| Photos (See all 35 | slideshow) | Videos (see all 5) |
Directed by | |||
| D.J. Caruso | |||
Writing credits(WGA) | ||
| Michael Pye | (novel) | |
| Jon Bokenkamp | (screen story) | |
| Jon Bokenkamp | (screenplay) | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Amir Mokri | (director of photography) | ||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Deborah Aquila | |||
| Tricia Wood | |||
Production Design by | |||
| Tom Southwell | |||
Art Direction by | |||
| Serge Bureau | |||
Set Decoration by | |||
| Suzanne Cloutier | |||
| Anne Galéa | |||
| Amanda Moss Serino | |||
Costume Design by | |||
| Marie-Sylvie Deveau | |||
Makeup Department | |||
| Suzanne Benoit | .... | hairdresser: Ms. Rowland | |
| Barney Burman | .... | special makeup effects artist: reshoots | |
| Gillian Chandler | .... | makeup artist | |
| Marie-Christine Cormier | .... | assistant hair stylist | |
| Bruno Gatien | .... | prosthetics makeup artist | |
| Colin Jamison | .... | hairdresser: Ms. Jolie | |
| Martin Jutras | .... | prosthetics makeup artist (as Jutras Martin) | |
| Kathy Kelso | .... | makeup artist: extras | |
| Denise Langelier | .... | makeup artist: second unit | |
| Martin Lapointe | .... | hair stylist: extras | |
| Jonathan Lavallée | .... | prosthetics makeup artist | |
| Adrien Morot | .... | prosthetics makeup artist | |
| Donald Mowat | .... | makeup department head | |
| Jennifer Bower O'Halloran | .... | key hair stylist (as Jennifer O'Halloran) | |
| Corrine Poizat | .... | hair stylist: second unit (as Corinne Poizat) | |
| Pina Rizzi | .... | hair stylist | |
| Janeen Schreyer | .... | makeup artist: Ms. Jolie | |
| Sylvania Yau | .... | special makeup effects coordinator | |
Production Management | |||
| Alan C. Blomquist | .... | unit production manager | |
| Pierre Guay | .... | assistant unit manager | |
| Susan E. Novick | .... | post-production supervisor | |
| Gilles Perreault | .... | unit manager | |
| Josette Perrotta | .... | unit production manager | |
Art Department | |||
| Peter Bankins | .... | property master: additional photography | |
| Todd Bennett | .... | plaster foreman | |
| Jerry Bingham | .... | storyboard artist | |
| Andre Brochu | .... | construction supervisor | |
| Michel Brochu | .... | construction coordinator | |
| Michael Buha | .... | set dresser: reshoots | |
| Real Capuano | .... | scenic technician | |
| Louis Dandonneau | .... | set dresser | |
| Alain Omer Duranceau | .... | props | |
| Hugues Gaudreault | .... | extra swing gang | |
| Jose Holder | .... | storyboard artist | |
| Cindy Ichikawa | .... | coordinator | |
| Jean-François Kelahear | .... | stand-by scenic painter | |
| Pierre L'Heureux | .... | set designer | |
| Étienne Lapointe-Proulx | .... | property master (as Etienne Proulx) | |
| Raymond Larose | .... | set designer | |
| Michael O'Donnell | .... | set dresser | |
| Tim Stadler | .... | painter | |
Sound Department | |||
| Yann Delpuech | .... | supervising dialogue & adr editor | |
| Stefan Fraticelli | .... | foley assistant | |
| Robert Grieve | .... | supervising sound editor | |
| Craig Henighan | .... | sound designer | |
| Mark Johnston | .... | sound recordist | |
| E. Niles Klein | .... | sound editorial technical consultant | |
| Goro Koyama | .... | foley artist | |
| Claude La Haye | .... | production sound mixer | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley mixer | |
| Chris Navarro | .... | adr recordist | |
| John T. Reitz | .... | sound re-recording mixer | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Joseph Schultz | .... | assistant sound editor | |
| Joel Shryack | .... | sound editor | |
| Meg Taylor | .... | first assistant sound editor | |
| Don White | .... | foley recording mixer | |
| Dan Yale | .... | supervising foley editor | |
| Kyle Alexander | .... | post-production sound assistant (uncredited) | |
Special Effects by | |||
| Marc Auclair | .... | special effects assistant | |
| Louis Craig | .... | special effects supervisor | |
| Pierre Côté | .... | special effects technician | |
| Gary D'Amico | .... | special effects coordinator: Los Angeles | |
| Normand Gobeille | .... | special effects technician | |
| Chris Jones | .... | special effects technician | |
| André Laforest | .... | special effects coordinator | |
| Virginie Léger | .... | sfx dept coordinator | |
| David A. Poole | .... | special effects | |
| John Poulter | .... | special effects technician | |
| Sebastien Roussel | .... | firework suppervisor | |
| Sebastien Roussel | .... | pyrotechnician | |
| Ken Rudell | .... | special effects technician | |
| Ryan Storm | .... | special effects artist | |
| Michel Verdon | .... | fabricator/welder | |
| Martin Williams | .... | special effects rigger | |
| Bernard Guay | .... | special effects assistant (uncredited) | |
| Christian Rivest | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Cheryl Bainum | .... | executive producer: HATCH | |
| Bret Culp | .... | on-set supervisor | |
| Deak Ferrand | .... | matte painter: HATCH | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Dimitri Kaliviotis | .... | special props: straw figurines maker | |
| Tom Lamb | .... | digital compositor | |
| Patrick Phillips | .... | visual effects | |
| Rebecca Ramsey | .... | visual effects producer: Hatch | |
| David Sosalla | .... | visual effects supervisor | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Andrew C. Whitelaw | .... | digital artist | |
Stunts | |||
| Guy Bews | .... | stunt coordinator | |
| Marcello Bezina | .... | stunts | |
| Eric Bryson | .... | stunts | |
| Richard Bucher | .... | stunt double: Ethan Hawke (reshoots) | |
| Stéphane Byl | .... | stunt double | |
| Alexandre Cadieux | .... | stunts | |
| Mike Chute | .... | stunt driver | |
| Marc Désourdy | .... | stunts | |
| Flint Eagle | .... | stunt performer | |
| Debbie Evans | .... | stunts | |
| Greg Fitzpatrick | .... | stunts | |
| Jean Frenette | .... | stunt performer | |
| Corry Glass | .... | stunt double: Angelina Jolie | |
| Tyler Hall | .... | stunt performer | |
| Kevin Kelsall | .... | stunt performer | |
| Patrick Kerton | .... | stunts | |
| Shawn Lane | .... | utility stunts | |
| Gilbert Larose Jr. | .... | stunt performer | |
| Stéphane Lefebvre | .... | stunt double | |
| Karine Lemieux | .... | utility stunts | |
| David McKeown | .... | stunt driver | |
| Manny Perry | .... | stunt coordinator: Los Angeles | |
| Alison Reid | .... | stunts | |
| David Rigby | .... | stunts | |
| John Ross | .... | stunts | |
| Javier Segura | .... | stunt performer | |
| Matthew Taylor | .... | stunt double | |
| Vanessa White | .... | stunt double: Angelina Jolie | |
| Geoff Williams | .... | stunt performer | |
| Brent Woolsey | .... | stunts | |
Casting Department | |||
| Gabriel Lavina | .... | casting assistant: Montreal | |
| Jennifer L. Smith | .... | casting associate | |
| Cathy Weiner | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jean-François Desjardins | .... | dresser: Ms. Jolie | |
| Emmanuelle Godbout | .... | costume assistant | |
Editorial Department | |||
| Julian Andraus | .... | assistant editor | |
| Bradford L. Dean | .... | assistant editor | |
| Dale E. Grahn | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Chris Jackson | .... | assistant editor | |
| Julia Nessling-Douglas | .... | digital intermediate producer | |
| Jim Page | .... | additional editor | |
| Keith Shaw | .... | colorist: mastering | |
| Peter G. Smith | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Joe Lisanti | .... | music editor | |
| Michael Riesman | .... | conductor | |
| Walter Werzowa | .... | composer: main titles | |
Transportation Department | |||
| Michel Boulanger | .... | driver: producer | |
| Richard Chabot | .... | driver: second unit | |
| Victor Labelle | .... | artist driver: Olivier Martinez | |
| James Sanchez | .... | transportation captain | |
| Joe Sanchez | .... | transportation coordinator | |
| Jerome Wheeler | .... | driver | |
| Gerry Prevost | .... | driver: Montreal (uncredited) | |
| Gerry Prévost | .... | driver: Montreal (uncredited) | |
| Dominic Thiffault | .... | driver (uncredited) | |
|
|
|
|
|
| Magnum Force | So Sweet, So Dead | The Departed | The Fugitive | The Cat o' Nine Tails |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
There are a lot of these crime thrillers about. Some, such as Copycat and Insomnia, offer a surprisingly good time; but more often than not, these films are a lot more like Murder by Numbers and The Bone Collector, and unfortunately; Taking Lives is like the latter. That being said, the film certainly isn't all bad; and definitely does have its moments. The plot has little regard for consistency or logic, as it constantly switches gears and throws in any number of events that are clearly there for dramatic effect and haven't been thought out properly. The film is an obvious derivative of successful nineties thriller, 'Seven' and some scenes, such as the entry into the murderer's home have been taken wholesale from the superior movie. The plot has a lot of elements, but we principally follow FBI agent Illeana Scott as she travels to Montreal in order to help their police force with a case that involves a serial killer who, not content to simply murder his victims, takes their identity and lives their lives for a period before moving onto his next victim.
The cinematography is dark and glossy, and sleazy settings mean that it's always a lot like Fincher's earlier flick. The pace of the film is poorly paced, as sometimes it's fast and furious, while at other times it's very dull. At almost an hour and fifty minutes, the film is too long; and a better editing job is definitely in order. The final half hour is of particular note for being poorly judged. It's far too slow, and means that rather than being memorable; the conclusion is tepid and disorientated. The first twist can be seen coming a mile off, and the way that it is revealed disregards logic for dramatic effect. The final twist doesn't work well either, as everything is far too convenient. It seems that in their effort to outdo all the other films in its class, the writers have forgotten that for dramatic effect to work, it needs to make sense. The acting is good enough, and it's obvious why the dark and mysterious Angelina Jolie was cast in the lead. Ethan Hawke, who I seem to like more every time I see him, is good; while Kiefer Sutherland is given nothing at all to do. On the whole, this is worth a watch if you've got nothing better to do; but there are better films that are like 'Taking Lives', than Taking Lives.