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Elephant (2003)

R  |   |  Crime, Drama, Thriller  |  3 October 2003 (Italy)
7.2
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Ratings: 7.2/10 from 65,774 users   Metascore: 70/100
Reviews: 681 user | 209 critic | 37 from Metacritic.com

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

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Title: Elephant (2003)

Elephant (2003) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
...
Eric Deulen ...
...
Elias McConnell ...
Elias
Jordan Taylor ...
Jordan
...
Carrie
Nicole George ...
Nicole
Brittany Mountain ...
Brittany
Alicia Miles ...
Acadia
Kristen Hicks ...
Michelle
Bennie Dixon ...
Benny
...
Nathan
...
Mr. McFarland
...
Mr. Luce
Ellis Williams ...
GSA Teacher (as Ellis E. Williams)
Edit

Storyline

A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won't forget. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

An ordinary high school day. Except that it's not.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing violent content, language, brief sexuality and drug use - all involving teens | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

3 October 2003 (Italy)  »

Also Known As:

Elefante  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$1,229,210 (France) (24 October 2003)

Gross:

$1,227,000 (USA) (26 December 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

When we see Alex and Eric sleeping, we can see the cover of the book Eric has been reading: US Army Technical Manual #31-201-1, which covers the making and use of Incendiary devices. See more »

Goofs

The delivery and pacing of the dialogue the Librarian gives to the student changes in different versions of the scene. See more »

Quotes

[first lines]
Mr. McFarland: What? Hey! Where are you going? Come here.
John McFarland: Oh, my God, Dad.
Mr. McFarland: Get in the car. You're gonna be late for school. Come on.
John McFarland: Mom's gonna kill you.
See more »

Connections

Followed by Last Days (2005) See more »

Soundtracks

Piano Sonata No. 14 in C Sharp Minor, No. 2 Moonlight - Adagio Sostenuto
(1800-01)
Traditional
Composed by Ludwig van Beethoven
Courtesy of FirstCom Music, Inc.
See more »

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User Reviews

 
Elegantly Disturbing and Shallow
3 October 2005 | by (New Jersey, USA) – See all my reviews

I've never been a believer in Gus Van Sant the auteur. "Drugstore Cowboy" was a quasi-entertaining and promising first feature most notable for its pretty North Western scenery and the even prettier Heather Graham in her film debut, but nothing too special ever followed, and the "Pscyho" remake was an abomination on every level. Van Sant's mainstream films were successful for reasons beyond his artistic input. "To Die For" heralded Nicole Kidman's first tour de force, and "Good Will Hunting" launched the careers of Matt Damon and Ben Affleck for better and for worse.

Here, with "Elephant" Van Sant returns to the same pretty North Western scenery (just an in "Drugstore Cowboy" the movie was filmed on location in Portland, Oregon) and populates it with even prettier young men and women sleepwalking through an "interpretation" of the events of the Columbine Massacre. There's an elegant listlessness to the camera-work as Van Sant lulls us into a beautifully mundane day in the life of some random high school students. There's a creepy undercurrent, not only in the voyeuristic way in which he films his young charges, but also in the long lingering single shots of students walking through hallways and sidewalks from behind. Suddenly, as the plot of two alienated young men comes to fruition, you realize that the camera-work is meant to copy the "killer's-eye-view" of the violent and sadistic video games the young men play before making it a reality at their school. There's a rising tension that few film-makers have been able to craft, and for that Van Sant deserves accolades.

For all the artificial prettiness, this is without a doubt a highly disturbing viewing experience. In the end, some of it seemed too random (what was the point of the "Benny" character or the kiss in the shower?), and it culminates ambiguously with all the loose ends untethered. A more capable story-teller would have offered a conclusion, but all Van Sant leaves us is with some haunting classical music and beautiful shot of a cloud covered North Western sky.


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