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Taking Lives (2004)

R  |   |  Crime, Mystery, Thriller  |  19 March 2004 (USA)
6.2
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Ratings: 6.2/10 from 60,385 users   Metascore: 38/100
Reviews: 306 user | 139 critic | 35 from Metacritic.com

An FBI profiler is called in by French Canadian police to catch a serial killer who takes on the identity of each new victim.

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(novel), (screen story), 1 more credit »
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Title: Taking Lives (2004)

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Cast

Cast overview, first billed only:
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André Lacoste ...
Billy Two Rivers ...
Richard Lemire ...
Québec City Cop
Julien Poulin ...
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Christian Tessier ...
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Storyline

The film starts in the early 1980s. Young Martin Asher took a bus for Canada. He meets another teen on the bus Matt Soulsby. When the bus broke they decided to rent a car and drive to Seattle. On the road the car gets a flat tire, and Matt starts changing the tire Martin comments on how he and Matt are about the same height and he quickly pushes Matt in the way of an oncoming truck causing a huge accident where Matt and the driver both die. He took Matt's guitar and left singing like Matt did. Twenty years later, an FBI profiler, Illeana Scott comes to Canada to help hunting down a serial killer Martin Asher who killed multiple men and lived by their identities. Martin's mother claims that she saw Martin in Quebec city and she tells the police that Martin is evil. The police also has an eyewitness James Costa who saw Asher kill his last victim... Written by victoria

Plot Summary | Plot Synopsis

Taglines:

He Would Kill To Be You.


Motion Picture Rating (MPAA)

Rated R for strong violence including disturbing images, language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

|

Release Date:

19 March 2004 (USA)  »

Also Known As:

Elude võtmine  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$11,458,465 (USA) (19 March 2004)

Gross:

$32,682,342 (USA) (28 May 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

A scene was shot in which Angelina drives back to her house with the old pick-up and a branch from a tree falls and breaks the windshield. It took several takes to get the shot, and apparently destroyed the last remaining windshields for the pick-up available anywhere in North America at the time. The scene was not used. See more »

Goofs

After striking Matt Soulsby, the Suburban is veering hard left off the road, in the next shot it is heading straight. See more »

Quotes

[first lines]
Cashier: Where are you going?
See more »

Connections

References Psycho (1960) See more »

Soundtracks

Inertia Creeps
Written by Robert Del Naja, Grantley Marshall and Andrew Vowles
Performed by Massive Attack
Courtesy of Virgin Records
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Poor taste mars otherwise dumb-fun thriller...
31 January 2008 | by (las vegas, nv) – See all my reviews

Angelina Jolie as a special agent with the F.B.I. investigating serial murderer case in Eastern Canada, involving a killer who takes on the identities of each of his victims, usually drifters he befriends in bus stations and train stops. Adaptation of Michael Pye's novel is full of ridiculous moments (including the pre-credits opening, which involves three broke-down vehicles and two dead bodies, all scored to songs by U2 and the Clash!). Jolie gets paired with two local police detectives who are evidently playing a game of 'good cop-bad cop'--one is congenial and the other is belligerent and rude, at one point even slapping Angie across the face. Kiefer Sutherland and Gena Rowlands have facetious roles, but Ethan Hawke (as a witness to one of the killings) is gaunt and wild-eyed, giving one of the twitchiest performances in memory. Once he locks lips with Jolie, one can't help but to roll his eyes over this overbaked, derivative scenario, which director D.J. Caruso keeps plugging with inexplicable close-ups of everything (he's prop crazy). The film has a few jolts, and Jolie is pretty if awfully stoic (at one point, when a body falls out of an opening, she barely reacts). Still, the predictably suspicious finale has some over-the-top violence which doesn't quite play--even if Caruso is winking, his lack of taste coats the final product with a sour residue. ** from ****


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