An earthquake reaching a 10.5 magnitude on the Richter scale, strikes the west coast of the U.S. and Canada. A large portion of land falls into the ocean, and the situation is worsened by aftershocks and tsunami.
New York, the city that never sleeps, is trapped in a nightmare of horror and destruction when a massive earthquake rocks the unsuspecting city. Countless lives are lost, families are torn ... See full summary »
Charles S. Dutton
The West coast of Northern America suffers an unprecedented series of major earthquakes in a matter of days, puzzling seismologists, including Dr. Jordan Fisher's team. His maverick assistant Samantha Hill comes up with a theory, which they confirm on site, that a deep tectonic rift links them and is likely to sink most of California into the Pacific. The only imaginable countermeasure are subterranean nuclear explosions. Three succeed, one rather causes a new problem. Meanwhile federal and other authorities as well as various people wrestle with side-effects like landslides and cope with a huge refugees exodus. Written by
The filmmakers never received permission to use the trademarked name "Space Needle." In order to circumvent this, it is spelled "Spaceneedle" when it appears in the film. See more »
On the opening shot of City Hall in San Francisco, it is a spiraling aerial shot with all of the automobiles going in a forward motion. When the scene in "City Hall" is over and the spiraling aerial view is run again, it is the SAME aerial view of city hall run in reverse (as can be proven with the fact that all the cars passing long the street are running backwards in the reverse motion). See more »
It was obvious in the opening credit sequence that "10.5" was going to be one doozy of a stinker. The cyclist outracing the collapsing Space Needle - how contrived, how ridiculous, how utterly physically impossible to ride a bicycle during an earthquake so tremendous.
This movie is so bad, it "MST's" itself!
There are so many gaps in logic, fact and production, it's impossible to keep up with them. Cheesy "effects" (that train was soooo obviously a model!), preposterous plot, lousy continuity and terrible timing (yeah, right - Science Chick and Doubting Guy DRIVE from LA to Redding and back in the same afternoon and, oh yeah, neither one of them gets dirty...). However, my absolute favorite gaffe in the movie comes in the first minutes of Part 2, in which a newscaster is detailing the arrival of troops in San Franciso. Across the bottom of the "news crawler" is the phrase "Marshal Law". What, did Marshal Faulk and Ty Law have a baby? When the military takes over local control, kids, it's called MARTIAL Law!! The fact that the editorial and production teams did not catch this simple error is, to me, indicative of their overall approach to this, ah, er, um, film. It seems painfully obvious that the entire company - actors, writers, gaffers, prop masters, everyone - have no respect for the movie they're making.
It is a great mystery how a bit of dreck such as this can get made, especially by network television, which is notoriously conservative. Rank this turd up there with "Atomic Train" and "Tidal Wave" - the only thing missing from "10.5" is an impassioned performance from Corbin Bernson.
A rank pile o' poo, but so much fun to watch! 1/2* out of *****
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