Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall, and devise a plan to escape. Written by
The cause of the dead returning to life is not completely explained in the film. On the back of the DVD box, it is said to be a virus. See more »
After the opening credits, Ana and Kenneth are seen walking down a paved walkway next to a park. Off to the left, there is a red child's bike lying on the walkway. They then pass through a tunneled section of the walkway, and the right side of the walkway behind them is clear. But after Andre shoots at Kenneth, a blue adult bike appears on the right side of the walkway behind them. See more »
[everyone has run to the roof to watch the BP truck racing around the mall parking lot]
What are we gonna do about that truck?
We're not gonna do anything about that truck!
There's people in there!
Yeah, and how do you know they're not all fucked up like everybody else out there?
Well, for one thing, they're driving a truck.
[gunshots coming from truck]
Oh, and shooting guns.
See more »
During the closing credits we see a series of shots filmed by the survivors using a camcorder they find on Steve's boat. There are a couple of scenes of Steve and his girlfriend (still left on the camera), then the survivors finding a small boat with a still-animated zombie head in an icebox, and finally them running out of gas and landing on an island where they are attacked by zombies. There are then a series of brief almost-subliminal flashes of zombies "attacking" the camera. See more »
I reviewed this film back in March 2004, and said, "Wow! I just got home from seeing dotd-2004 and can't wait to add it to my collection." Well, I just added it - the Unrated Director's Cut in widescreen edition. After watching it this weekend, I just had to add a footnote about this version of the film.
IT MAKES A GREAT FILM EVEN BETTER.
Comments from other reviewers have sometimes made reference to a lack of character development in the film. The UDC version restores this kind of content, and is one way that the UDC version improves on the theatrical release. I see better character development in this version of dotd-2004 then in the (1978) original version of Dawn.
The other improvement the UDC version makes is to restore some really excellent gore shots. If you're into that thing, of course. And if you're not - well of course you're into it - that's why you're checking out this film!
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