A nurse, a policeman, a young married couple, a salesman, and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies, take refuge in a mega Midwestern shopping mall.
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Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a small band of citizens hole up in a supermarket and fight for their lives.
Director:
Frank Darabont
Stars:
Thomas Jane,
Marcia Gay Harden,
Laurie Holden
Two strangers awaken in a room with no recollection of how they got there or why, and soon discover they are pawns in a deadly game perpetrated by a notorious serial killer.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt the remain safe from these flesh eating monsters.
Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall, and devise a plan to escape. Written by
Will
When C.J. pops the roof exit hatch to throw the propane tank, it comes all the way off, instead of swinging up and away as it's designed to do. In the overhead shot after the explosion, the hatch door isn't visible on the roof, but a few shots later (driving through the streets), it's back in place. See more »
Quotes
Michael:
Help should be along soon.
Steve:
Did you hear that from the same jackass who told us to go to St. Verbena?
Michael:
The church downtown?
Steve:
Yeah, some dipshit on the radio said it was safe there... He was wrong!
See more »
Crazy Credits
On the end of the credits for "The Special Newsbulletin" on the dvd you can read the following line: "...Any similarity to actual person, living, dead or undead, is purely coincidental." See more »
If you haven't guessed already, I can't sing the praises of this movie enough - at last, a zombie flick that is two very important things.
1) Not a B-Movie; 2) An absolutely cracking A-Movie.
Having just got back from the cinema still amazed with the quality of this film I don't know where to begin. The good acting, the spot on cast, the refreshingly unbearable scares, the "Paul Verhovenesque" completely unnecessary but compellingly disgusting gore, the almost uniquely un-Hollywood ending... It's all there.
What is even more amazing about this movie is that it's [re]creators have also managed to tap into what will surely be the unanimous expectations of the target audience. There are no unwanted and unnecessary messages of family values, cheese, cuddles, and love will conquer all, which is fabulous because it leaves far more room for classic lines like, "Tell him to shoot Burt Reynolds" and then the ketchup-tastic head shot that follows. Now you have to admit, that line really can't fit perfectly in to many movies but in the ever consistent mood of Dawn of the Dead, it's right at home.
Ving Rhames is easily the second best thing in the movie (second only to the fast moving, constantly hungry and occasionally limbless zombies) once he actually starts speaking, and it is welcoming that Sarah Polley's Ana is as composed as she is subtle which is great for the audience because for a change the lead female character is not screaming every 30 seconds because, oh my god, someone is trying to bite me whilst drooling oodles of blood and saliva all over my nice white t-shirt. again!
Her character is only clichéd and therefore flawed once throughout the campaign. As the genius of the group, she is the first to work out that when people are bitten they become very ugly, very quickly and develop a penchant for biting others. However she is still inexplicably opposed to killing the aforementioned soon-to-be cannibals. I don't know about you but whilst she was still talking through the morale dilemma of killing would-be zombies before they turned, I'd already be choosing which sponge I was going to use to clean my shoes after removing my trusty shot gun from a red blob that used to be somebody's face. Maybe that's just me though. us Sagittarians are very impulsive.
Since we all have limited attention spans and I'm mindful of not giving too much away about what happens in the move, I'll wrap up by saying that those of you out there who enjoyed this film's original version and have gone on to enjoy films like Starship Troopers, Robocop, Resident Evil etc., then this is definitely the film for you. And even if the above are not representatives of your particular favourite genre, consider this. I went to the cinema with four friends tonight, one of whom stated before paying his money for the ticket, `I don't know why I'm bothering, I hate [rubbish] like this'. He was the one laughing the loudest and coming closest to vomiting throughout the film, and all of us came out saying, `how many Oscars has this been nominated for'..? Sarcastically - yes, but if it was nominated, it'd get my vote. The only thing that could have made it better was Steven Segal instead of Burt Reynolds but you can't have everything.
303 of 408 people found this review helpful.
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If you haven't guessed already, I can't sing the praises of this movie enough - at last, a zombie flick that is two very important things.
1) Not a B-Movie; 2) An absolutely cracking A-Movie.
Having just got back from the cinema still amazed with the quality of this film I don't know where to begin. The good acting, the spot on cast, the refreshingly unbearable scares, the "Paul Verhovenesque" completely unnecessary but compellingly disgusting gore, the almost uniquely un-Hollywood ending... It's all there.
What is even more amazing about this movie is that it's [re]creators have also managed to tap into what will surely be the unanimous expectations of the target audience. There are no unwanted and unnecessary messages of family values, cheese, cuddles, and love will conquer all, which is fabulous because it leaves far more room for classic lines like, "Tell him to shoot Burt Reynolds" and then the ketchup-tastic head shot that follows. Now you have to admit, that line really can't fit perfectly in to many movies but in the ever consistent mood of Dawn of the Dead, it's right at home.
Ving Rhames is easily the second best thing in the movie (second only to the fast moving, constantly hungry and occasionally limbless zombies) once he actually starts speaking, and it is welcoming that Sarah Polley's Ana is as composed as she is subtle which is great for the audience because for a change the lead female character is not screaming every 30 seconds because, oh my god, someone is trying to bite me whilst drooling oodles of blood and saliva all over my nice white t-shirt. again!
Her character is only clichéd and therefore flawed once throughout the campaign. As the genius of the group, she is the first to work out that when people are bitten they become very ugly, very quickly and develop a penchant for biting others. However she is still inexplicably opposed to killing the aforementioned soon-to-be cannibals. I don't know about you but whilst she was still talking through the morale dilemma of killing would-be zombies before they turned, I'd already be choosing which sponge I was going to use to clean my shoes after removing my trusty shot gun from a red blob that used to be somebody's face. Maybe that's just me though. us Sagittarians are very impulsive.
Since we all have limited attention spans and I'm mindful of not giving too much away about what happens in the move, I'll wrap up by saying that those of you out there who enjoyed this film's original version and have gone on to enjoy films like Starship Troopers, Robocop, Resident Evil etc., then this is definitely the film for you. And even if the above are not representatives of your particular favourite genre, consider this. I went to the cinema with four friends tonight, one of whom stated before paying his money for the ticket, `I don't know why I'm bothering, I hate [rubbish] like this'. He was the one laughing the loudest and coming closest to vomiting throughout the film, and all of us came out saying, `how many Oscars has this been nominated for'..? Sarcastically - yes, but if it was nominated, it'd get my vote. The only thing that could have made it better was Steven Segal instead of Burt Reynolds but you can't have everything.