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The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

6.9
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Ratings: 6.9/10 from 232,879 users   Metascore: 75/100
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Four kids travel through a wardrobe to the land of Narnia and learn of their destiny to free it with the guidance of a mystical lion.

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Title: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) on IMDb 6.9/10

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Cast

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Judy McIntosh ...
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Storyline

When the Pevensie family are evacuated out to the country, they are unaware of the adventure they will encounter. During a game of hide and seek, the youngest daughter, Lucy (Henley) discovers a wardrobe which transports her to the land of Narnia. Covered in snow, Narnia is full of weird and wonderful creatures, but is watched over by the evil White Witch, Jadis (Swinton). When all four Pevensie children end up through the wardrobe, they discover that it was meant to be, as two daughters of Eve and two sons of Adam must join with the mighty lion, Aslan (Neeson) to defeat the evil White Witch. Written by FilmFanUk

Plot Summary | Plot Synopsis

Taglines:

Aslan Is On The Move See more »


Motion Picture Rating (MPAA)

Rated PG for battle sequences and frightening moments | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

9 December 2005 (USA)  »

Also Known As:

Las crónicas de Narnia - El león, la bruja y el ropero  »

Box Office

Budget:

$180,000,000 (estimated)

Opening Weekend:

$35,824 (Argentina) (3 March 2006)

Gross:

$291,709,845 (USA) (5 May 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended) | (Blu-ray edition)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Although C.S. Lewis wrote "The Lion, The Witch, and the Wardrobe" first, it is actually chronologically the second book of "The Chronicles of Narnia." See more »

Goofs

When Lucy opens the wardrobe for the first time, three moth balls fall out. The camera backs off and you see all three of the moth balls stop in plain sight. Lucy turns around and then steps into the wardrobe. When the camera backs off again (showing Lucy closing the wardrobe door) the moth balls are gone. See more »

Quotes

[first lines]
Mrs. Pevensie: Edmund! Get away from there! Peter!
[to Edmund]
Mrs. Pevensie: What do you think you're doing? Peter! Quickly, the shelter! Now!
See more »

Crazy Credits

For Isabelle and Sylvie See more »

Connections

Referenced in The Bloopers of Narnia (2006) See more »

Soundtracks

Can't Take It In
(2004)
Written by Imogen Heap and Harry Gregson-Williams
Performed and Produced by Imogen Heap
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Heartless Adaptation
12 December 2005 | by (Los Angeles) – See all my reviews

A strangely disappointing experience given the quality credentials of just about all involved.

The relative inexperience of the writers is clearly evident. Whether seen as a metaphor for a world without God (hell), or the Nazi regime, the cultural and social landscape of Narnia is ripe with potential, none of which is realized here. The White Witch's regime is not explored, we are not told who she is, where she came from, how or why she took over the world. She lacks any motivation or real emotional drive. Similarly, the children seem happy to throw themselves into a war without a second thought of home. Nothing in this story is ever explained, we are simply expected to accept it without question, which is a far more dictatorial representation of Christianity than Lewis ever intended. The plotting lacks energy and momentum, with no real sense of suspense. The characterization is weak and one-dimensional. But even more surprisingly from the creators of Shrek, is the complete lack of humor.

The acting is sound from all but the leads. The two older children struggle to bring the necessary range of emotion to their roles, with Moseley in particular presenting a decidedly weak interpretation of heroic kingliness. The two younger children luckily make up for their on screen siblings' shortcomings, with Henley bringing the wide-eyed innocence to Lucy that the role requires, and Keynes displaying a surprising amount of subtlety as the eternally wronged and resentful Edmund. McAvoy and Swinton are both excellent and at times are required to carry the movie alone.

The CGI is competent, but little more. It's always good to see Fauns and Centaurs running around, but it doesn't break any boundaries in terms of design or execution. There's none of the thrill of the vast armies of Middle Earth, or the attention to the minutiae of Narnia that is really necessary in realizing a new world from scratch.

Disney clearly hopes that this will bring them the rewards that 'Lord of the Rings' brought New Line Cinema and 'Harry Potter' is bringing to Warner Brothers. But 'The Lion, the Witch and the Wardrobe' lacks the emotional depth, epic range, creative inventiveness and dramatic urgency of the 'Rings' trilogy. Similarly, it has none of the humor, camaraderie, charisma or charm of 'Harry Potter'. Judging from the audience that I saw it with, it will be very popular, and a sequel is very probable, but unless Narnia finds some heart and soul, the complete cycle seems unlikely.


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