After being dumped by his girlfriend, a man stuck in a deadend life decides to audition for a small role in a local community theatre's production of Cyrano de Bergerac. Despite having no ... See full summary »
After being dumped by his girlfriend, a man stuck in a deadend life decides to audition for a small role in a local community theatre's production of Cyrano de Bergerac. Despite having no experience as an actor, he lands the lead role, which wreaks havoc upon his life. Written by
You're on the stage, and there we're all Cyrano, all loving with no hope of true love in return; all Roxanne, loving an illusion of love; all Christian, loving with words that are not our own; all imperfect. Parading or imperfections, in spite of our fears, with one thought in mind: to play true to the end. To risk all, and to be left with only that which is most dear.
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BIGGER THAN THE SKY has the feel of an Indie that was made out of a lot of love and commitment from all concerned. That's a good thing, but at the beginning of this little film the viewer questions whether or not the actors can make the story fly - and if you actually want to take the trip with them. But stick it out because a sound film well made rewards the hesitation. It is a 'little man finds his way' tale that makes good sense and provides good entertainment.
Peter Rooker (Marcus Thomas) is in a depressed slump after his girlfriend has dumped him. He is a 'cellophane man' computer artist, living the solitary life, noticed by no one, longing for a feeling of belonging. The place is Portland, Oregon. Peter notes the posting of auditions for a Portland Community Theater production of 'Cyrano de Bergerac' and slowly decides to attempt a moment of belonging by auditioning for the play: if he could just land a small part at least he'd belong.At the auditions he meets the warmly friendly theatrical group: Michael (John Corbett) who is a fine actor with no sense of future, Grace (Amy Smart) a pretty young sprite and competent trouper, director Edwina (Clare Higgins) who is a true theater person preferring to unmask the real Cyrano rather than hide him behind the infamous nose, sassy costumer Mrs. Keene (Patty Duke), and theater founder and adviser Kippy (Alan Corduner) who has retired from the theater due to his progressive cancer.
To everyone's surprise, especially Peter's, Peter lands the title role of Cyrano while Michael becomes Christian and Grace becomes Roxanne. Edwina's faith in the audition honesty of Peter has bolstered her own commitment to her dreams and she works with the cast to mold this very inexperienced (read lousy) actor into the tough role of Cyrano. Peter finds joy in the camaraderie of the actors, and for the first time in his life he becomes a social person. As the play is rehearsed Peter and Michael and Grace become a misguided trio - Peter does not understand the promiscuous life of the actors - and when Peter loses his job because of his increased involvement in the theater, he is informed that Edwina is forced to replace him with a seasoned actor Ken Zorbell (Sean Astin) at the 13th hour.
As good comedies go there are unexpected turns of events at every level of the remaining time until the opening night and the ending results in the personal growth of each of the actors and company. There are some well-drawn performances from John Corbett, Amy Smart, Clare Higgins, Patty Duke (in two roles), Alan Corduner, and ultimately Marcus Taylor (he is so convincingly an untrained actor at the beginning of the film that the audience will think he is wholly without talent!). Director Al Corley keeps the community theater magic alive and Rodney Patrick Vaccaro's script is sparkled by incidental quotes from Rostand's play. And to sum up the final product of the film in Cyrano's word, it has 'panache'. Not a great film, but a warm little story that examines the lonely lives of people who need the stage of a community theater to find themselves. Grady Harp
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