An earthquake reaching a 10.5 magnitude on the Richter scale, strikes the west coast of the U.S. and Canada. A large portion of land falls into the ocean, and the situation is worsened by aftershocks and tsunami.
When a volcano expert becomes convinced that a cataclysmic natural disaster is about to unfold, a volcanologist Professor John Shepherd and his graduate students believes that recent ... See full summary »
Amy Jo Johnson,
The West coast of Northern America suffers an unprecedented series of major earthquakes in a matter of days, puzzling seismologists, including Dr. Jordan Fisher's team. His maverick assistant Samantha Hill comes up with a theory, which they confirm on site, that a deep tectonic rift links them and is likely to sink most of California into the Pacific. The only imaginable countermeasure are subterranean nuclear explosions. Three succeed, one rather causes a new problem. Meanwhile federal and other authorities as well as various people wrestle with side-effects like landslides and cope with a huge refugees exodus. Written by
The filmmakers never received permission to use the trademarked name "Space Needle." In order to circumvent this, it is spelled "Spaceneedle" when it appears in the film. See more »
On the opening shot of City Hall in San Francisco, it is a spiraling aerial shot with all of the automobiles going in a forward motion. When the scene in "City Hall" is over and the spiraling aerial view is run again, it is the SAME aerial view of city hall run in reverse (as can be proven with the fact that all the cars passing long the street are running backwards in the reverse motion). See more »
I pray this isn't the future of TV drama. I had to laugh at the opening scene where a guy on a bike manages to dodge every piece of falling debris, including the entire Seattle Tower. Maybe after that it turns into a decent suspense movie, I can't tell because the quick cuts and jerky in-and-out zooming is not only distracting me from what the characters are saying, it is physically making me nauseous and I have to turn it off. They don't pull off the attempt at the NYPD-Blue (maybe it was Kim Delaney's idea?) camcorder style. It's like watching Cribs on MTV, not one shot is long enough for you to see what is going on. It's just frustrating and annoying. This movie should be shown to film classes as an example of what NOT to do.
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