| Photos (See all 19 | slideshow) | Videos (see all 2) |
| Alex Frost | ... | Alex | |
| Eric Deulen | ... | Eric | |
| John Robinson | ... | John McFarland | |
| Elias McConnell | ... | Elias | |
| Jordan Taylor | ... | Jordan | |
| Carrie Finklea | ... | Carrie | |
| Nicole George | ... | Nicole | |
| Brittany Mountain | ... | Brittany | |
| Alicia Miles | ... | Acadia | |
| Kristen Hicks | ... | Michelle | |
| Bennie Dixon | ... | Benny | |
| Nathan Tyson | ... | Nathan | |
| Timothy Bottoms | ... | Mr. McFarland | |
| Matt Malloy | ... | Mr. Luce | |
| Ellis Williams | ... | GSA Teacher (as Ellis E. Williams) | |
| Chantelle Chriestenson Nelson | ... | Noelle (as Chantelle Chriestenson) | |
| Kim Kenney | ... | Assistant Principal's Secretary | |
| Marci Buntrock | ... | Assistant Secretary | |
| Roman Ostrovsky | ... | Red Haired Kid | |
| Vana O'Brien | ... | P.E. Instructor | |
| Michael Paulsen | ... | Bully | |
| Alfred Ono | ... | Mr. Fong | |
| Marychris Mass | ... | Alex's Mom | |
| Jim Steinpreis | ... | Alex's Dad | |
| Jeremy Simpson | ... | Delivery Man | |
| Sherilyn Lawson | ... | Teacher #1 | |
| Sarah Lucht | ... | Teacher #2 | |
| Larry Laverty | ... | Teacher #3 | |
| Dave Stippich | ... | Teacher #4 | |
| Jimmy Gomez | ... | Kid on Bike | |
| Joe Cronin | ... | Science Teacher | |
| Wolfgang Williams | ... | Punk Guy | |
| Caroline Donovan Boyd | ... | Punk Girl | |
| Travis Ferguson | ... | Science Student | |
| Ernest Truly | ... | GSA Teacher | |
| Mary Muldrew | ... | GSA Student | |
| Sarah Bing | ... | GSA Student | |
| Kether Hayden | ... | GSA Student | |
| Natascha Snellman | ... | GSA Student | |
| Ruben Bansie | ... | GSA Student | |
| Joe Sackett | ... | GSA Student | |
| Jason Seitz | ... | GSA Victim | |
| Shanti Cho | ... | Student in Darkroom | |
| Theara Sao | ... | Eli's Friend | |
| Tiana Woods | ... | Eli's Classmate | |
| Griffin Goins | ... | Football Player | |
| Max Horner | ... | Football Player | |
| Thomas Trullinger | ... | Football Player | |
| Ty Schwoeffermann | ... | Football Player | |
| Ray Monge | ... | Janitor | |
| rest of cast listed alphabetically: | |||
| William S. Burroughs | ... | Voice (text excerpts) (voice) (archive sound) (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| Mahdad Rezaujan | ... | Student (uncredited) | |
Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Gus Van Sant | (written by) | |
Produced by | |||
| Laura Albert | .... | associate producer (as JT Leroy) | |
| Jay Hernandez | .... | associate producer | |
| Diane Keaton | .... | executive producer | |
| Bill Robinson | .... | executive producer | |
| Dany Wolf | .... | producer | |
Cinematography by | |||
| Harris Savides | |||
Film Editing by | |||
| Gus Van Sant | |||
Casting by | |||
| Mali Finn | |||
| Danny Stoltz | |||
Art Direction by | |||
| Benjamin Hayden | |||
Costume Design by | |||
| Marychris Mass | (uncredited) | ||
Production Management | |||
| Jen Wall | .... | production supervisor | |
| Dany Wolf | .... | unit production manager | |
| Greg Spence | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Sally Sue Beisel | .... | second assistant director | |
| Kathy Krause | .... | second second assistant director | |
| Dany Wolf | .... | first assistant director | |
Art Department | |||
| Philip Blackburn | .... | set dresser (as Phil Blackburn) | |
| Ken Erck | .... | lead scenic | |
| Sean Fong | .... | assistant props | |
| Greg McMickle | .... | props assistant | |
| Robert Melchior | .... | leadman (as Rob Melchior) | |
| John Pearson-Denning | .... | prop master | |
| Teresa Tamiyasu | .... | set dresser (as Teresa J. Tamiyasu) | |
| Jeffrey Brian Johnson | .... | set dresser (uncredited) | |
| Daniel Rowland | .... | set dresser (uncredited) | |
Sound Department | |||
| Felix Andrew | .... | sound mixer | |
| David A. Cohen | .... | dialogue editor (as David Cohen) | |
| Neil Riha | .... | boom operator | |
| Leslie Shatz | .... | sound designer | |
| Tanya Smith | .... | sound assistant | |
| Concha Solano | .... | sound assistant | |
| Frank Canonica | .... | supervising sound recordist (uncredited) | |
| Samuel Cohen | .... | post-production sound (uncredited) | |
| Michael 'Gonzo' Gandsey | .... | adr recordist (uncredited) | |
| Michael 'Gonzo' Gandsey | .... | sound recordist (uncredited) | |
| Martin Schloemer | .... | sound recordist (uncredited) | |
| Austin Storms | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Charles Cooley | .... | special effects assistant | |
| Jor Van Kline | .... | special effects coordinator | |
| Ardy Brent Carlson | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Collin Fowler | .... | visual effects coordinator: Illusion Arts (uncredited) | |
| Mark Kenaston | .... | digital artist (uncredited) | |
Stunts | |||
| Thomas M. Ficke | .... | stunt coordinator (as Tom Ficke) | |
| Danny Downey | .... | stunts (uncredited) | |
| Casey Easlick | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Christopher Blauvelt | .... | first assistant camera | |
| Eric Alan Edwards | .... | time-lapse photographer (as Eric Edwards) | |
| Bruce 'Sarge' Fleskes | .... | gaffer | |
| Scott Patrick Green | .... | still photographer (as Scott Green) | |
| Mike Hanauska | .... | grip | |
| Brent Lawson | .... | best boy grip | |
| Brian C. Lawson | .... | dolly grip (as Brian Lawson) | |
| Bruce Lawson | .... | key grip | |
| Stephen MacDougall | .... | loader (as Steve MacDougall) | |
| Matías Mesa | .... | Steadicam operator (as Matias Mesa) | |
| Steve Pape | .... | electrician | |
| Steve Purcell | .... | electrician | |
| Hector Rodriguez | .... | second assistant camera | |
| Chris Steele | .... | electrician | |
| Shawn Sundby | .... | grip | |
| Scott Walters | .... | best boy electric | |
| James Walton | .... | 24 frame playback operator: Cascade Video Systems | |
| Leonard Romie | .... | electrician (uncredited) | |
Casting Department | |||
| Sally Gates | .... | extras casting: Extras Only Casting | |
| Jonathan Leeder | .... | casting associate (uncredited) | |
| David Rapaport | .... | casting associate (uncredited) | |
| Danny Stoltz | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Marsha Barlett | .... | costumer | |
| Tamy Cropper | .... | set costumer | |
| Leslie Gilbertson | .... | costumer | |
| Marychris Mass | .... | wardrobe supervisor | |
Editorial Department | |||
| Peter Appleton | .... | first assistant editor | |
| John Dowdell | .... | video colorist | |
| Kiersten Harter | .... | first assistant editor | |
| Mato | .... | color timer | |
| Veronica Vichit-Vadakan | .... | apprentice editor | |
| Bruce Bolden | .... | colorist (uncredited) | |
Other crew | |||
| Wendy Arnold | .... | craft service assistant | |
| Carolyn Barber | .... | assistant to producers | |
| Ryan Brown | .... | production assistant | |
| Ardy Brent Carlson | .... | production assistant (as Brent Carlson) | |
| Erin Corzine | .... | assistant to producers | |
| Patricia Donahue | .... | craft service assistant | |
| Jeff Ettlin | .... | production assistant | |
| Dara Etzel | .... | assistant production coordinator | |
| Roger D. Faires | .... | location manager (as Roger Faires) | |
| Jack Gibson | .... | production assistant | |
| Mary Jasionowski | .... | accountant | |
| Heather Jenkins | .... | extras coordinator | |
| Michael D. Jones | .... | assistant production coordinator (as Michael Jones) | |
| Kelsey Kline | .... | extras coordinator | |
| Alicia Kreutzkampf | .... | craft service assistant | |
| Eric Lahey | .... | production assistant | |
| Chris Lawson | .... | production assistant | |
| Corwin Light-Williams | .... | video game designer | |
| Nick Monahan | .... | assistant accountant | |
| Greg Moutran | .... | key set production assistant | |
| Dawnn Pavlonnis | .... | extras coordinator | |
| Deborah Ricketts | .... | video clip clearance | |
| Taylor Saxon | .... | set medic | |
| Leah Sinrich | .... | assistant to producers | |
| Gabe Smith | .... | production assistant | |
| Rebecca Thornell | .... | clearances | |
| Don Williams | .... | assistant craft service | |
| Patsy Williams | .... | key craft service | |
| John C. Worsley | .... | video game designer | |
| Amy Davies | .... | extras coordinator/pa (uncredited) | |
| Stephen Finders | .... | location assistant (uncredited) | |
Thanks | |||
| Richard Francis | .... | special thanks | |
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| Benny's Video | Disturbia | Kiss Kiss Bang Bang | The Salton Sea | Nowhere |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
On April 20, 1999, two boys wearing trench coats carried a daunting arsenal of weapons harnessed with military web gear into Columbine High School in Littleton, Colorado, and systematically gunned down thirteen students. Gruesome though it was, the incident was just one of eight fatal high school shootings between 1997 and 1999. These traumatizing events began a debate about what was wrong with the nation's youth, an issue that is the subject of Gus Van Sant's Elephant.
Winner of the Golden Palm at the 2003 Cannes Film Festival, Elephant is a brilliant and deeply affecting film that makes a courageous attempt to grasp the malaise of today's youth culture. Van Sant does not attempt to explain Columbine or uncover its underlying causes, and there is no revealing epiphany. His film is a highly stylized, dreamlike tone poem that defies linear conventions and is almost surreal in its approach. Using flashbacks and recurring images from different points of view, the film captures the mood and tone of its adolescent world: its perceptions, its self-absorption, and ultimately its darkest instincts.
The camera is a detached observer, and the strength of the film lies in its acute power of observation and detail. Van Sant shows us all the surface rituals: the girl cheerleaders, the boys playing football, the locker-lined hallways, the academic discussions, yet an ineffable feeling of loneliness pervades. The picture features impeccable acting by a group of non-professionals from the Portland, Oregon area. Each character is introduced separately and we see them going about their business on a seemingly ordinary school day. The steadicam-tracking camera follows them as they walk through the sterile halls that seem endless. The school appears without life -- a place where one feels a desperate sense of loss.
We see John (John Robinson), a blonde-haired surfer type, take over the driving from his father who has had too much to drink, then get called to task by an administrator for being late for school. Eli (Elias McConnell) is a photographer who asks classmates, including John, to pose for pictures. Football player Jordan (Jordan Taylor) meets his girlfriend Carrie (Carrie Finklea) for lunch. Three friends Nicole (Nicole George), Brittany (Brittany Mountain), and Acadia (Alicia Miles) gossip and argue about who is whose best friend. Michelle (Kristen Hicks) refuses to wear shorts, is admonished by her teacher, and then goes to work in the library. The paths of these students crisscross throughout the film and each has their own destiny to fulfill when the violence erupts.
The main protagonists, Alex (Alex Frost) and Eric (Eric Deulen) are modeled after Eric Harris and Dylan Klebold of Columbine. When we first meet Alex, he is being shunned by his fellow students, called names and pelted with spitballs in science class. Alex is more outgoing and creative, Eric more passive, but their personalities complement each other. Alex and Eric wait at home until a strange package arrives in the mail while Alex plays Beethoven's "Fur Elise" on the piano. When they return to school, they are dressed in combat gear and ready to kill.
Rather than giving us pat answers, Van Sant bases his approach on the elusiveness of truth, and our insatiable desire to know more. The imagery and camerawork are almost painfully beautiful, while the disconnected narrative deliberately withholds closure. On top of all this, the pacing is superb, slowly building up the almost unbearable tension. When it is finally released, the explosion hits you with a frightening energy that is as unforgettable as it is chilling.