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Elephant (2003)

7.2
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Ratings: 7.2/10 from 65,052 users   Metascore: 70/100
Reviews: 679 user | 209 critic | 37 from Metacritic.com

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

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Title: Elephant (2003)

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Cast

Cast overview, first billed only:
...
Eric Deulen ...
...
Elias McConnell ...
Elias
Jordan Taylor ...
Jordan
...
Carrie
Nicole George ...
Nicole
Brittany Mountain ...
Brittany
Alicia Miles ...
Acadia
Kristen Hicks ...
Michelle
Bennie Dixon ...
Benny
...
Nathan
...
Mr. McFarland
...
Mr. Luce
Ellis Williams ...
GSA Teacher (as Ellis E. Williams)
Edit

Storyline

A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won't forget. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

An ordinary high school day. Except that it's not.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing violent content, language, brief sexuality and drug use - all involving teens | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

3 October 2003 (Italy)  »

Also Known As:

Elefante  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$1,229,210 (France) (24 October 2003)

Gross:

$1,227,000 (USA) (26 December 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

When we see Alex and Eric sleeping, we can see the cover of the book Eric has been reading: US Army Technical Manual #31-201-1, which covers the making and use of Incendiary devices. See more »

Goofs

When Nate is first shown at the GSA meeting, he is seen wearing a tan shirt, then later when he walks to the door and is shot, he is wearing a blue shirt. When you see him laying on the floor after Benny enters the classroom, he's wearing a tan shirt again. See more »

Quotes

[first lines]
Mr. McFarland: What? Hey! Where are you going? Come here.
John McFarland: Oh, my God, Dad.
Mr. McFarland: Get in the car. You're gonna be late for school. Come on.
John McFarland: Mom's gonna kill you.
See more »

Connections

Featured in The 2004 IFP/West Independent Spirit Awards (2004) See more »

Soundtracks

Meeting of International Conference of Technological Psychiatry
Written and Performed by William S. Burroughs
Courtesy of The William S. Burroughs Trust
See more »

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User Reviews

 
Beautiful, sensitive and chilling

There are very few films which manage to keep the entire audience seated through the credits, but this is one of those few, at least at the screening I attended. Ok, so the abrupt nature of the ending may also have had something to do with that, but I felt that rare feeling of total dislocation and nausea once the film was over, so realistic and horrific was the violence.

This disjointed examination of the causes of a Columbine style shooting works so much better, I think, than a 'straight' drama would have done. In destroying our expectations of a traditional narrative and avoiding what could have easily become cliched characterization, Gus Van Sant also demonstrates what the probable reality of a situation like this would have been, which is senseless, anti-heroic and totally random. A lesser version of this story would have had Michelle, the geeky outcast, or Benny, the brave and silent student who helps a distressed student out of a window become heroes. Their inherent goodness or strength would have them saved. Here, they are simply snatched away from us without glory, fanfare or mourning.

Van Sant's method of using long shots without dialogue or cuts works brilliantly, not only lending the film a doomy atmosphere, but also a highly lyrical quality that captures perfectly the isolation and loneliness of these characters, so often unable to communicate. These kids talk about nothing, and everything, their brief, clipped conversations pregnant with subtext. It is as close as a fictional film has come to creating truly believable, real people in recent memory (Harmony Korine 'Kids' also comes to mind).

Being less than two years out of school, one of the elements I appreciated most was the way in which the film captured the social structures of school, and that all enveloping feeling that everything is so important. After all this delicate build up, the shooting feels like a truly cataclysmic, apocalyptic event. That Van Sant shoots one seemingly unimportant scene from three points of view further enhances the sense of the randomness, and at the same time the inevitability of this event. The violence itself is extremely well handled, never glorifying or even being too explicit, and is yet completely devastating.

The only area of the film that I felt was unconvincing was the build up that we saw from the killers point of view. Having them watch a documentary about Hitler seems too heavy handed, and the nature of the relationship between the two is far too undersketched, and unnecessarily complicated by having then kiss in the shower.

Ultimately however, this is a powerful film, beautifully and sensitively made. It is one of those films, alongside Schindler's List that should be compulsory viewing for school children. It's shocking nature would be best utilized for people of this age, as I feel it would no doubt help kids to think more carefully about their actions to others.


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Recent Posts
An hour of my life i'll never get back CementedShoes
This movie was horrid IncarnadineMoon
What Kind of School Is This? scooter_norman
First viewing and a little confused tobikanoby
Did anyone else get a Children of Men or Enter the Void vibe? Aborawatabinost
Creepiest ending of all time lepe_67
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