Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Ana, a young beautiful nurse finishes her day-shift at the hospital to return home to her beloved husband, they make love and sleep together. The next day, after her husband is killed by her neighbor next door, he suddenly comes back to life. She discovers the chaos happening in her neighborhood and escapes from her home. Soon after coming to her senses in the woods, she encounters a cop and other survivors, they decide to find safety in a mall. Soon more survivors come, and they learn that if they want to stay alive, they should stick together as the world is overrun by an army of undead. Can they survive the horror in this horrific global chaos? When there is no more room in hell, the dead will walk the earth Written by
According to "the lost tape", which contains gun shop owner Andy's personal video diary (accessible as a bonus feature on the director's cut DVD), the main characters arrive at the mall early in the movie on May the 9th. Therefore, the movie opens a day earlier on May the 8th (Andy mentions that attacks on citizens by the undead had already started on the 7th). Andy makes his last entry just before he turns into one of the undead on June the 6th, and the movie ends on that same day (not including the footage during the end credits). This places the events of Dawn of the Dead in a space of just 29 days - and all the action between the credits begins and ends at dawn. See more »
In the beginning, when Ana falls into the bathtub, the rod that holds the shower curtain falls across her lap. In the next shot, it is to her left, not across her lap at all. See more »
Help should be along soon.
Did you hear that from the same jackass who told us to go to St. Verbena?
The church downtown?
Yeah, some dipshit on the radio said it was safe there... He was wrong!
See more »
On the end of the credits for "The Special Newsbulletin" on the dvd you can read the following line: "...Any similarity to actual person, living, dead or undead, is purely coincidental." See more »
I'm not sure I can recall witnessing an opening sequence quite like the one I saw in Zack Snyder's remake of the classic horror film 'Dawn of the Dead.' Besides being rather lengthy (it's over ten minutes before we see the opening credits), it has a bizarre creepiness about it. There's something about the cinematography employed to show us 'the beginning of the end' that I really liked: that extra long image of the little girl skating away, the skyview of Sarah Polly's car as she rides home from her shift as a nurse, the picture of perfect serenity, and those intimate scenes we see of her and her husband 'the day before.' It all makes it more tragic, when, quite unexpectedly, morning comes, and with it, the end of all that is sane. The pure chaos of the scenario, an outbreak of a dangerous break of a virus that turns those infected into ghouls, comes so suddenly that it grips us by the throat.
This is one hell of a horror movie. Even for someone as jaded as myself, who has become totally jaded to any real horror thrills, I was taken aback by how uncomfortable the movie made me feel. Our heroes, holed up at the now abandoned local mall, join small groups of survivors and find themselves fighting each other as well as the zombies when the plague starts creeping ever close to bringing them all to the brink of annihilation. The zombies have an easy-to-spot weakness: one shot to the head takes them out, but they're extremely fast, and a single bite from them leads to hopeless infection and mindlessness. Although some of the story makes little sense (for instance, if the zombies can only transmit the virus by bite and the heroes are in a mall, couldn't they don the heaviest attire imaginable rather than skimpy t-shirts?), there are lots of great twists and snappy dialogue along with the required creep-outs, gore, and slaughter.
And there's some surprisingly great humor. Easily the most memorable of the light-hearted, break-the-nerves moments is when our heroes are situated atop a roof and challenge a local gun shop owner to take out look-alike zombie celebrities, which he does with ease. It's a much needed laugh to relieve the audience of a lot of built-up jitters.
Overall, this is a remake that actually works. The characters, for all their strength and weaknesses, are decently fleshed out for a horror movie. There a few unexpected surprises that even the most attentive viewer will take pleasure in. And the action moves along at a clean, fast pace. The few holes that exist in the plot and the somewhat unsatisfying conclusion are the only real problem areas, but these are to be expected in the genre. Overall, I definitely recommend it, even to the squeamish. It's messy fun for everyone. And make sure you stay until AFTER the credits roll. You'll be glad you did.
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