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At Five in the Afternoon (2003)

Panj é asr (original title)
In a post-Taliban Afghanistan a young woman (Agheleh Rezaie) attends school against her conservative father's will, hoping to learn more about democracy to fulfill her dream of being the country's next president.

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(novel), (screenplay)
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4 wins & 2 nominations. See more awards »

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Cast

Cast overview:
Agheleh Rezaie ...
Nogreh
Abdolgani Yousefrazi ...
Father
Razi Mohebi ...
Poet
Marzieh Amiri ...
Leylomah
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Storyline

Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate. Written by Huggo

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Drama

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Release Date:

20 August 2003 (France)  »

Also Known As:

A las cinco de la tarde  »

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1.85 : 1
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Did You Know?

Trivia

Samira Makhmalbaf had difficulty casting the lead role of Nogreh because many women refused to appear on camera without their burqa. Agheleh Rezaie was her second choice after the initial woman she cast dropped out after Makhmalbaf said she would have to show her face to the camera. See more »

Connections

Featured in Joy of Madness (2003) See more »

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User Reviews

 
Observational tale full of hope in post-Taliban Afghanistan
16 January 2012 | by (United Kingdom) – See all my reviews

Nogreh (Agheleh Rezaie) is a young woman living in a post-Taliban Afghanistan. She ultimately seeks to be educated, and finds solace in a girl school promoting new ideals and attitudes to women. Even though the Taliban have been defeated in the country, old ways are still present and burqa's are still preferred. She lives with her Conservative father and her sister-in-law Leylomah, who is searching for her missing husband who has not returned from war. Also, Leylomah has a baby who she is struggling to feed after her milk dries up. Amongst these struggles, Nogreh is running for class president and uses a Pakistani refugee to help with her ultimate goal which is to become President of Afghanistan.

The title comes from Federico Garcia Lorca's poem Lament for Ignacio Sanchez Mejias, which tells the story of a famous bullfighter tragically coming to an end in the ring. It is repeated several times by the Pakistani character named 'Poet' (Razi Mohebi). Mejias was a real and popular figure in Spain, who returned to bullfighting after a long spell out only to be killed. The character of Nogreh has high hopes after Afghanistan is rejuvinated only to be disappointed by a country set in its ways. Although it is clearly an improvement, attitudes to women are still the same and are seen as the inferior sex. This is most evident in the scene where she poses for photographs which she plans to use in her class president campaign, only to have the photographer laugh in her face upon discovering she wants to eventually run for President of the country. While Lorca's poem is tragic and romantic, At Five in the Afternoon is observant and naturalistic.

It would be easy, given the recent history of Afghanistan, to weave a tale of despair and woe, but director Samira Makhmalbaf tells a story that is full of hope. This hope comes from the character of Nogreh, who is brilliantly portrayed by Rezaie. Although she is ultimately looked down upon, and is scared of her father finding out about her radical attitudes, she is determined, and represents Makhmalbaf's hope of a new generation of women that will rise up and compete against the men who have dominated the country for years, and have ultimately led to the deaths of thousands of its inhabitants and many wars. The underlying messages aren't rubbed in your face; they are instead laid out in real situations. The film won Jury Prize at Cannes, and is a shining light in what will hopefully become a New Wave in Middle Eastern film-making

  • God knows they have stories to tell.




www.the-wrath-of-blog.blogspot.com


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