A father and his son live together in a roof-top apartment. They have lived alone for years in their own private world, full of memories and daily rites. Sometimes they seem like brothers. ... See full summary »
A 19th century French aristocrat, notorious for his scathing memoirs about life in Russia, travels through the Russian State Hermitage Museum and encounters historical figures from the last 200+ years.
Originally a five-part semi-documentary series on Russian television, this scaled down release tells the story of a Russian naval commander in charge of an Arctic-based ship. The film ... See full summary »
A film in homage to Russian filmmaker Andrei Tarkovsky. It concentrates on his absence from the Soviet Union and what he left behind. There are episodes of his funeral and places he lived ... See full summary »
Austria. Its the end of the XIXth Century. His name is Alois. He waits in fearful agony for the dramatic birth of his child. He is ignorant of the dark future that the birth would bring to humanity. History always has a beginning.
A father and his son live together in a roof-top apartment. They have lived alone for years in their own private world, full of memories and daily rites. Sometimes they seem like brothers. Sometimes even like lovers. Following in his father's path, Aleksei attends military school. He likes sports, tends to be irresponsible and has problems with his girlfriend. She is jealous of Aleksei's close relationship with his father. Despite knowing that all sons must one day live their own lives, Aleksei is conflicted; his father knows he should accept a better job in another city, perhaps search for a new wife, but who will ease the pain of Aleksei's nightmares? Written by
A Strange, Beautiful Meditation on The Paternal Bond
Just a short note: It seems that a lot of people don't know what to make of Aleksandr Sokurov's "Father & Son". Though more accessible than the monumental "Russian Ark", "Father" is still a baffling, hard film to grasp. Looking like an archival photograph from beginning to end and lacking a traditional story, it very much resembles a dream. There's a lot of vague poetic talk about abandonment, security, being saved, and such. Largely abstract, one of the few concrete elements of the film is the fact that both father (Andrej Shetinin) and son (Alexei Nejmyshev) are beautiful. Shetinin especially is stunning. It's not unexpected for people to see some homoerotic angles. When a film is this abstract I guess the tendency is to latch on to the most obvious, most concrete aspect. And we can never underestimate the fearpossibly homophobia?of seeing men getting emotional with each other, much less 2 attractive ones. It's a taboo so strongly ingrained in some cultures that it surpasses the simple fact that the 2 men in question are father and son. It's rare for me to see explorations of paternal bonds on film, especially one this deep so I had to readjust my mindset. If one can go beyond these obstacles you may just see an intense, poetic look into the relationship of two adult men, father and son.
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