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Dawn of the Dead (2004)

R  |   |  Action, Horror, Sci-Fi  |  19 March 2004 (USA)
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Ratings: 7.4/10 from 184,537 users   Metascore: 58/100
Reviews: 1,055 user | 285 critic | 32 from Metacritic.com

A nurse, a policeman, a young married couple, a salesman, and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies, take refuge in a mega Midwestern shopping mall.



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Cast overview, first billed only:
Michael Barry ...
R.D. Reid ...
Kim Poirier ...


Ana, a young beautiful nurse finishes her day-shift at the hospital to return home to her beloved husband, they make love and sleep together. The next day, after her husband is killed by her neighbor next door, he suddenly comes back to life. She discovers the chaos happening in her neighborhood and escapes from her home. Soon after coming to her senses in the woods, she encounters a cop and other survivors, they decide to find safety in a mall. Soon more survivors come, and they learn that if they want to stay alive, they should stick together as the world is overrun by an army of undead. Can they survive the horror in this horrific global chaos? When there is no more room in hell, the dead will walk the earth Written by Emphinix

Plot Summary | Plot Synopsis


When there's no more room in hell, the dead will walk the earth. See more »

Motion Picture Rating (MPAA)

Rated R for pervasive strong horror violence and gore, language and sexuality | See all certifications »

Parents Guide:




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Release Date:

19 March 2004 (USA)  »

Also Known As:

Zack Snyder's Dawn of the Dead  »

Box Office


$26,000,000 (estimated)

Opening Weekend:

$26,722,575 (USA) (19 March 2004)


$108,275 (South Africa) (23 July 2004)

Company Credits

Show detailed on  »

Technical Specs


| (unrated director's cut)

Sound Mix:

| |


Aspect Ratio:

2.35 : 1
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Did You Know?


The mall scenes of the film as well as the rooftop scenes were shot in the Thornhill Square Shopping Centre in Thornhill, Ontario and the rest of the scenes were shot in the Aileen-Willowbrook Neighborhood of Thornhill, and the Township of Caledon East, Ontario. The set for Ana and Louis's bedroom was constructed in a back room of the mall. The mall was defunct, which is the reason the production used it; the movie crew completely renovated the structure, and stocked it with fictitious stores after Starbucks Coffee and numerous other corporations refused to let their names be used (two exceptions to this are Roots and Panasonic). Most of the mall was demolished shortly after the film was shot. The highway in the overhead composite shot of Ana driving past the exploding gas station is HWY 50, one kilometer south of Bolton, Ontario. The Crossroads Mall is a small strip-mall at the intersection of HWY 9 and HWY 27 just north of Caledon East. The second converted mall shuttle (with the fire damage) was shipped out of Bolton in the summer of 2006. See more »


After Ana falls into the tub in the beginning there is a close-up that pulls out showing her feet with her toenails obviously painted, yet in the next shot, which is a first person point of view shot you can clearly see that her toenails are not painted at all. This painted nails vs. non-painted nails is shown throughout this scene. See more »


Andy: [only on the DVD extra "The Lost Tape: Andy's Terrifying Last Days Revealed"] Shit. Aw, shit.
[covered in blood and injured]
Andy: The dog got through, brought me a sandwich. Shit! but a couple of dumb fucks got in with it. I shoulda been on my guard. Too hungry. I got slow.
See more »

Crazy Credits

On the end of the credits for "The Special Newsbulletin" on the dvd you can read the following line: "...Any similarity to actual person, living, dead or undead, is purely coincidental." See more »


Referenced in Face Off: Scene of the Crime (2012) See more »


Have A Nice Day
Written by Kelly Jones, Richard Jones & Stuart Cable
Performed by Stereophonics
Courtesy of V2 Records, Inc.
See more »

Frequently Asked Questions

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User Reviews

Why I gave Dawn a 10 (well, maybe it should have been a9).

I've been to thousands of movies in my lifetime and own hundreds of videos and DVDs, so I am a fan but not a bona fide film critic. This is my first online review.

My wife and I saw the original Dawn of the Dead 25 years ago at a midnight show and left wired enough to talk each other down till the morning. Perhaps a quarter of a century has inured us to the violence a bit since we just watched it again (rental video) last week prior to yesterday's venture to the local multiplex to see the remake/"reimagining" and were mostly unperturbed by the revisit.

For some reason, I was hooked on the new Dawn months ago from the teaser and, subsequently, the actual trailer. The Sparklehorse song in the former fit perfectly and the suburban shot followed by killer Vivian and closing with the burned projector film of the latter was intriguing in its own way. So I was primed to see the movie, usually a recipe for disaster since preview expectations are rarely fulfilled by the finished product. This time, however, they were.

The cast was uniformly believable and, more important, empathizable (at least with the good guys who got sorted out along the way). Even the playboy jerk had several relevant lines. Polley was a good, strong female lead (with another great rebuttal -- "No, I'm a * nurse" to a query about her medical skills) and Rhames a cheerable, if reluctant, hero. The camaraderie, such as it was, worked, and visceral me-first survival gave way more often to self-sacrifice.

So, what's not to like? The fundamental premise that a classic got remade? Doesn't wash. These are two different movies with the same name and similar premises but very different attitudes. (Better special effects didn't hurt, either, although this new version was oddly less disturbing sans zombies munching on dismembered body parts.) Speedy zombies (except for the "twitchers")? No problem; hey, they're hungry and, as always, persistent. My attention was held for the better part of two hours; the story was interesting; the outcome ambivalent; the characters arisen to the task at hand, becoming coldly rational to the divisions between life and death and zombiedom; the music weirdly appropriate; the black humor welcome respite. No, Dawn of the Dead isn't Citizen Kane nor is it a sacrilegious assault on the horror genre. It's solid filmmaking that's entertaining and thought-provoking. Otherwise, I suspect Romero would never have put his imprimatur on the remake.

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