| Photos (See all 40 | slideshow) | Videos (see all 4) |
| Ashley Olsen | ... | Jane Ryan | |
| Mary-Kate Olsen | ... | Roxy Ryan | |
| Eugene Levy | ... | Max Lomax | |
| Andy Richter | ... | Bennie Bang | |
| Riley Smith | ... | Jim, The Bike Messenger | |
| Jared Padalecki | ... | Trey Lipton | |
| Drew Pinsky | ... | Dr. Ryan (as Dr. Drew Pinsky) | |
| Darrell Hammond | ... | Hudson McGill | |
| Andrea Martin | ... | Senator Anne Lipton | |
| Alannah Ong | ... | Ma Bang | |
| Mary Bond Davis | ... | Big Shirl | |
| Bob Saget | ... | Himself | |
| Jack Osbourne | ... | Justin | |
| Joey Klein | ... | Truant at Pool | |
| Neil Crone | ... | Officer Strauss | |
| Jonathan Wilson | ... | Train Conductor | |
| Boyd Banks | ... | Ticket Window Guy | |
| Silver Kim | ... | Asian Guy with Chip | |
| Conrad Bergschneider | ... | Fed #1 | |
| Robert Williams | ... | Fed #2 | |
| Dominic Cuzzocrea | ... | Homeless Guy (as Domenic Cuzzocrea) | |
| Suresh John | ... | Deli Clerk | |
| Kent Staines | ... | Doorman | |
| H. Jon Benjamin | ... | I Love NY Vendor (as Jon Benjamin) | |
| Frank Bonsangue | ... | Con Ed Supervisor | |
| Jo Chim | ... | Ma Bang's Assistant | |
| Lindsay Leese | ... | Customer at Ma Bang's | |
| Pierre Bouvier | ... | Simple Plan | |
| Chuck Comeau | ... | Simple Plan | |
| Sebastien Lefebvre | ... | Simple Plan | |
| David Desrosiers | ... | Simple Plan | |
| Jeff Stinco | ... | Simple Plan | |
| Alison Northcott | ... | Video Shoot Groupie | |
| Balázs Koós | ... | Video Shoot Announcer | |
| Trip Phoenix | ... | Old School Record Exec | |
| Philip Drube | ... | Old School Record Exec | |
| Kenny Robinson | ... | Head Security | |
| Todd Schroeder | ... | Massive Security Guard (as Todd William Schroeder) | |
| Colin Penson | ... | Security Guard | |
| Damon D'Oliveira | ... | News Broadcaster | |
| Eric Woolfe | ... | Male Nurse | |
| Warren Belle | ... | Mickey the Cab Driver | |
| Arnold Pinnock | ... | Big Shirl's Male Beautician | |
| Tasha Ricketts | ... | Big Shirl's Beautician | |
| Stephanie Samuels | ... | Big Shirl's Beautician | |
| Marsha Williams | ... | Big Shirl's Beautician | |
| Olunike Adeliyi | ... | Big Shirl's Beautician (as Wendy Adeliyi) | |
| Donna Marie Christie | ... | House of Bling Customer (as Donna-Marie Christie) | |
| Jamila Fleming | ... | House of Bling Customer | |
| Shakira Harper | ... | House of Bling Customer | |
| Lurline Lucas | ... | House of Bling Customer | |
| Faustina Owusu-Ansah | ... | House of Bling Customer | |
| John Hemphill | ... | Tim Brooger | |
| Kathleen Laskey | ... | Steffi Brooger (as Kathy Laskey) | |
| Garen Boyajian | ... | Manjhur | |
| Jazz Mann | ... | Auditorium T.A. | |
| Maggie Butterfield | ... | Auditorium Moderator | |
| Gala | ... | Reinaldo | |
| Krissy | ... | Reinaldo | |
| Frank Welker | ... | Reinaldo Vocal Effects (voice) | |
| rest of cast listed alphabetically: | |||
| The Naked Cowboy | ... | Himself (uncredited) | |
Directed by | |||
| Dennie Gordon | |||
Writing credits(WGA) | ||
| Emily Fox | (story) | |
| Emily Fox | (screenplay) and | |
| Adam Cooper | (screenplay) & | |
| Bill Collage | (screenplay) | |
Produced by | |||
| Denise Di Novi | .... | producer | |
| Alison Greenspan | .... | executive producer | |
| Ashley Olsen | .... | producer | |
| Mary-Kate Olsen | .... | producer | |
| Christine A. Sacani | .... | co-producer | |
| Robert Thorne | .... | producer | |
| Jill Zimmerman | .... | co-producer | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Greg Gardiner | |||
Film Editing by | |||
| Roderick Davis | |||
| Michael Jablow | |||
Casting by | |||
| Marci Liroff | |||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Peter Grundy | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Christopher Hargadon | |||
Makeup Department | |||
| Marlene Aarons | .... | assistant makeup artist | |
| Joe Cuervo | .... | key makeup artist: New York | |
| Karola Dirnberger | .... | hair stylist | |
| Erin Hicks | .... | hair stylist: New York | |
| Leslie Lightfoot | .... | makeup artist: Ashley Olsen and Mary-Kate Olsen | |
| Leslie Ann Sebert | .... | key makeup artist (as Leslie Sebert) | |
| Kerrie Smith | .... | key hair stylist: New York | |
| Vincent Sullivan | .... | key hair stylist | |
| Mark Townsend | .... | hair designer: Ashley Olsen | |
| Mark Townsend | .... | hair designer: Mary Kate Olsen | |
| Nancy E. Warren | .... | key hair stylist: second unit, Toronto (as Nancy Warren) | |
| Deborah Williams | .... | key makeup artist: second unit, Toronto | |
| Akiko Wilson | .... | makeup artist | |
Art Department | |||
| Darleen Abbott | .... | construction accountant | |
| Pierre Bonhomme | .... | art department intern | |
| Cameron S. Brooke | .... | key scenic artist | |
| Robert C. Brooke | .... | lead scenic artist | |
| David Orin Charles | .... | on-set decorator | |
| David DiCorpo | .... | assistant head carpenter | |
| Avril Dishaw | .... | assistant decorator | |
| Dawn H. Fisher | .... | second assistant art director | |
| Christopher Geggie | .... | property master | |
| Danielle Giovanniello | .... | props | |
| Chris Hanson | .... | scenic laborer | |
| David Hirschfield | .... | set designer | |
| John Mackenzie | .... | construction coordinator | |
| Michael Madden | .... | set designer | |
| Charles E. McCarry | .... | art director: New York | |
| Brad Milburn | .... | second assistant art director | |
| Melissa Olson | .... | property buyer | |
| Victor 'Chikko' Quon | .... | assistant head painter | |
| Dave Rosa | .... | head painter | |
| Danny Rovira | .... | construction coordinator: New York | |
| Robert S. Smith | .... | carpenter | |
| Brian van de Valk | .... | carpenter | |
| Lucinda Zak | .... | art director: second unit | |
Special Effects by | |||
| Aaron Dinsmore | .... | special effects technician | |
| Inese Dzenis | .... | special effects | |
| Tony Kenny | .... | special effects foreman | |
| Kaz Kobielski | .... | special effects coordinator | |
| David Lemmen | .... | special effects | |
| Ian Locke | .... | special effects | |
| Sam Mujkanovic | .... | special effects | |
| Jim Reischl | .... | special effects | |
| Dean Stewart | .... | special effects administrator | |
| Sophie Vertigan | .... | special effects | |
Visual Effects by | |||
| Larry Adlon | .... | digital compositor: pre-vis | |
| Jerry Andrews | .... | motion control operator | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | team supervisor | |
| Ian Britton | .... | lead compositor: Rocket Science VFX | |
| Sarah Coatts | .... | visual effects producer: main title sequence, yU+co. | |
| Robert Crowther | .... | visual effects producer | |
| Bret Culp | .... | visual effects supervisor: C.O.R.E. Digital Pictures | |
| Rob Del Ciancio | .... | digital compositor: Mr. X Inc. | |
| Paul DeOliveira | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Bonnie Dickson | .... | tape operator: Mr. X Inc. | |
| Jason Han | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Matt Hansen | .... | lead 3D animator | |
| Wensen Ho | .... | digital compositor | |
| Mary Holding | .... | digital compositor | |
| Jody Jessop | .... | visual effects production manager: C.O.R.E. Digital Pictures | |
| Ariel Joson | .... | digital effects artist | |
| Jason Kolodziejczak | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Kevin Lin | .... | quality control Combustion paint artist, digital intermediate: Efilm/Panavision | |
| Kevin Lin | .... | quality control coordinator, digital intermediate: Efilm/Panavision | |
| Sarah McMurdo | .... | visual effects coordinator: Mr. X Inc. | |
| Mark Palowich | .... | visual effects supervisor | |
| Matt Ralph | .... | digital artist | |
| Scott Riopelle | .... | digital compositor | |
| Eric J. Robertson | .... | visual effects producer: Mr. X Inc. | |
| Matt Schofield | .... | matte artist | |
| Joel Skeete | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Derek Sunderland | .... | digital artist | |
| Mark Thomas-Stubbs | .... | visual effects director: C.O.R.E. Digital Pictures | |
| Martin Tori | .... | visual effects consultant | |
| Tom Turnbull | .... | visual effects supervisor (as Thomas Turnbull) | |
| Aaron Weintraub | .... | compositing supervisor: Mr. X Inc. | |
| David Willows | .... | technical director: C.O.R.E. Digital Pictures | |
| Robert Greb | .... | digital compositor (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Samara Melanson | .... | visual effects producer (uncredited) | |
| Chris B. Schnitzer | .... | visual effects production supervisor: Warner Bros. (uncredited) | |
Animation Department | |||
| Daniel Binder | .... | animator | |
| Ryan Cromie | .... | animator | |
| David E. Nunez | .... | animator (as David Nunez) | |
| Robert Zwirner | .... | animator | |
Casting Department | |||
| Chris Bustard | .... | extras casting: Los Angeles | |
| Jamie Sparer Roberts | .... | casting associate | |
Costume and Wardrobe Department | |||
| Frank Alexander | .... | costume supervisor | |
| Joseph G. Aulisi | .... | wardrobe: Ashley Olsen and Mary-Kate Olsen | |
| Renée Bravener | .... | costumer: Ashley Olsen and Mary Kate Olsen | |
| Angela Elter | .... | costume cutter | |
| Gayle Franklin | .... | costume set supervisor: second unit | |
| Mary Gierczak | .... | set costumer | |
| Lindsay Jacobs | .... | costume supervisor | |
| Sara Schilt | .... | costume buyer | |
| Gamila Smith | .... | costume designer: Los Angeles | |
| Judy B. Swartz | .... | wardrobe advisor: Ashley Olsen and Mary-Kate Olsen (as Judy Swartz) | |
Editorial Department | |||
| Steve Bowen | .... | digital colorist | |
| Ben Estrada | .... | digital colorist assistant | |
| Vaune Kirby Frechette | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Heather Mullen | .... | assistant editor | |
| Jeff Schweikart | .... | post-production assistant | |
| Kurt Smith | .... | film color timer | |
| Dawn M. Stoliar | .... | first assistant editor | |
| Nadav Streett | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Rob Bertola | .... | music playback editor | |
| Rob Bertola | .... | music playback: Pro Tools | |
| George Doering | .... | musician | |
| Julie Eidsvoog | .... | music preparation | |
| Mike Flicker | .... | supervising music editor | |
| Matt Friedman | .... | music editor | |
| Rick Giovinazzo | .... | orchestrator | |
| John Houlihan | .... | music supervisor | |
| Suzie Katayama | .... | orchestrator | |
| Steve Kempster | .... | score engineer | |
| Steve Kempster | .... | score mixer | |
| Season Kent | .... | music coordinator | |
| Bryon Rickerson | .... | assistant music editor | |
| Peter Erskine | .... | musician (uncredited) | |
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| Spider-Man 2 | Scott Pilgrim vs. the World | Spider-Man 3 | Persepolis | Ae Fond Kiss... |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I thought this was a good movie. Its not fair to compare it to "Mean Girls." Although I like Lindsay Lohan, Mean Girls is intended for a different age group. My daughter is 10 and loved "Freaky Friday", but I feel "Mean Girls" has too much sexual content for that age. "New York Minute" is aimed for the "tween age" group. There aren't enough of these kinds of movies out. Its either cartoon-like movies, which this age thinks are not cool enough for them, or right to sex and violence. The New York Minute is an in-between kind of movie that we need to fill the gap for this age group. The people who are saying "this is so predictable" and "we have already seen that kinda movie before" are not the target audience. Yes, we older ones have seen this plot many times before, but our kids have not. Even if we let them see the movies that are similar, they were based in the 60's, 70's, 80's, 90's, etc., so the trends and such will be harder for them to relate to. Mary Kate and Ashley have not surrendered to pressure to include sex and violence in their movies and I say good for them. This is a fun movie that the whole family can enjoy and get a lot of laughs. If there were more movies like this, maybe our young wouldn't be so prone to grow up so fast, and actually still enjoy being with their families.