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Why does the director of this film zoom in and zoom out every two seconds?
It's bad enough that the script is just awful, I mean, straight-to-video
awful and the acting is just as bad. I mean, embarrassingly bad. The
had to have been cringing watching themselves in this film. But the
zooms in and zooms out constantly through the movie, I was getting motion
sickness. Oddly, the film had great ratings so this guy will get more
I just hope I never see any of it. I don't want to get sick
Cliched characters abound in this movie, it's a wonder no one in the production noticed this. My least favorite part of the whole film was the very beginning, where Seattle is having a huge quake and some biker is riding over falling rocks, jumping on cars, just being missed by all the falling debris. It was so stupid. Apparently, some executive said "you know, we've got to attract the young kids. Why not have some extreme biker in there riding through the quake. It would be cool."
I really wanted the Space Needle to fall on him. The zoom in, zoom out, zoom in again, zoom out again.
I pray this isn't the future of TV drama. I had to laugh at the opening scene where a guy on a bike manages to dodge every piece of falling debris, including the entire Seattle Tower. Maybe after that it turns into a decent suspense movie, I can't tell because the quick cuts and jerky in-and-out zooming is not only distracting me from what the characters are saying, it is physically making me nauseous and I have to turn it off. They don't pull off the attempt at the NYPD-Blue (maybe it was Kim Delaney's idea?) camcorder style. It's like watching Cribs on MTV, not one shot is long enough for you to see what is going on. It's just frustrating and annoying. This movie should be shown to film classes as an example of what NOT to do.
Taped it, since I had my doubts beforehand. Good thing too. Just zapping
ads out knocked about 45 minutes off the 4 hour run time. Fast forwarding
through some of the drek knocked another hour off.
The science was retarded. If their stupid little idea of nukes would have had half a chance of doing what they said it was doing, it would have required hundreds of them, not 6, and they would have had to been thousands of feet under ground, not hundreds. I don't know why I should be bothered about that as it makes as much sense as arguing the "science" in Star Trek.
Phones that still worked when convenient to the "plot".
It had every cliche known to man and monkey. "Marshal Law" (Is that Jude Law's brother?)
I gave it a 2 instead of a 1 because the little bit of footage they had of things falling down was done pretty well.
After two successive earthquakes, the scientist Dr. Samantha Hill (Kim
Delaney) claims that it is not an aftershock, but a rupture and
displacement of the plate tectonics. She advises that other earthquakes
would happen. When her prediction happens, Roy Nolan (Fred Ward), the
assessor of the American President Paul Hollister (Beau Bridges), gives
all the support Dr. Hill needs to reduce the casualties in the affected
cities. "10.5" is a totally predictable movie, full of clichés and
terrible dialogs. There is one specific character (Amanda Williams,
played by Kaley Cuoco, in the role of the daughter of Gov. Carla
Williams (Rebecca Jenkins)) that irritated me, since her lines were
very silly and even stupid. Most of the dramatic situations are
shallow, such as the Afro-American doctor who argues with his wife,
because he bought a Porsche instead of a new house for the family.
However, the guy leaves his expensive car in the city that is being
evacuated instead of using it for escaping. I could point out many
other ridiculous situations, but it is not the objective of my review.
I regret that a movie, having a reasonable budget, good cast and a very
updated theme, has had such a bad screenplay and direction. My vote is
Title (Brazil): "10.5 O Dia Que a Terra Não Aguentou" ("10.5 The Day Earth Has Not Resisted")
They had a preview screening of this for my office. I work with a bunch of seismologists, and the overall consensus was that when it came to the science, they got *everything* wrong. The room was full of people laughing uproariously at one howler after another. The special effects were pretty good, but the acting was kind of hard to take. Too melodramatic. And not just the science was wrong. The bit that kind of summed it up was a scene where a TV news report was showing a banner that the President had declared 'marshal law'. Don't the writers have a dictionary? Anyway, if you like bad disaster movies, this is entertaining. But it's pure fantasy, and not at all an accurate portrayal.
It was obvious in the opening credit sequence that "10.5" was going to be
one doozy of a stinker. The cyclist outracing the collapsing Space
how contrived, how ridiculous, how utterly physically impossible to ride a
bicycle during an earthquake so tremendous.
This movie is so bad, it "MST's" itself!
There are so many gaps in logic, fact and production, it's impossible to keep up with them. Cheesy "effects" (that train was soooo obviously a model!), preposterous plot, lousy continuity and terrible timing (yeah, right - Science Chick and Doubting Guy DRIVE from LA to Redding and back in the same afternoon and, oh yeah, neither one of them gets dirty...). However, my absolute favorite gaffe in the movie comes in the first minutes of Part 2, in which a newscaster is detailing the arrival of troops in San Franciso. Across the bottom of the "news crawler" is the phrase "Marshal Law". What, did Marshal Faulk and Ty Law have a baby? When the military takes over local control, kids, it's called MARTIAL Law!! The fact that the editorial and production teams did not catch this simple error is, to me, indicative of their overall approach to this, ah, er, um, film. It seems painfully obvious that the entire company - actors, writers, gaffers, prop masters, everyone - have no respect for the movie they're making.
It is a great mystery how a bit of dreck such as this can get made, especially by network television, which is notoriously conservative. Rank this turd up there with "Atomic Train" and "Tidal Wave" - the only thing missing from "10.5" is an impassioned performance from Corbin Bernson.
A rank pile o' poo, but so much fun to watch! 1/2* out of *****
Ouch. This was painful to watch. I am fascinated with humans trying to overcome potential disasters, i.e. Armageddon, Deep Impact and Twister. However, this disaster movie was a disaster. The guy riding from the space needle and the train getting engulfed by the fissure were ridiculous. I kept hoping there would be a change in plot that would make this better, but it kept getting worse. So much was just not believable. To me it was like watching most people on American Idol. It was so bad, it was fascinating. The other funny thing was nobody had a good relationship at the start of the movie. All the main characters that had relationships were having a rough go of it. Doesn't ANYONE have a good relationship anymore?
Screenwriters must believe in the power of the atom. I've seen most of the
disaster flicks, dating back to the 60s. I must be drawn to them because
it's my long time home in Los Angeles that they always ruin. The result of
these epics is seeing LA blown to bits. It's always a nuke to save LA, but
it never works.
What about that computer screen showing the exact magnitude of the quakes as they happen. In REAL TIME! Did the writers ask how this is done in the real world?
This mini was a complete waste of my time and the producer's money. I simply cannot express just how bad the science was, or the acting, or the camera work. The very concept was flawed. "Let's blow up LA" has been done before.
Did a writer figure out there are interconnecting "Super Faults", 700 miles deep under the west coast? Is this how it started? Well, that's how it ended.
By the third hour of this yawner, I wanted push the buttons on those five devices and atomize this whole mess.
Did they think we would be so gullible to actually suspend our disbelief for four hours? HA!
I gave it g/naout of 10,000, simply because there was no "zero" option.
*** This review may contain spoilers ***
There is only one part of this epic that I like. The entire west coast
offices of NBC (spoiler alert!!!!!) were swallowed up and are now under
water, where the original negatives of this movie should
I have read the other comments and I too was about to go crazy with the shaky zoom in -zoom out shots all through this film. I had to go get one of those new patches that go behind your ear to keep from getting motion sickness.
Here is the technical stuff: Why oh why was this epic NOT in high definition???? More and more of us have the digital sets and all the other networks make these kinds of events (?) available in high definition. Also, where was the audio?? I heard very basic stereo that had less separation between channels than an 8-track. Where was the low frequency effects channel with all that earthquake rumble??? You know, maybe with better audio and picture, all the other negatives could be overlooked. Well, maybe not entirely overlooked....
I also concur that the daughter character should have been dropped down one of the fault lines along with her inhaler. What an absolutely annoying and obnoxious character. Actually, they were all annoying and obnoxious.
Oh, and lastly, (spoiler alert!!!) just like a scene in the movie Independence Day, the doctor is in Tent City (the refugee camps from the entire southern CA west coast with hundreds of thousands of people) just walks around and finds his family just like that!!! REALLY !!!!
I think I know who wrote the script, she is also a student in my two year old daughters day care...
This isn't really worthy of a serious review, being just the worst kind
of TV movie dreck that it is possible to conjure. Anybody that rated
this higher than a 5 needs professional help at once. Instead, here's
what this movie will teach really dumb people (the ones who rated it
1. The best way to avoid a collapsing building in an earthquake is to ride a BMX bike directly away from, but in the fall line of, the said building. You should also resist the temptation to avoid being crushed to a pulp by the simple expedient of turning down a side street as that would imply rational thought on your part (and we all know BMX'ers have no brains).
2. Earthquakes will form cracks in the ground that will chase a train exactly along the route of its tracks, even going around corners in order to follow the track exactly. Or maybe the track actually held the faultline together....
3. The above-mentioned cracks are so smart that, once they have succeeded in catching and engulfing the train, they will immediately stop opening up at once, literally the moment the engine goes down into the abyss.
4. Everyone in an earthquake will have to overcome some kind of personal /familial/professional problem.
5. An entire town can be swallowed without the slightest trace remaining.
6. A full-grown man will succumb to poisonous fumes far more quickly than a woman half (or less) his body mass.
7. The answer to stopping earthquakes is to detonate multiple nuclear warheads beneath the surface of the earth in the conceit that it will fuse a faultline together.
8. Disaster control centres have map displays that depict nuclear explosions as tiny, superimposed balls of fire. I kid you not...
9. The careers of Beau Bridges and Fred Ward are at an end. No! Wait! This bit is actually a fact. I wonder how galling it is to poor old Beau that his father and brother are/were much more successful than he is/was/will ever be.
10. After the big quake is over, people will shuffle mindlessly forward in an unintentional parody of Day of the Dead.
In fact, there really is only one thing to redeem this movie (at least in some tiny way) and that is the miniature and CGI effects of destruction. They are pretty obviously what they are - mini or CGI - but they are by far the most interesting thing in this otherwise diabolically awful excuse of a film.
Elsewise all the film contains (Apart from the already mentioned points above) is awful shaky-cam footage (it makes it look more realistic you know!), ironing-board acting, ludicrous science-abuse, characters so stereotypical and clichéd that you wonder if they were available "off-the-shelf", terribly over-the-top melodramatic music which is actually laughably awful in most scenes and let's not forget the Hulk-like split-imaging which at times makes the whole thing look like the opening credits of Dallas!
Oh my! This is a real stinker! Avoid this like it was a real earthquake! Unless you want a huge, huge laugh at the dumbness of it all.
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