A woman along with her lover, plan to con a rich man by marrying him and on earning his trust running away with all his money. Everything goes as planned until she actually begins to fall in love with him.
Beyond Borders is an epic tale of the turbulent romance between two star-crossed lovers set against the backdrop of the world's most dangerous hot spots. Academy Award winner Angelina Jolie... See full summary »
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
The film starts in the early 1980s. Young Martin Asher took a bus for Canada. He meets another teen on the bus Matt Soulsby. When the bus broke they decided to rent a car and drive to Seattle. On the road the car gets a flat tire, and Matt starts changing the tire Martin comments on how he and Matt are about the same height and he quickly pushes Matt in the way of an oncoming truck causing a huge accident where Matt and the driver both die. He took Matt's guitar and left singing like Matt did. Twenty years later, an FBI profiler, Illeana Scott comes to Canada to help hunting down a serial killer Martin Asher who killed multiple men and lived by their identities. Martin's mother claims that she saw Martin in Quebec city and she tells the police that Martin is evil. The police also has an eyewitness James Costa who saw Asher kill his last victim... Written by
The source novel's character equivalent to Illeana is James Costa, a British museum curator. Martin Asher's analog is Martin Arkenhout, a native of Holland. The prime settings of the novel are England and Portugal. See more »
Commenting a photograph of her son, Mrs. Asher says that "their first symphony" was "The Magic Flute". "The Magic Flute" is a Wolfgang Amadeus Mozart opera, not a symphony. See more »
"Taking Lives" is a standard-issue, run-of-the-mill thriller about a serial killer and the FBI agent determined to capture him. When bodies start piling up in the Montreal area, the agent - an expert in serial killer profiling - is brought in to assist the local authorities in finding the culprit. The perpetrator's modus operandi is to target men roughly his own age and build, murder them in cold blood, then assume their identities. Once he grows tired of living their lives, he proceeds to his next victim. Ethan Hawke plays a man who's witnessed the most recent of the killings and who may now be next in line on the man's hit list.
"Taking Lives" sticks pretty much within the confines of its overworked genre. We have the disgruntled local cop who resents interference from a hotshot outsider; the prime suspect who turns out to be just another of the killer's many victims; and the double twist resolution which really isn't all that hard to see coming twenty minutes or so into the movie. Jolie gives her usual wooden performance as the FBI agent, barely managing to register a single convincing emotion throughout the course of the film. Hawke does his best with the material, though there really isn't much he can do with it apart from going through the motions, which he does reasonably well. Gena Rowlands and Keefer Sutherland are also on hand to lend their talents, but since their roles are fairly miniscule, they don't have much of a chance to display their wares as actors.
Although watchable, "Taking Lives" feels like a weak-spined, half-hearted effort in an already played-out genre. It is an instantly forgettable film.
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