Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these flesh eating monsters.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall, and devise a plan to escape. Written by
Though it was never specified in the movie, the character of Glen (R.D. Reid) supposedly died of a broken neck. See more »
After Ana falls into the tub in the beginning there is a close-up that pulls out showing her feet with her toenails obviously painted, yet in the next shot, which is a first person point of view shot you can clearly see that her toenails are not painted at all. This painted nails vs. non-painted nails is shown throughout this scene. See more »
Terry, come on, man. Open the door.
[Distracted by watching Nicole on the security monitors]
Come on, man. Don't tell me to shut up. Just come open the door. I got you this job. Come on.
See more »
During the end credits, intercut with the closeup clips of zombies, there is a very brief clip similar to the infamous Paris Hilton tape, with its telltale green "nightvison" effect. See more »
If you haven't guessed already, I can't sing the praises of this movie enough - at last, a zombie flick that is two very important things.
1) Not a B-Movie; 2) An absolutely cracking A-Movie.
Having just got back from the cinema still amazed with the quality of this film I don't know where to begin. The good acting, the spot on cast, the refreshingly unbearable scares, the "Paul Verhovenesque" completely unnecessary but compellingly disgusting gore, the almost uniquely un-Hollywood ending... It's all there.
What is even more amazing about this movie is that it's [re]creators have also managed to tap into what will surely be the unanimous expectations of the target audience. There are no unwanted and unnecessary messages of family values, cheese, cuddles, and love will conquer all, which is fabulous because it leaves far more room for classic lines like, "Tell him to shoot Burt Reynolds" and then the ketchup-tastic head shot that follows. Now you have to admit, that line really can't fit perfectly in to many movies but in the ever consistent mood of Dawn of the Dead, it's right at home.
Ving Rhames is easily the second best thing in the movie (second only to the fast moving, constantly hungry and occasionally limbless zombies) once he actually starts speaking, and it is welcoming that Sarah Polley's Ana is as composed as she is subtle which is great for the audience because for a change the lead female character is not screaming every 30 seconds because, oh my god, someone is trying to bite me whilst drooling oodles of blood and saliva all over my nice white t-shirt. again!
Her character is only clichéd and therefore flawed once throughout the campaign. As the genius of the group, she is the first to work out that when people are bitten they become very ugly, very quickly and develop a penchant for biting others. However she is still inexplicably opposed to killing the aforementioned soon-to-be cannibals. I don't know about you but whilst she was still talking through the morale dilemma of killing would-be zombies before they turned, I'd already be choosing which sponge I was going to use to clean my shoes after removing my trusty shot gun from a red blob that used to be somebody's face. Maybe that's just me though. us Sagittarians are very impulsive.
Since we all have limited attention spans and I'm mindful of not giving too much away about what happens in the move, I'll wrap up by saying that those of you out there who enjoyed this film's original version and have gone on to enjoy films like Starship Troopers, Robocop, Resident Evil etc., then this is definitely the film for you. And even if the above are not representatives of your particular favourite genre, consider this. I went to the cinema with four friends tonight, one of whom stated before paying his money for the ticket, `I don't know why I'm bothering, I hate [rubbish] like this'. He was the one laughing the loudest and coming closest to vomiting throughout the film, and all of us came out saying, `how many Oscars has this been nominated for'..? Sarcastically - yes, but if it was nominated, it'd get my vote. The only thing that could have made it better was Steven Segal instead of Burt Reynolds but you can't have everything.
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