| Marcus Thomas | ... | Peter Rooker / Cyrano | |
| John Corbett | ... | Michael Degan / Christian | |
| Amy Smart | ... | Grace Hargrove / Roxanne | |
| Sean Astin | ... | Ken Zorbell | |
| Clare Higgins | ... | Edwina Walters | |
| Patty Duke | ... | Mrs. Keene / Earlene | |
| Allan Corduner | ... | Kippy Newberg | |
| J.W. Crawford | ... | Kirk | |
| Victor Morris | ... | Steve | |
| Brian Urspringer | ... | Scott | |
| Kenny Jones | ... | Ted (as Kenneth Jones) | |
| Orianna Herrman | ... | Susan | |
| Pam Mahon | ... | Julie | |
| Ernie Garrett | ... | Paul Fisher | |
| Matt Salinger | ... | Mal Gunn | |
| Nurmi Husa | ... | David Nicolette | |
| Greg Germann | ... | Roger | |
| Shea Curry | ... | Mary Anne | |
| Nicholas Forbes | ... | Andrew | |
| Michael Teufel | ... | Male Sewer | |
| Michael Mendelson | ... | Actor | |
| Al Corley | ... | Guy in Line | |
| rest of cast listed alphabetically: | |||
| Marsha Carlton | ... | Actor | |
| Francisco Diego Garcia | ... | Actor | |
| Stephanie Greig | ... | Hot Girl at Bar | |
| David Emerson Jackson | ... | Extra (as David Jackson) | |
| Mad Martian | ... | Guy At Bar | |
| Susan Moen | ... | Actor | |
| Mark Richert | ... | Theater Audience | |
| Barry Seltzer | ... | The Sign Man | |
| Megan Amram | ... | Extra (uncredited) | |
| Brandon Carmody | ... | Rival Theater Actor (uncredited) | |
| Eddie Eagle | ... | The Stranger (uncredited) | |
| Galen Flinn | ... | Jim - Set Designer (uncredited) | |
| Tommy Peters | ... | Guy at funeral (uncredited) | |
Directed by | |||
| Al Corley | |||
Writing credits(WGA) | ||
| Rodney Patrick Vaccaro | (written by) (as Rodney Vaccaro) | |
Produced by | |||
| David Arquette | .... | producer | |
| Craig Borden | .... | producer | |
| Mark Burton | .... | producer | |
| Jonathan Dana | .... | executive producer | |
| Kim Olsen | .... | associate producer | |
| Bart Rosenblatt | .... | producer | |
Original Music by | |||
| Rob Cairns | |||
Cinematography by | |||
| Carl Nilsson | |||
Film Editing by | |||
| Axel Hubert | |||
Production Design by | |||
| Stephen J. Lineweaver | |||
Art Direction by | |||
| Mark Haack | |||
Set Decoration by | |||
| Teresa Tamiyasu | |||
Costume Design by | |||
| Julia Caston | |||
| Christina Mongini | |||
Makeup Department | |||
| Terri Ewton | .... | press junket: key hair stylist | |
| Terri Ewton | .... | press junket: key makeup artist | |
| Eva Lohse | .... | hair assistant | |
| Eva Lohse | .... | makeup assistant | |
| Kelley Mitchell | .... | key hair stylist | |
| Kelley Mitchell | .... | key makeup artist | |
| Christine Steele-Smith | .... | makeup artist | |
| Jennifer Wills | .... | makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Michael D. Jones | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Craig Borden | .... | first assistant director | |
| Jason Halley | .... | second assistant director: second unit | |
| Jason Halley | .... | second second assistant director | |
| Jill Hoppy | .... | additional second assistant director | |
| Aaron Walters | .... | second assistant director | |
Art Department | |||
| Ken Erck | .... | lead scenic artist | |
| Betsy Goslin | .... | property master | |
| Ellen Lepinski | .... | scenic artist | |
| Ellen Lipinski | .... | scenic artist | |
| Don Lundell | .... | construction coordinator | |
| Nicholas Mariani | .... | set dresser | |
| Dan Schaefer | .... | storyboard artist | |
| Amanda Steen | .... | on-set dresser | |
| Amanda Steen | .... | set dresser | |
| Tim Swope | .... | graphics | |
| Teresa Tamiyasu | .... | buyer | |
| Harold 'Willy' Wilson | .... | construction coordinator | |
| Chris Pfeifer | .... | props: graphics (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Matthew T. Duncan | .... | sound recordist | |
| Paul Hackner | .... | sound editor | |
| Eddie Kim | .... | sound editor | |
| Matthew Nicolay | .... | sound mixer | |
| Jesse Nordhausen | .... | boom operator | |
| Vic Radulich | .... | dialogue editor | |
| Terry Rodman | .... | sound re-recording mixer | |
| Richard E. Yawn | .... | supervising sound editor | |
Special Effects by | |||
| Jerry L. Buxbaum | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Ervin | .... | digital effects artist | |
| Lanmana Parys | .... | digital effects producer | |
| Mike Uguccioni | .... | digital compositor | |
Stunts | |||
| Jerry L. Buxbaum | .... | stunt coordinator | |
| Michael Marx | .... | fencing master | |
Camera and Electrical Department | |||
| Michael Best | .... | best boy electric | |
| Jonathon Bradley | .... | gaffer | |
| Ronald K. De torres | .... | lighting console programmer | |
| Jim Dunn | .... | best boy grip | |
| Jeff Ettlin | .... | grip | |
| Nate Goodman | .... | camera loader | |
| Matt Hall | .... | electrician | |
| Wes Houle | .... | rigging gaffer | |
| Brent Kellerman | .... | electrician | |
| Jason Keyes | .... | electrician | |
| Rick Lord | .... | best boy electric | |
| Dave Muskeni | .... | electrician | |
| John Nichols | .... | grip | |
| Daniel Pasley | .... | grip | |
| Rainy Rau | .... | second assistant camera | |
| Michael Shocklee | .... | first assistant camera | |
| Scott Spiker | .... | still photographer | |
| Joel Stirnkorb | .... | key grip | |
| Shawn Sundby | .... | camera operator | |
| Mark Tomlinson | .... | grip | |
| Joe Vitellaro | .... | grip | |
| James WilderHancock | .... | dolly grip | |
| James WilderHancock | .... | still photographer | |
Casting Department | |||
| Megann Ratzow | .... | casting: Portland | |
| Megann Ratzow | .... | extras casting | |
| Laverne Springer | .... | co-extras casting | |
| Laverne Springer | .... | key extras casting assistant | |
Costume and Wardrobe Department | |||
| Layli Conway | .... | wardrobe intern | |
| Kami Gray | .... | set costumer | |
Editorial Department | |||
| Mato | .... | color timer | |
| Frank Pass | .... | colorist | |
Music Department | |||
| Barklie K. Griggs | .... | music supervisor | |
| Dana Niu | .... | orchestrator | |
| Joe Privitelli | .... | music editor | |
| Jeff Vaughn | .... | scoring mixer | |
Transportation Department | |||
| Lisa Espinoza | .... | car driver | |
| Steve Evans | .... | driver | |
| Bart Heimburger | .... | transportation coordinator | |
| Tommy Laughlin | .... | driver | |
| Brendan McKeon | .... | driver: honeywagon | |
| Greg McVey | .... | driver | |
| Robert Platt | .... | driver | |
| Tom Platt | .... | driver | |
| Joe Soleberg | .... | driver | |
| Bernard Szymanski | .... | driver | |
Thanks | |||
| Jonathan Bell | .... | thanks | |
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| Feast of Love | According to Spencer | Twice Upon a Yesterday | Dream for an Insomniac | Cosi |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
BIGGER THAN THE SKY has the feel of an Indie that was made out of a lot of love and commitment from all concerned. That's a good thing, but at the beginning of this little film the viewer questions whether or not the actors can make the story fly - and if you actually want to take the trip with them. But stick it out because a sound film well made rewards the hesitation. It is a 'little man finds his way' tale that makes good sense and provides good entertainment.
Peter Rooker (Marcus Thomas) is in a depressed slump after his girlfriend has dumped him. He is a 'cellophane man' computer artist, living the solitary life, noticed by no one, longing for a feeling of belonging. The place is Portland, Oregon. Peter notes the posting of auditions for a Portland Community Theater production of 'Cyrano de Bergerac' and slowly decides to attempt a moment of belonging by auditioning for the play: if he could just land a small part at least he'd belong.At the auditions he meets the warmly friendly theatrical group: Michael (John Corbett) who is a fine actor with no sense of future, Grace (Amy Smart) a pretty young sprite and competent trouper, director Edwina (Clare Higgins) who is a true theater person preferring to unmask the real Cyrano rather than hide him behind the infamous nose, sassy costumer Mrs. Keene (Patty Duke), and theater founder and adviser Kippy (Alan Corduner) who has retired from the theater due to his progressive cancer.
To everyone's surprise, especially Peter's, Peter lands the title role of Cyrano while Michael becomes Christian and Grace becomes Roxanne. Edwina's faith in the audition honesty of Peter has bolstered her own commitment to her dreams and she works with the cast to mold this very inexperienced (read lousy) actor into the tough role of Cyrano. Peter finds joy in the camaraderie of the actors, and for the first time in his life he becomes a social person. As the play is rehearsed Peter and Michael and Grace become a misguided trio - Peter does not understand the promiscuous life of the actors - and when Peter loses his job because of his increased involvement in the theater, he is informed that Edwina is forced to replace him with a seasoned actor Ken Zorbell (Sean Astin) at the 13th hour.
As good comedies go there are unexpected turns of events at every level of the remaining time until the opening night and the ending results in the personal growth of each of the actors and company. There are some well-drawn performances from John Corbett, Amy Smart, Clare Higgins, Patty Duke (in two roles), Alan Corduner, and ultimately Marcus Taylor (he is so convincingly an untrained actor at the beginning of the film that the audience will think he is wholly without talent!). Director Al Corley keeps the community theater magic alive and Rodney Patrick Vaccaro's script is sparkled by incidental quotes from Rostand's play. And to sum up the final product of the film in Cyrano's word, it has 'panache'. Not a great film, but a warm little story that examines the lonely lives of people who need the stage of a community theater to find themselves. Grady Harp