| Photos (See all 15 | slideshow) | Videos (see all 2) |
| Sandrine Bonnaire | ... | Anna | |
| Fabrice Luchini | ... | William | |
| Michel Duchaussoy | ... | Dr. Monnier | |
| Anne Brochet | ... | Jeanne | |
| Gilbert Melki | ... | Marc | |
| Laurent Gamelon | ... | Luc | |
| Hélène Surgère | ... | Mrs. Mulon | |
| Urbain Cancelier | ... | Chatel | |
| Isabelle Petit-Jacques | ... | Dr. Monnier's Secretary | |
| Véronique Kapoyan | ... | Female Guard (as Véronique Kapoian) | |
| Benoît Pétré | ... | Messenger | |
| Albert Simono | ... | Mr. Michel (as Alberto Simono) | |
| Claude Derepp | ... | The Customs Client (as Claude Dereppe) | |
| Aurore Auteuil | ... | The Student Nabokov | |
| Ludovic Berthillot | ... | The Mover | |
| Sabrina Brezzo | ... | The Dance Assistant |
Directed by | |||
| Patrice Leconte | |||
Writing credits | ||
| Jérôme Tonnerre | (scenario and dialogue) | |
| Jérôme Tonnerre | (adaptation) and | |
| Patrice Leconte | (adaptation) | |
Produced by | |||
| Christine Gozlan | .... | executive producer | |
| Alain Sarde | .... | producer | |
Original Music by | |||
| Pascal Estève | |||
Cinematography by | |||
| Eduardo Serra | |||
Film Editing by | |||
| Joëlle Hache | |||
Production Design by | |||
| Ivan Maussion | |||
Costume Design by | |||
| Annie Périer | (as Annie Périer-Bertaux) | ||
Makeup Department | |||
| Eric Benazet | .... | additional hair stylist | |
| Michèle Constantinides | .... | key makeup artist (as Michelle Constantinides) | |
| Isabelle de Araujo | .... | key makeup artist | |
| Patrick Girault | .... | key hair stylist | |
| Claire Vivet | .... | makeup artist | |
Production Management | |||
| Stephan Arnoux | .... | assistant unit manager | |
| Yvon Crenn | .... | production manager | |
| Helene Glabeke | .... | post-production supervisor | |
| François Menny | .... | unit manager | |
| David Poirot-Gozlan | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Hubert Engammare | .... | assistant director | |
| Elizabeth Marre | .... | second assistant director | |
Art Department | |||
| Alain Bergé | .... | painter | |
| Maurice Borghese | .... | additional carpenter (as Maurice Borghesi) | |
| Xavier Buffin | .... | painter | |
| Tranquillo Cimenti | .... | carpenter | |
| Jacques Dalla-Mura | .... | painter | |
| Charles de Dainville | .... | construction grip | |
| Christophe De Vos | .... | construction grip | |
| Virginie Denis Roy | .... | first assistant decorator (as Virginie Denis) | |
| Yvan Dupont | .... | painter | |
| Philippe Durand | .... | carpenter | |
| Jacky Frankiel | .... | additional painter | |
| Madjid Hamzaoui | .... | carpenter | |
| Jacky Hardouin | .... | carpenter | |
| Jacques Kazandian | .... | plasterer (as Jacques Kazandjian) | |
| Jean Labille | .... | metal worker | |
| Jérôme Larivière | .... | carpenter | |
| Pierre Mery | .... | construction grip | |
| Victor Piazza | .... | head painter | |
| Enrico Pittiglio | .... | additional painter | |
| Nicolas Raffy | .... | property master | |
| Didier Royer | .... | carpenter | |
| Patrick Schmitt | .... | first assistant art director: prep only | |
| Patrick Tombette | .... | construction grip | |
| Annie Vandevandele | .... | painter | |
| Patrick Veron | .... | construction manager | |
| Gerard Wehrle | .... | additional carpenter | |
Sound Department | |||
| Annabel Acquaviva | .... | sound assistant | |
| Hervé Bénard | .... | sound recordist | |
| Frédéric Cattoni | .... | sound consultant: DTS | |
| Pascal Chauvin | .... | foley artist | |
| Isabelle Filippi | .... | assistant post-synchronization | |
| Michel Filippi | .... | adr supervisor | |
| Jean Goudier | .... | sound | |
| Eric Grattepain | .... | foley artist | |
| Dominique Hennequin | .... | sound | |
| Paul Lainé | .... | sound | |
| Jean-Louis Lebras | .... | boom operator (as Jean-Louis Le Bras) | |
| Alexis Leverve | .... | sound recordist | |
| Didier Lizé | .... | sound engineer | |
| Gilles Missir | .... | foley engineer | |
| Michel Monier | .... | stereo sound consultant: Dolby | |
| Christophe Vingtrinier | .... | sound mixer | |
Special Effects by | |||
| Gary Pieri | .... | special effects | |
| Michel Vialla | .... | special effects | |
Visual Effects by | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | digital effects supervisor | |
| Christophe Chanvin | .... | artistic director | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Christophe Lucotte | .... | assistant color timer | |
| Mitch Paulson | .... | digital preview colorist | |
| Matthias Weber | .... | visual effects producer | |
Camera and Electrical Department | |||
| Claude Atanassian | .... | gaffer | |
| Jean Atanassian | .... | electrician | |
| Michel Atanassian | .... | electrician | |
| Rene Basso | .... | additional grip (as René Basso) | |
| Florent Bazin | .... | first assistant camera | |
| Bruno Boban | .... | additional grip | |
| Catherine Cabrol | .... | still photographer | |
| Stéphane Cry | .... | additional electrician | |
| Guillaume Dreujou | .... | assistant camera | |
| Patrice Leconte | .... | camera operator | |
| Margot Lestage | .... | second assistant camera | |
| Axel-Charles Messange | .... | video operator | |
| Martial Negre | .... | additional electrician | |
| Marc Nove | .... | additional electrician | |
| Didier Petit | .... | additional electrician | |
| Denis Scozzesi | .... | key grip | |
| Jean-Pierre Supe | .... | assistant camera | |
| Paul Triboulet | .... | grip | |
Casting Department | |||
| Catherine Deserbais | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sandrine Bernard | .... | costume supervisor | |
| Hélène Cassard | .... | additional costumer | |
| Anne-Marie Castaño-Padovan | .... | wardrober | |
| Sandrine Kerner | .... | wardrobe | |
Editorial Department | |||
| Fanchon Brulé | .... | trailer editor | |
| Richard Deusy | .... | digital color grader: Scan Lab | |
| Christian Dutac | .... | color timer | |
| Anne-Marie Etcheverry | .... | negative cutter | |
| Emilie Monod | .... | assistant editor | |
| Nicole Souchal | .... | post-production assistant | |
| Sylvie Van der Vorm | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Pascal Estève | .... | orchestrator | |
| Valérie Lindon | .... | music supervisor | |
| Bernard Wystraete | .... | conductor | |
Other crew | |||
| Tony Arnoux | .... | press attache | |
| Tahar Boualam | .... | groupman | |
| Jean-René Coulon | .... | location manager | |
| Laure Darie | .... | production secretary | |
| Yves Derhi | .... | groupman | |
| Sarah Fouquet | .... | still graphics | |
| Patrick Lemaire | .... | groupman | |
| Maggie Perlado | .... | script supervisor | |
| Annick Reipert | .... | script supervisor trainee | |
| André-Paul Ricci | .... | press attache | |
| Gisèle Vuillaume | .... | production administrator | |
|
|
|
|
|
| Kings & Queen | Eyes Wide Shut | The Witnesses | Bad Timing: A Sensual Obsession | The Children of the Century |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This is a very clever film with a lot to say about life, death, sex, human relationships, human fragility and loneliness - but it does it all with a wonderfully light hearted touch. Luchini dancing just has to be one of the best scenes - eat your heart out Hugh Grant!! Bonnaire is quite wonderful as Anne, literally blossoming before our eyes, her hair lightening, her skin glowing, her dress changing, becoming lighter and brighter. It seems her accidental psychiatrist does help her. Of course, we never know the full truth - can we believe everything she says - and the device of the windows, so key to the film's turning point, is Hitchcockian in the extreme - vision as deception. The most wonderful insight of this film, though, is that paying taxes and dealing with deep disturbing psychological issues have similar concerns - what do you declare and what do you try desperately to hide? And of course, both actions are undertaken in the name of individuals integrating themselves into society. Another excellent film from Leconte. Just because it is so polished and masterful story telling doesn't mean that it doesn't address other issues that a director such as Rohmer would tackle.