Julia, a teacher in a school for the deaf, has a hideously deformed and deranged twin sister that resides in the local looney bin. She escapes to gate-crash a surprise birthday party for ... See full summary »
Ovidio G. Assonitis
The psychiatric intern Clark Stevens comes to Cunningham Hall, a mental healthy facility administrated by Dr. Franks, for a training period before his graduation in medical college. He gets close to the resident Sara and to Ben London, a dangerous patient lodged in cell 44 in the basement of the clinic. Clark becomes intrigued with a boy, who seems to be a ghost, and finds that Dr. Franks does not use real medication in the patients. A further investigation shows hidden dark secrets in the clinic. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The building seen at the very end of the film is "Stites Mental Facility", obviously named after Todd Stites, the post-production supervisor and the actor who played the "Trannie". See more »
When Clark is first in Dr. Franks office, he looks over the books on the shelf. One of them is labeled "Psychoterapy Pratctices" by Dr. Jess Williams." Obviously it should be spelled "Psychotherapy Practices." See more »
I first rented this movie, expecting only the typical cheesy low budget B-movie, but was surprised to discover a good movie that could have played first run in the theaters. Basically, a young psychiatric intern comes to this backwater rundown mental hospital and discovers a chamber of horrors. There is a mysterious kid/ghost running loose in the hospital (unfortunately, this actor's name was missing from the credits) and a string of murders taking place, as the intern attempts to piece together what is going on. There were several recognizable stars (such as Lance Henrickson) in the movie, most of whom had small parts in favor of the lesser known actors. There was a fair amount of bloodshed in this movie, and a very good turn around in the plot towards the end of the movie that makes all of the previously hard to follow elements crystal clear to the viewer as the identity of the killer is realized.
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