Deep space, at the edge of the galaxy. The future. A new prisoner arrives on top security prison ship and psychiatric research unit Dante 01. Sole survivor of an encounter with an alien ... See full summary »
Linh Dan Pham,
Jarrod and his pregnant girlfriend Elaine travel to Los Angeles to meet his old friend and successful entrepreneur Terry, and his wife Candice. Terry gives a party in his apartment for ... See full summary »
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
The story is set in a world where implanted microchips can record all moments of an individual's life. The chips are removed upon death so the images can be edited into something of a highlight reel for loved ones who want to remember the deceased. Caviezel portrays the leader of the organization that opposes this technology's development. Written by
Pink Floyd's 1983 album, The Final Cut, shares a character with this film, Fletcher (named after Roger Water's father). It isn't clear if this connection is deliberate, but the album also features overtones of tragic loss and memories. See more »
When Bannister takes his daughter into his study, he closes the door. The visual record is shot along the length of his arm, so either his eyes are in the middle of his chest, of the camera was shooting from too low. See more »
It's for the greater good, Alan. Your life will mean something. I promise.
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Cerebral Version of Brainstorm that Doesn't Quite Cut It
Unlike Brainstorm (1983), The Final Cut tries to introduce the fascinating idea of recorded memory, yet the final product doesn't quite make the cut. This intriguing idea isn't developed well in its subtle controversy and the storyline plays more like a mystery thriller with a typical horror movie ending. Brainstorm gave us virtual reality, a fantastic vision along with some of the more high production value focus on a singular plot line. In the Final Cut, there are two story lines attempting to interweave themselves in some form of fancy twist when only one plot would have been sufficient. The Final Cut tries too hard to impress. Robin Williams' character isn't much of a stretch from his earlier more innovative dramatic works such as Insomnia (2002), Death to Smoochy (2002), One Hour Photo (2002). Even as early as The Fisher King (1991) and Awakenings (1990) or Dead Poet's Society (1989), such earlier characters were more compelling. Here as Alan Hakman, we've seen his portrayal before and there isn't much in the way of substance here, it's almost as if Mr. Williams is operating on inertia in this movie or that the character as developed by the script didn't really have much more. In One Hour Photo, Mr. Williams character was empty, but his performance was stark and captivating nonetheless. The Final Cut is more confusing, cerebral trying to have a heart, yet it ends mostly in tatters without any real satisfaction. Six out of Ten Stars.
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