| Eleanor Frazetta | ... | Herself | |
| Frank Frazetta | ... | Himself | |
| Heidi Frazetta | ... | Herself | |
| Forrest J Ackerman | ... | Himself | |
| Simon Bisley | ... | Himself | |
| John Buscema | ... | Himself | |
| Glenn Danzig | ... | Himself | |
| Bo Derek | ... | Herself | |
| Kevin Eastman | ... | Himself | |
| Joe Jusko | ... | Himself | |
| Dave Stevens | ... | Himself | |
| Al Williamson | ... | Himself | |
| David Winiewicz | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Neal Adams | ... | Himself | |
| Ralph Bakshi | ... | Himself | |
| Mike Kaluta | ... | Himself | |
| John Milius | ... | Himself | |
| J. David Spurlock | ... | Himself | |
| William Stout | ... | Himself | |
| Bernie Wrightson | ... | Himself | |
| Mark Schultz | ... | Himself (uncredited) | |
Directed by | |||
| Lance Laspina | |||
Produced by | |||
| Jeremy J. DiFiore | .... | producer | |
| Lance Laspina | .... | executive producer | |
Original Music by | |||
| Phillip James Gilberti | (co-composer) | ||
| Michael Goodis | |||
Cinematography by | |||
| Devin Rice | |||
Film Editing by | |||
| Lance Laspina | |||
Sound Department | |||
| Tom Landis | .... | boom operator | |
Visual Effects by | |||
| John Baker | .... | visual effects | |
| Kirk Cadrette | .... | visual effects | |
| James H. Dargie | .... | CG artist: Cinemachine | |
| Lance Laspina | .... | visual effects | |
Camera and Electrical Department | |||
| Shane White | .... | camera operator | |
Other crew | |||
| Joel Thingvall | .... | research consultant | |
| Shane White | .... | creative consultant | |
Thanks | |||
| J. David Spurlock | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Overlong but generally informative feature-length documentary on celebrated artist Frank Frazetta (whose work in comic strips influenced generations of designers), which is perhaps slightly too reverential towards its subject. His distinctive three-dimensional style (with which I was familiar, if not the artist's name) is discussed at length - as is Frazetta's personal life, including his recent health problems - and, of course, even features interjections from noted film-makers such as John Milius (who directed the Frazetta-influenced CONAN THE BARBARIAN [1982]) and Ralph Bakshi (with whom Frazetta collaborated on FIRE AND ICE [1983]). Still, one would have liked some narration to smooth over, i.e. put into context, the many anecdotes and opinions - rather than have 90 uninterrupted minutes of just 'talking heads'!