Father (Andrej Shetinin) and Son (Alexei Nejmyshev) live together in a rooftop apartment. They have lived alone for years in their own private world, full of memories and daily rituals. ... See full summary »
A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside... See full summary »
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
Romain is a very successful fashion photographer who's diagnosed with terminal cancer. He copes by being cruel and nasty to those he loves, until a visit with his grandmother changes his outlook. But, his boyfriend's moved out, now what?
Father (Andrej Shetinin) and Son (Alexei Nejmyshev) live together in a rooftop apartment. They have lived alone for years in their own private world, full of memories and daily rituals. Sometimes they seem like brothers. Sometimes even like lovers. Following in his father's footsteps, Alexei attends military school. He likes sports, tends to be irresponsible and has problems with his girlfriend. She is jealous of Alexei's close relationship with his father. Despite knowing that all sons must one day live their own lives, Alexei is conflicted. Alexei's father knows he should maybe accept a better job in another city, maybe search for a new wife. But who will ease the pain of Alexei's nightmares? Written by
A Strange, Beautiful Meditation on The Paternal Bond
Just a short note: It seems that a lot of people don't know what to make of Aleksandr Sokurov's "Father & Son". Though more accessible than the monumental "Russian Ark", "Father" is still a baffling, hard film to grasp. Looking like an archival photograph from beginning to end and lacking a traditional story, it very much resembles a dream. There's a lot of vague poetic talk about abandonment, security, being saved, and such. Largely abstract, one of the few concrete elements of the film is the fact that both father (Andrej Shetinin) and son (Alexei Nejmyshev) are beautiful. Shetinin especially is stunning. It's not unexpected for people to see some homoerotic angles. When a film is this abstract I guess the tendency is to latch on to the most obvious, most concrete aspect. And we can never underestimate the fearpossibly homophobia?of seeing men getting emotional with each other, much less 2 attractive ones. It's a taboo so strongly ingrained in some cultures that it surpasses the simple fact that the 2 men in question are father and son. It's rare for me to see explorations of paternal bonds on film, especially one this deep so I had to readjust my mindset. If one can go beyond these obstacles you may just see an intense, poetic look into the relationship of two adult men, father and son.
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