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Taking Lives (2004)

 -  Mystery | Thriller  -  19 March 2004 (USA)
6.1
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Ratings: 6.1/10 from 55,360 users   Metascore: 38/100
Reviews: 301 user | 141 critic | 35 from Metacritic.com

An FBI profiler is called in by French Canadian police to catch a serial killer who takes on the identity of each new victim.

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(novel), (screen story), 1 more credit »
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Title: Taking Lives (2004)

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Cast

Cast overview, first billed only:
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André Lacoste ...
Billy Two Rivers ...
Richard Lemire ...
Québec City Cop
Julien Poulin ...
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Christian Tessier ...
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Storyline

The film starts in the early 1980s. Young Martin Asher took a bus for Canada. He meets another teen on the bus Matt Soulsby. When the bus broke they decided to rent a car and drive to Seattle. On the road the car gets a flat tire, and Matt starts changing the tire Martin comments on how he and Matt are about the same height and he quickly pushes Matt in the way of an oncoming truck causing a huge accident where Matt and the driver both die. He took Matt's guitar and left singing like Matt did. Twenty years later, an FBI profiler, Illeana Scott comes to Canada to help hunting down a serial killer Martin Asher who killed multiple men and lived by their identities. Martin's mother claims that she saw Martin in Quebec city and she tells the police that Martin is evil. The police also has an eyewitness James Costa who saw Asher kill his last victim... Written by victoria

Plot Summary | Plot Synopsis

Taglines:

He Would Kill To Be You.

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence including disturbing images, language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

|

Release Date:

19 March 2004 (USA)  »

Also Known As:

Elude võtmine  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$32,378 (Norway) (30 April 2004)

Gross:

$32,682,342 (USA) (28 May 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Screenwriters Nicholas Kazan, Hillary Seitz and David Ayer worked on revisions for Jon Bokenkamp's script. See more »

Goofs

When the white Suburban is spiraling down the road after colliding with Matt (dummy) while changing the tire there is a crew member with a blue top and helmet and yellow pants behind a round hay bale in the field as the Suburban rolls by. See more »

Quotes

[first lines]
Cashier: Where are you going?
See more »

Connections

References Psycho (1960) See more »

Soundtracks

Shaved
Written by Walter Werzowa
Courtesy of Musikvergnuegen
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Poor taste mars otherwise dumb-fun thriller...
31 January 2008 | by (las vegas, nv) – See all my reviews

Angelina Jolie as a special agent with the F.B.I. investigating serial murderer case in Eastern Canada, involving a killer who takes on the identities of each of his victims, usually drifters he befriends in bus stations and train stops. Adaptation of Michael Pye's novel is full of ridiculous moments (including the pre-credits opening, which involves three broke-down vehicles and two dead bodies, all scored to songs by U2 and the Clash!). Jolie gets paired with two local police detectives who are evidently playing a game of 'good cop-bad cop'--one is congenial and the other is belligerent and rude, at one point even slapping Angie across the face. Kiefer Sutherland and Gena Rowlands have facetious roles, but Ethan Hawke (as a witness to one of the killings) is gaunt and wild-eyed, giving one of the twitchiest performances in memory. Once he locks lips with Jolie, one can't help but to roll his eyes over this overbaked, derivative scenario, which director D.J. Caruso keeps plugging with inexplicable close-ups of everything (he's prop crazy). The film has a few jolts, and Jolie is pretty if awfully stoic (at one point, when a body falls out of an opening, she barely reacts). Still, the predictably suspicious finale has some over-the-top violence which doesn't quite play--even if Caruso is winking, his lack of taste coats the final product with a sour residue. ** from ****


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