Homeland Security and the September 11th disaster

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Cast

Cast overview, first billed only:
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Joe Johnson
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Bradley Brand
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Agent Jane Fulbar
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Harrison
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Agent Frank Heinhoff
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Sol Binder
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Melissa McKee (as Stephanie Lineburg)
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Saif Khan
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Agent Tango 12
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Margaret
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Agent Frank Johnson (as Chuma Hunter-Gault)
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Yusef Adel
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Catherine Adel
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Storyline

In the days prior to and after the September 11, 2001 terrorist attacks, members of the FBI, CIA and various law enforcement communities struggle to ensure America's safety in a new government branch titled Homeland Security. Admiral Ted McKee is assigned to lead the new branch with help from his NSA liaison, Sol Binder, to prevent further terrorist attacks in America. McKee's teenage daughter Melissa is romantically involved with a teenage Arab immigrant named Yusef, whose father is detained by the authorities. But no one is aware that Yusef's father, Fazul, is not a terrorist spy... but Yusef is. Meanwhile, CIA agent Bradley Brand is sent to Afghanistan, with agent Johnson, to assist the Northern Alliance rebels in their fight against the Taliban and the Al Queada terrorist organization responsible for the 9/11 terrorist attacks in America, to find out more info on the 'Second Wave' of attacks. In Seattle, FBI agents Jane Fulbar and Frank Heinhoff try to link a Russian arms dealer ... Written by matt-282

Plot Summary | Add Synopsis

Taglines:

The days that changed our world

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »
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Details

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Language:

Release Date:

11 April 2004 (USA)  »

Also Known As:

I mera pou allaxe ton kosmo  »

Filming Locations:


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Aspect Ratio:

1.78 : 1
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User Reviews

Fool me once, shame on you....
12 April 2004 | by (Texas) – See all my reviews

Being among the first to contribute to the user comments, I feel somewhat on thin ice on this one.

I noticed on the comments threads that several viewers thought the timing was wrong for this subject, and that it was a Republican billboard during an election year. All that aside, I did watch the complete movie, despite the many commercial interruptions. Flow and continuity is important to any pseudo documentary (which is how I would classify this work), documentary, or docudrama. It was difficult enough following the many different locations and mini-plots. To accurately depict the depth and scope of this topic, much more time is needed, and the many commercial breaks would have to be eliminated, which obviously won't happen on a network movie. All of the historical events visited, although based in fact, were given only a token presentation, and were intertwined with fictional characters and plots.

It is entirely possible that the writers of this movie were attempting to accurately show the progression of the Middle East terrorism threat from the early 90's through post 9/11. Unfortunately, the span of this topic just can't be fit into the traditional movie length. Think about doing justice to War And Peace or The Godfather in 90 minutes.

The single redeeming part of this movie might be a rather corny and feeble attempt at showing all of us how the Department of Homeland Security was formed, it's makeup, and it's function. However, one would do better to pick up a copy of last week's Newsweek for a more fulfilling explanation.



Reflecting back on this movie, I feel like I watched 7 years of history on a fast-forward videotape. We all know the historical facts quite well, and most of this was a review of the high and low points, spiced up (or down) with soap opera style emotional tidbits.

Yes, if the purpose of this presentation is strictly entertainment, the timing is wrong (and always will be). If enlightenment is the target, it missed the mark and might stand accused of being sloppy historical revisionism. Politically, it did lean rather heavily toward the right. The historical time line is full of holes, which were plugged with emotional sugar lumps. Technically fairly well written, acted, and directed.

I was comfortable with this movie right after watching it, but having written the preceding, I now am not very pleased with it. There's a bit too much of an Oliver Stone undercurrent. Take it with a grain of salt, and don't expect too much.




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