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Zatôichi
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Zatoichi (2003) More at IMDbPro »Zatôichi (original title)

Photos (See all 23 | slideshow) Videos (see all 3)
Zatoichi -- Zatoichi comes across a pregnant woman dying from sword wounds and helps deliver her baby. Her final request to him: take the boy to see his father. From here, the film evolves into one of the wilder rides in the Zatochi series.
Zatoichi -- It’s East meets East when one of Japan’s action idols crosses paths with an iconic kung-fu hero from Hong Kong. While traveling the countryside, Zatoichi comes across Wang Kang, a Chinese swordsman protecting a brutally orphaned young child.

Overview

User Rating:
7.6/10   35,143 votes »
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Down 9% in popularity this week. See why on IMDbPro.
Director:
Writers:
Takeshi Kitano (screenplay)
Kan Shimozawa (novels)
Contact:
View company contact information for Zatoichi on IMDbPro.
Release Date:
6 September 2003 (Japan) See more »
Genre:
Tagline:
His Sword Made Him a Hero... His Courage Made Him a Legend. This Summer, Justice is Blind.
Plot:
The blind masseur/swordsman comes to a town in control of warring gangs, and while bunking with a farming family, he meets two women with their own agenda. Full summary » | Add synopsis »
Plot Keywords:
Awards:
21 wins & 10 nominations See more »
User Reviews:
Flawed but still very enjoyable See more (182 total) »

Cast

  (in credits order)

Takeshi Kitano ... Zatôichi / Ichi (as Beat Takeshi)

Tadanobu Asano ... Hattori Genosuke
Michiyo Ôkusu ... Aunt Oume
Gadarukanaru Taka ... Shinkichi
Daigorô Tachibana ... Geisha Seitaro 'Osei' Naruto

Yûko Daike ... Geisha Okinu Naruto
Yui Natsukawa ... O-Shino, Hattori's Wife
Ittoku Kishibe ... Boss Inosuke Ginzo
Saburô Ishikura ... Boss Tashichi Ogi
Akira Emoto ... Tavern Owner Pops
Ben Hiura ... Tavern Gramps
Kohji Miura ... Lord Sakai
Hideboh ... Dancing Farmer (as The Stripes)
Ron II ... Dancing Farmer (as The Stripes)
Suji ... Dancing Farmer (as The Stripes)
Noriyasu ... Dancing Farmer (as The Stripes)
Makoto Ashikawa ... Carpenter
Tsumami Edamame ... Carpenter
Kosuke Ohta ... Carpenter
Yoshiyuki Morishita ... Carpenter
Naomasa Musaka ... Yakuza Boss on the Country Road
Shoken Kunimoto ... Rival Swordsman
Daigaku Sekine ... Ginzo's Henchman I
Koji Koike ... Boss Funahachi
Koji Kiryu ... Dice Dealer at Funahachi's Joint
Taigi Kobayashi ... Funahachi's Bodyguard
Ayano Yoshida ... Young O-Kinu
Taichi Saotome ... Young O-Sei (Seitaro)
Kanji Tsuda ... Playboy at Home
Ikki Goto ... Kuchinawa Underling 1
Yoshio Nakamura ... Kuchinawa Underling 3
Hiroaki Noguchi ... Kuchinawa Underling 5
Shinichi Nakatsu ... Kuchinawa Underling 2
Toru Yonezu ... Kuchinawa Underling 4
P. Man ... Tavern Customer 4
Al Kitago ... Farmer Boy 1
Omiya no Matsu ... Farmer Boy 2
Tsutomu Takeshige ... Farmer Boy 4
Gambino Kobayashi ... Farmer Boy 5
Sammy Moremore Jr. ... Farmer Boy 6
Muhômatsu ... Farmer Boy with a Spear (as Muhomatsu)
rest of cast listed alphabetically:
Yasushi Higuchi
Ryûki Kitaoka
Isao Ogura
Masayoshi Ohzeki
Kenji Takechi ... Yakuza
Yôji Tanaka
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Directed by
Takeshi Kitano 
 
Writing credits
Takeshi Kitano (screenplay)

Kan Shimozawa (novels)

Produced by
Makoto Kakurai .... assistant producer
Shinji Komiya .... line producer
Jack Maeby .... producer (English language version)
Masayuki Mori .... producer: Office Kitano
Chieko Saitô .... planner
Tsunehisa Saitô .... producer: Saitô Entertainment
Masanori Sanada .... co-producer
Takio Yoshida .... co-producer
 
Original Music by
Keiichi Suzuki 
 
Cinematography by
Katsumi Yanagijima 
 
Film Editing by
Takeshi Kitano 
Yoshinori Ohta 
 
Casting by
Takefumi Yoshikawa 
 
Production Design by
Norihiro Isoda 
 
Costume Design by
Yohji Yamamoto 
 
Makeup Department
Kakusei Fujiwara .... special makeup effects artist
 
Production Management
Kensei Mori .... production manager
 
Sound Department
Senji Horiuchi .... sound designer
Akira Nakano .... sound recordist
Kenji Shibazaki .... sound effects
 
Camera and Electrical Department
Hitoshi Takaya .... lighting director
Toshio Watanabe .... still photographer
 
Costume and Wardrobe Department
Kazuko Kurosawa .... costume supervisor
 
Other crew
Marc Handler .... voice director: English version
Marc Handler .... writer: English version
Hideboh .... choreographer: tap dancing (as The Stripes)
Richard Lormand .... publicist: international
Noriyasu .... choreographer: tap dancing (as The Stripes)
Ron II .... choreographer: tap dancing (as The Stripes)
Haru Shôbara .... script supervisor
Suji .... choreographer: tap dancing (as The Stripes)
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Also Known As:
"Zatôichi" - Japan (original title)
"Takeshi Kitano's Zatoichi" - International (English title) (informal title)
"The Blind Swordsman: Zatoichi" - USA (DVD box title)
See more »
MPAA:
Rated R for strong stylized bloody violence
Runtime:
116 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
The dance sequence at the end of the film features all of the villagers, but not the villains. Zatôichi, however, is not there. Writer/director Takeshi Kitano's reason for not including Zatôichi into the sequence was because he felt that Zatôichi was more of a villain.See more »
Quotes:
Aunt Oume:This must be quite a sight! I'm guiding a masseur, who's carrying my vegetables.
Zatôichi:Wish I could see that!
See more »
Movie Connections:
Referenced in Zinda (2006)See more »

FAQ

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58 out of 107 people found the following review useful.
Flawed but still very enjoyable, 13 March 2004
Author: bob the moo from United Kingdom

Zatoichi is a good humoured blind man who travels making his living from being a masseur. He arrives in a small village, keeping secret his ability as a swordsman. The village is split with rival gangs, one of whom hires a troubled but talented samurai to wipe the others out. Meanwhile two beautiful geisha sisters are more than they appear. Into the middle of the impending bloody conflict walks Zatoichi.

One of the good things about Kill Bill may well be that it brings a wider audience to the martial arts genre from the Far East on a bigger scale. If that is the case then this is one of the films that they will likely come to first in the cinema, as it is about to have a full UK release. I was able to see this as part of the Birmingham Screen Festival 2004, so I was in a full audience that was ready and willing to be entertained and this may have helped me enjoy it more than a half full cinema of people who have just drifted in. With or without this atmosphere I found this to be an enjoyable, stylish, funny and violent film - but not without flaws.

The biggest flaw is the plot sadly. At it's heart it is a good story, but the manner of delivery really hamstrings it's ability to engage and grip. I have read that it was meant to be a homage/spoof of operas, and my very astute (and beautiful!) friend told me that the way of having lots of minor characters to almost cover costume changes for the main actors is a musical thing and that the film reminded her of that. While I accept that may be the reason for the way the film is, it doesn't change the fact that it didn't work for me. The films starts with difficulty - it is hard to follow with so many characters and gangs of which we are given no history to work with. This continues for much of the film, with minor characters coming and going, partly contributing to the overall story but also breaking up the flow with subplots that are never really explained or understood.

This trend continues, with the film never getting a real tension or pace to it. The conclusion of the film is a bit of a letdown - although I may have been conditioned to expect `the big showdown' in this genre. It still works pretty well but I just had a pretty big problem with the way the story flowed (or didn't). This is not to downplay how much I did enjoy it. The film has a great thread surrounding Osei where he acts as a comic relief - all his stuff is very funny and it really helps to break the tension; it's just the things like the bodyguard's subplot - nothing explained yet quite a lot of weight put on him. While it does lack pace, tension and punch, it still works well enough to hold the action together.

The fights are bloody, stylish and enjoyable although I fear that those weaned on Kill Bill's excess will not accept it as gory enough. The use of CGI blood may be a problem as well - personally I found it to compliment the otherworldly effect of the film by being almost more pronounced than `real' blood would be. The fights are enjoyable, although they are perhaps a little too brief - certainly some of the more important fights were over way too quickly and without ceremony. Generally though, the film looks amazing. Each shot is framed really well and, where the characters are still or set against a big background, many of the shots would look great on a poster. The sets are fantastic and really capture the sense of period and place. As director, Takeshi really has done well even if he could have done with a bit more help on the action front.

The cast are roundly superb even where the are let down by the material a little bit in terms of their characters. Takeshi plays his character with an easy going humour that contrasts nicely with his sudden, violent movements at key moments. Easily the standout performance though is from Taka, who brings so much to the film with his likeable, comic fool. He is very funny throughout the film and his lack of background is not a problem as none of his strands call upon that like the others do. Asano's bodyguard is interesting but sadly poorly served by the material. The two sisters are OK but again their performances are overshadowed by the fact that their sections of the film are not as strong as need be - the slightly corny CGI ending involving them is only corny because I didn't have sufficient buy in to their characters to care that much. The various villains fail to impose themselves on the film but enough is done by Takeshi and Taka to keep the audience engaged.

Overall I did really enjoy this film. It was visually very stylish, funny, engaging and enjoyable. It has flaws with the structure, the plotting in regards characters and suffers from a lack of real excitement or consistent tension but it is still more than worth seeing.

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