceased. Caviezel portrays the leader of the organization that opposes this technology's development. Written by
I saw "The Final Cut" at the Berlin Film Festival, I was surprisingly absorbed by the questions raised. The plot evoked feelings I felt after reading, George Orwell's, "1984". The questions of privacy and morality.
As a first film, Omar Naim does a credible job at directing Robin Williams, Mira Sorvino, and Jim Caviziel. Their preformances matched the morbidity of the world created in the film. Some of Robin's most reserved and pulled back acting, great seeing Caviziel transform from Jesus to a villan. Thom Bishops who I never heard of before was suprisingly impressive as the light point in the film.
To me, this film comes at a time when this subject is pertinent as social commentary on where our society is headed.
There was a couple of plot holes though, and I felt that the romance between Mira Sorvino's character and Robin's could have been more developed.
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