In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
The story is set in a world where implanted microchips can record all moments of an individual's life. The chips are removed upon death so the images can be edited into something of a highlight reel for loved ones who want to remember the deceased. Caviezel portrays the leader of the organization that opposes this technology's development. Written by
Cerebral Version of Brainstorm that Doesn't Quite Cut It
Unlike Brainstorm (1983), The Final Cut tries to introduce the fascinating idea of recorded memory, yet the final product doesn't quite make the cut. This intriguing idea isn't developed well in its subtle controversy and the storyline plays more like a mystery thriller with a typical horror movie ending. Brainstorm gave us virtual reality, a fantastic vision along with some of the more high production value focus on a singular plot line. In the Final Cut, there are two story lines attempting to interweave themselves in some form of fancy twist when only one plot would have been sufficient. The Final Cut tries too hard to impress. Robin Williams' character isn't much of a stretch from his earlier more innovative dramatic works such as Insomnia (2002), Death to Smoochy (2002), One Hour Photo (2002). Even as early as The Fisher King (1991) and Awakenings (1990) or Dead Poet's Society (1989), such earlier characters were more compelling. Here as Alan Hakman, we've seen his portrayal before and there isn't much in the way of substance here, it's almost as if Mr. Williams is operating on inertia in this movie or that the character as developed by the script didn't really have much more. In One Hour Photo, Mr. Williams character was empty, but his performance was stark and captivating nonetheless. The Final Cut is more confusing, cerebral trying to have a heart, yet it ends mostly in tatters without any real satisfaction. Six out of Ten Stars.
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