Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Four children from the same family have to leave their town because of the bombings of WWII. A women and a professor take the children to their house. While playing a game of hide-and-seek, the youngest member of the family, Lucy, finds a wardrobe to hide in. She travels back and back into the wardrobe and finds a place named Narnia. After going in twice, the four children go in together for the last time. They battle wolves, meet talking animals, encounter an evil white witch and meet a magnificent lion named Aslan. Will this be the end of their journey to Narnia or will they stay? Written by
When Lucy meets Mr. Tumnus the faun, he plays music for her on a funny-looking Narnian instrument. The actual sound heard is produced by the duduk (doudouk, düdük), a traditional Armenian wind instrument, famously featured in Sergei Parajanov's The Color of Pomegranates (1969) as well as Parajanov: The Last Spring (1992); the use of the duduk has become almost a tradition in Hollywood blockbusters. The instrument that Mr. Tumnus uses on set is actually a figment of the prop department's imagination. In the book Tumnus plays, as a faun, a Pan's flute. It's an instrument which is very difficult to play or even to mime playing. See more »
When Peter finds the note about the capture of Mr. Tumnus, he pulls it down off the nail, ripping the top edge of the paper. In a following shot the top edge of the paper can be seen fully intact, then ripped again. See more »
I had been waiting for it ever since it was announced, so of course I couldn't pass up the chance to see a press preview this morning. And, while there were some definite weaknesses (mostly in the quality of the animations), overall I was completely convinced. Naturally it did not coincide 100% with my own vision of Narnia visually, but emotionally it rang absolutely true, choking me up several times and really touching me. I walked out of the theatre with a warm, contented feeling - just like I feel every time I read C.S. Lewis' book!
The stand-out performance was definitely Tilda Swinton's as the White Witch, but I liked all actors/voices, from cute little Lucy (newcomer Georgie Henley) to majestic Aslan (Liam Neeson). I thought the children did a great job, considering their relative inexperience and the amount of blue screen work involved.
Tip: Stay seated through the actor credits - afterwards there's another small scene.
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