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Stephen King (novel)
David Koepp (screenplay)
12 March 2004 (USA) more
The most important part of a story is the ending. more
A writer is accused for plagiarism by a strange man, who then starts haunting him for "justice." full summary | full synopsis
2 nominations more
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A movie for writers, by writers, about writing. more (501 total)
| Johnny Depp | ... | Mort Rainey | |
| John Turturro | ... | John Shooter | |
| Maria Bello | ... | Amy Rainey | |
| Timothy Hutton | ... | Ted Milner | |
| Charles S. Dutton | ... | Ken Karsch | |
| Len Cariou | ... | Sheriff Dave Newsome | |
| Joan Heney | ... | Mrs. Garvey | |
| John Dunn-Hill | ... | Tom Greenleaf (as John Dunn Hill) | |
| Vlasta Vrana | ... | Fire Chief Wickersham | |
| Matt Holland | ... | Detective Bradley | |
| Gillian Ferrabee | ... | Fran Evans | |
| Bronwen Mantel | ... | Greta Bowie | |
| Elizabeth Marleau | ... | Juliet Stoker | |
| Kyle Allatt | ... | Busboy | |
| Richard Jutras | ... | Motel Manager | |
| Kevin Woodhouse | ... | Public Works Guy | |
| Vito DeFilippo | ... | Public Works Guy | |
| Sarah Allen | ... | Sheriff's Niece | |
| rest of cast listed alphabetically: | |||
| Isabelle Champeau | ... | Photojournalist (uncredited) | |
Directed by | |||
| David Koepp | |||
Writing credits(WGA) | ||
| Stephen King | (novella "Four Past Midnight: Secret Window, Secret Garden") | |
| David Koepp | (screenplay) | |
Produced by | |||
| Gavin Polone | .... | producer | |
| Ezra Swerdlow | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
| Geoff Zanelli | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| Jill Savitt | |||
Casting by | |||
| Pat McCorkle | |||
| John Papsidera | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| Gilles Aird | |||
Set Decoration by | |||
| Francine Danis | |||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Nathan J. Busch II | .... | hairdresser: New York (as Nathan Busch) | |
| Réjean Goderre | .... | key hair stylist | |
| C.J. Goldman | .... | special makeup effects artist | |
| Erik Gosselin | .... | special prosthetics | |
| Christine Larocque | .... | wig maker | |
| Adrien Morot | .... | special makeup effects supervisor | |
| Patricia Regan | .... | makeup artist: New York unit | |
| Martin Samuel | .... | hairdresser: Mr. Depp | |
| Micheline Trépanier | .... | key makeup artist | |
| George Tucci | .... | special makeup effects artist | |
| Sylvania Yau | .... | special makeup effects coordinator | |
| Patty York | .... | makeup artist: Mr. Depp | |
Production Management | |||
| Manon Bougie | .... | unit production manager | |
| Patrick Legault | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jesabelle Boileau | .... | additional third assistant director | |
| Pedro Gandol | .... | first assistant director | |
| Linda Perkins | .... | second assistant director: New York | |
| David 'Wex' Wechsler | .... | first assistant director: New York | |
Art Department | |||
| Real Capuano | .... | scenic technician | |
| Martin Chalifoux | .... | construction coordinator | |
| Marcel Pierre Dussol | .... | props | |
| Denis Hamel | .... | property master | |
| Annie Jamison-DeMarbre | .... | construction coordinator | |
| Alexandre Juneau | .... | set dresser | |
| Raynald Langelier | .... | set designer | |
| Brick Mason | .... | storyboard artist | |
| William F. Reynolds | .... | set decorator: New York | |
| Lucie Tremblay | .... | set designer | |
Special Effects by | |||
| Manon Boucher | .... | special effects technician | |
| Louis Craig | .... | special effects director | |
| Mario Dumont | .... | special effects floor supervisor | |
| Normand Gobeille | .... | special effects technician | |
| André Laforest | .... | special effects technician | |
| Philippe Roberge | .... | special effects technician | |
| Ryan Storm | .... | effects technician | |
| Bernard Guay | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Jacqueline Allard | .... | rotoscope | |
| Christopher Almerico | .... | visual effects coordinator | |
| Arthur Argote | .... | digital compositor | |
| David Bailey | .... | digital matte painter | |
| Joseph Brattesani | .... | digital compositor | |
| Marc Cote | .... | motion control operator | |
| Pierre Couture | .... | visual effects coordinator | |
| Pierre Couture | .... | visual effects producer | |
| Ron Crabb | .... | matte painter | |
| Travis Dutch | .... | scanning and recording | |
| Kevin Fitzgerald | .... | motion control operator | |
| William Higgins | .... | digital effects artist | |
| Lubo Hristov | .... | digital matte painter | |
| Nancy Hyland | .... | digital compositor | |
| Irene Kassow | .... | visual effects editor | |
| Darren Locke | .... | pre-visualization: Keyframe Digital Productions | |
| Tom Lynnes | .... | CG supervisor | |
| Margaux Mackay | .... | visual effects supervising producer | |
| Gray Marshall | .... | visual effects supervisor | |
| Craig Mathieson | .... | digital compositor | |
| Matt McFarland | .... | scan/record manager | |
| Jennifer Mizener | .... | visual effects production office coordinator | |
| Jim Rider | .... | Flame artist | |
| César Romero | .... | digital compositor | |
| Robert Scifo | .... | digital matte painter | |
| Craig Shumard | .... | motion control technician | |
Stunts | |||
| Marcello Bezina | .... | stunt double | |
| Jere Gillis | .... | stunts | |
| Karine Lemieux | .... | stunt double: Maria Bello | |
| David McKeown | .... | stunt coordinator (as Dave McKeown) | |
Camera and Electrical Department | |||
| Jean-François Abran | .... | electrician | |
| Sylvain Bernier | .... | gaffer | |
| Stephane Boisvert | .... | generator operator | |
| François Daignault | .... | camera operator: "a" camera | |
| Mathieu Décary | .... | first assistant camera | |
| Mathieu-Félix Drouin | .... | clapper loader | |
| Lukasz Jogalla | .... | camera operator | |
| Tom Kerwick | .... | key grip: New York | |
| Andre-Pierre Lampron | .... | additional electrician | |
| Patrick Lima | .... | dolly grip | |
| Kenneth MacKenzie | .... | key grip | |
| Pierre Malo | .... | rigging electrician | |
| Charles Marcotte | .... | electrician | |
| Jordi Montblanch | .... | grip | |
| David Reinhard | .... | daily second assistant camera | |
| Alain Rousseau | .... | second assistant camera: "a" camera | |
| Stephane Tanguay | .... | electrician | |
| Abeille Tard | .... | camera trainee | |
| Marco Venditto | .... | rigging gaffer | |
| William M. Weberg | .... | best boy grip: New York | |
| Jonathan Wenk | .... | still photographer | |
| Barry Wetcher | .... | still photographer: New York | |
Costume and Wardrobe Department | |||
| Rosalie Clermont-Bilodeau | .... | assistant costume designer | |
| Roseann Milano | .... | wardrobe supervisor: New York | |
| Lyse Pomerleau | .... | costume supervisor | |
| Leah Yananton | .... | costume assistant: New York | |
Editorial Department | |||
| Steve Bowen | .... | digital colorist | |
| Adam Geiger | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Berenicci Hershorn | .... | assistant film editor | |
| Jordan Lindblad | .... | editorial production assistant | |
| Chris Regan | .... | color timer | |
| Will Reichel | .... | post-production coordinator | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Joseph S. DeBeasi | .... | music editor: temp score | |
| Julie Eidsvoog | .... | music preparation | |
| Bruce Fowler | .... | orchestrator | |
| Suzie Katayama | .... | music preparation | |
| Blake Neely | .... | additional conductor | |
| Suzana Peric | .... | music editor | |
| Mark J. Petracca | .... | music consultant | |
| Michael Riesman | .... | conductor | |
| Michael Riesman | .... | music scoring mixer | |
| Alan Elliott | .... | composer: additional music (uncredited) | |
| Steve Kempster | .... | score mixer (uncredited) | |
Transportation Department | |||
| Vincent Brabant | .... | driver | |
| Bertrand Calmeau | .... | driver | |
| Alexandre Juaneda | .... | transportation captain | |
| André Michaud | .... | driver | |
Secret Window, Secret Garden (USA) (working title)
more
Rated PG-13 for violence/terror, sexual content and language.
96 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
Malaysia:18SG | France:U | Iceland:16 | Canada:13+ (Quebec) | South Korea:15 | Japan:U | India:UA | Argentina:13 | Australia:M | Brazil:14 | Canada:14A | Finland:K-11 | Germany:16 | Hong Kong:IIB (DVD rating) | Netherlands:12 | Norway:15 | Philippines:R-13 | Portugal:M/16 | Singapore:PG | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:12A | USA:PG-13 (certificate #40120) | Greece:K-17
While Johnny Depp is looking to a mirror, you faintly hear him whisper, "When Sister Veronica found out about the windows she withdrew the school from the competition". This is a line from Rosemary Woodhouse's first dream in Rosemary's Baby (1968). more
Continuity: After Mort gets out of his car to confront his wife and her lover at the motel, he closes the car door. It is both heard and can be seen in the rear view mirror. When he returns to leave a moment later, the car door is open. more
[first lines]
Mort:
[voiceover] Turn around. Turn around. Turn the car around and get the hell out of here. Right now. Don't go back. Do not go back there.
more
Referenced in Pirates of the Caribbean: At World's End (2007) more
Get Down more
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| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
"The only thing that matters is the ending. It's the most important part of the story. And this one, is very good." This line, from the short story by Stephen King, and repeated with such muted insanity by Johnny Depp, is Secret Window in a nutshell.
A lot of people didn't enjoy this movie, because the ending is clichéd and predictable, but I loved the rest of it because of it's true subject matter.
The movie is about writing and the insanity of writers. For those of you unfamiliar with the process...imagine spending months or even years of your life working on a painting that you yourself can never see. You become so close to what you create that you have no idea if it's any good, and the growing doubt of your own ability along with the fear of wasting so much time and effort will most definitely have you pulling your hair out.
That's what Secret Window captures so perfectly. It's obvious Stephen King knows exactly what's going on in Mort Rainey's mind, and Koepp, a successful and busy screenwriter, probably connected with the material for the same reason.
Early in the movie, Mort walks around his house on a typical day when he's working on his latest novel. He does nothing. Sleeps. Talks to his dog. Then finally sits down at the typewriter and writes a single paragraph. He then reads it, realizes it's bad writing, and deletes it. But he does it with a SMILE. And he goes back to sleep happy, because he DID something on that day.
That's the world that Mort Rainey, as a serious writer, lives in. Completely obsessed with trying to paint a blind masterpiece, and scared to death of failure. So you can imagine that when Mort finally completes something that he's proud of, it goes down as one of the great days in his otherwise nervous and stressful existence.
And King has magnified the situation, by stripping our writer of everything else that might make him happy. Mort's personal life is a complete mess. His wife has left him for another man (a subplot staged with perfect awkward bitterness), he has no friends and is living alone in a cabin in the woods. So Mort is a writer and nothing else. The only thing he has left is the hope of his latest novel. And that naturally takes all his effort and gives him nothing but stress and doubt in return. So the only thing that can possibly be keeping him going is his previous work. The satisfaction that comes from having climbed the mountain in the past and created something that truly makes him proud.
And THAT is when the horror begins. Our villain appears, and accuses Mort of plagiarizing one of his previous stories. (If you've followed my description to this point, your stomach should turn a cartwheel at this moment.) Shooter threatens Mort's life, and Mort is left trying to find an original copy of the story to prove to his stalker (and perhaps himself) that he does have a shred of value as a human being.
And of course, as the story goes on...we get a full exploration of the affects of immersing yourself in a fictional world. It goes on to show the paranoia and madness that can come from men when they don't have the steady influence of reality to keep them anchored.
The ending of the story is very predictable and cliché, but I can forgive it, because it is a total natural for this material. Secret Window is a perfect examination of the inner madness that exists in people who create subjective art for a living. Depp's performance is pitch perfect, and people who understand the situation will most likely love this.
If you aren't, however, you won't be able to identify.
7.5/10