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Dawn of the Dead (2004)

 -  Action | Horror | Sci-Fi  -  19 March 2004 (USA)
7.4
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Ratings: 7.4/10 from 167,779 users   Metascore: 58/100
Reviews: 1,049 user | 275 critic | 32 from Metacritic.com

A nurse, a policeman, a young married couple, a salesman, and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies, take refuge in a mega Midwestern shopping mall.

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Title: Dawn of the Dead (2004)

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Cast

Cast overview, first billed only:
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Ana
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CJ
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Michael Barry ...
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R.D. Reid ...
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Storyline

Ana, a young beautiful nurse finishes her day-shift at the hospital to return home to her beloved husband, they make love and sleep together. The next day, after her husband is killed by her neighbor next door, he suddenly comes back to life. She discovers the chaos happening in her neighborhood and escapes from her home. Soon after coming to her senses in the woods, she encounters a cop and other survivors, they decide to find safety in a mall. Soon more survivors come, and they learn that if they want to stay alive, they should stick together as the world is overrun by an army of undead. Can they survive the horror in this horrific global chaos? When there is no more room in hell, the dead will walk the earth Written by Emphinix

Plot Summary | Plot Synopsis

Taglines:

36 billion people have died since the reign of humanity. For the new Dawn, there's a reunion... See more »


Motion Picture Rating (MPAA)

Rated R for pervasive strong horror violence and gore, language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

19 March 2004 (USA)  »

Also Known As:

Zack Snyder's Dawn of the Dead  »

Box Office

Budget:

$26,000,000 (estimated)

Opening Weekend:

$108,275 (South Africa) (23 July 2004)

Gross:

$108,275 (South Africa) (23 July 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene between Sarah Polley (Ana), Mekhi Phifer (Andre), Jayne Eastwood (Norma), and Kim Poirier (Monica) at the Hallowed Grounds Café was re-written in order to include actress Kim Poirier to give her more screen time since director Zack Snyder and producer Eric Newman enjoyed her performance so much. However, her character's name is never once mentioned throughout the entire film. Also most unfortunate, a lot of her dialog scenes were trimmed or eliminated from the film, such as the dinner scene. See more »

Goofs

When Ana runs into the restroom after being attacked by Luis in the beginning of the movie, we see the overhead shot of her falling into the bathtub. If you see closely the rug by the tub is folded in by Ana as she falls in, but when she gets out of the tub and we see her foot go down on the rug, it is normal. See more »

Quotes

Terry: [CJ is threatening to kill the group] He is a cop, CJ.
See more »

Crazy Credits

During the closing credits we see a series of shots filmed by the survivors using a camcorder they find on Steve's boat. There are a couple of scenes of Steve and his girlfriend (still left on the camera), then the survivors finding a small boat with a still-animated zombie head in an icebox, and finally them running out of gas and landing on an island where they are attacked by zombies. There are then a series of brief almost-subliminal flashes of zombies "attacking" the camera. See more »

Connections

References The Shining (1980) See more »

Soundtracks

The Hangman's Song
Written by Tim Kelley & Christa Meyer
Performed by Tyler Bates, Joey Waronker, Rusty Logsdon, Nan Vernon & Soda
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Why I gave Dawn a 10 (well, maybe it should have been a9).

I've been to thousands of movies in my lifetime and own hundreds of videos and DVDs, so I am a fan but not a bona fide film critic. This is my first online review.

My wife and I saw the original Dawn of the Dead 25 years ago at a midnight show and left wired enough to talk each other down till the morning. Perhaps a quarter of a century has inured us to the violence a bit since we just watched it again (rental video) last week prior to yesterday's venture to the local multiplex to see the remake/"reimagining" and were mostly unperturbed by the revisit.

For some reason, I was hooked on the new Dawn months ago from the teaser and, subsequently, the actual trailer. The Sparklehorse song in the former fit perfectly and the suburban shot followed by killer Vivian and closing with the burned projector film of the latter was intriguing in its own way. So I was primed to see the movie, usually a recipe for disaster since preview expectations are rarely fulfilled by the finished product. This time, however, they were.

The cast was uniformly believable and, more important, empathizable (at least with the good guys who got sorted out along the way). Even the playboy jerk had several relevant lines. Polley was a good, strong female lead (with another great rebuttal -- "No, I'm a * nurse" to a query about her medical skills) and Rhames a cheerable, if reluctant, hero. The camaraderie, such as it was, worked, and visceral me-first survival gave way more often to self-sacrifice.

So, what's not to like? The fundamental premise that a classic got remade? Doesn't wash. These are two different movies with the same name and similar premises but very different attitudes. (Better special effects didn't hurt, either, although this new version was oddly less disturbing sans zombies munching on dismembered body parts.) Speedy zombies (except for the "twitchers")? No problem; hey, they're hungry and, as always, persistent. My attention was held for the better part of two hours; the story was interesting; the outcome ambivalent; the characters arisen to the task at hand, becoming coldly rational to the divisions between life and death and zombiedom; the music weirdly appropriate; the black humor welcome respite. No, Dawn of the Dead isn't Citizen Kane nor is it a sacrilegious assault on the horror genre. It's solid filmmaking that's entertaining and thought-provoking. Otherwise, I suspect Romero would never have put his imprimatur on the remake.


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